LCM Syllabus 2018: The Big Review

Sheet Music Review  by Karen Marshall

November has seen the London College of Music present their new piano syllabus.

Due to staff changes the last time the syllabus was changed was back in 2013. So I was very excited to see what LCM were offering – especially as many of my colleagues Andrew Eales, David Barton, Francis Wilson and Melanie Spanswick have consulted on the main albums.

As a teacher who actively uses LCM, along with Trinity and ABRSM, Andrew asked me to write the review (to maintain impartiality).

As my first full syllabus review on Pianodao, I have worked really hard to get a broad collection of voices – many thanks to my piano teaching colleagues who have helped me shape this review.

I must say that the overall impression is that this is a job very well done by LCM, and a big step up from previously piano syllabi in terms of pedagogical content, variety of repertoire, quality of editing and presentation of the publications. Huge congratulations to William Alexander, David Duncan and the rest of the team at LCM for this achievement.

Now here’s my review, and in true Pianodao style, it is equally as detailed as Andrew’s! I really hope it proves helpful to teachers and pupils.

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LCM’s First Steps

Sheet Music Review

Of the accredited music exam boards in the UK, LCM (London College of Music) Exams offer the most diverse and perhaps most interesting range of graded and other assessments for piano players, and although perhaps less well-known than their main competitors ABRSM and Trinity College London, their brand new piano syllabus for 2018 may go a long way towards altering perceptions and the appeal of LCM.

As with ABRSM and TCL, LCM Exams offer a series of eight Grades, followed by a range of professional diploma exams. I was bowled over by the quality and content of the excellent new diploma anthology published back in the summer, which I reviewed here.

The new series of Piano Handbooks for the eight Grades are, in my view, equally stunning, and leave no doubt that LCM have set their sight on being the best in their field.

Not for me to review those books here, however, as I must openly state that I acted as a syllabus consultant for the 8 Grades, advising LCM on repertoire selection and editorial questions. Karen Marshall is therefore kindly stepping in, with an in-depth and independent review of those books for Pianodao.

In the meantime, I offer this review of LCM’s pre-grade one assessments, which are rather more extensive than the other examination boards’ …

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Benny Andersson Piano Album

Sheet Music Review by Karen Marshall

Benny Andersson Piano
Music from ABBA, Chess and more –
21 transcriptions for solo piano.
A MUST this Christmas.

When the store manager of Banks, Music Room York, introduced me to the new Benny Andersson Piano book I knew I had to buy a copy. I really haven’t been disappointed – not only has it been wonderful to play, it has brought back so many memories.

I am just 7 years old stood in the living room, wobbling in my Mum’s high heels, wearing a favourite long frilly skirt and hair brush gripped in hand. And yes, I’m singing! I’m singing my little heart our pretending I am Anni-Frid in Thank You For The Music.

And it appears that Benny himself has been down memory lane recording the Album, from which this music was transcribed by Göran Arnberg. In his own words ………

“In the process of recording this album, which has been tremendous fun, I have come to realise that the pieces I have chosen to play are an integral part of me. In endeavouring to reach for some core within them, I have found that the more I strip away the clothing, i.e. treatments and arrangements from the ‘original versions’, the closer I feel to the music, regardless of whether it was created last year or 40 years ago. In a strange way, I feel like I’m playing my memoirs.”    Benny Andersson

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Christmas Piano Music

Album Review

I simply must tell you about Peter Froundjian’s new release for SONY Classical, Christmas Piano Music. It is surely one of the most unusual, but fabulous recordings of the year!

Unusual, because there is hardly a single work on here that will be familiar (many are world premiere recordings). Fabulous because, from top to toe, these neglected works are wonderful and beautifully performed.

It really deserves to be heard in every household this Christmas season!

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Get Set! Piano Characters

Collins Music have just made available a brand new FREE resource to accompany and support the Get Set! Piano series, written by Karen Marshall and Heather Hammond.

The latest additions to the stunning range of materials are a set of “Character” posters featuring the books’ popular Louis Legato, Suzie Staccato, Patrick Piano and Francesca Forte, as wonderfully illustrated by Julia Patton.

Each poster can be printed off as an A4 sheet to display in your teaching studio and use as a teaching and learning resource.

The complete set comes as a PDF file which Collins Music are generously offering on their own site, and by special permission, right here via Pianodao:

DOWNLOAD LINK.

Enjoy!

And many thanks indeed to the creators of Get Set! Piano and the lovely people at Collins Music.

You can also still find the full range of the Get Set! Piano downloads here.

And my review of the method books is here.

The Playful Piano Teacher

Are you a piano teacher? If so, let me ask you a question:

Do you enjoy your work? I mean – really enjoy it, all the time?

I’m fairly sure that most of us, if we are honest, will recognise that while we love our work in general, there are times where fatigue, impatience, distraction and even boredom can set in, even very fleetingly. And while we may feel a little guilty or inadequate in those moments, the reality is that in any job – however wildly fulfilling – we all experience “off days” and times when our heart isn’t quite so far into it as usual.

To counter the negative feelings that this can produce, I invite you to consider this wonderful quote from Buddhist teacher Haemin Sunim:

“Those who work in a playful, relaxed manner
tend to work efficiently and creatively;
Those who work non-stop, driven only by stress,
work without joy.”

Haemin Sunim, The Things You Can See Only When You Slow Down (2012)

In this post I am going to consider what it might mean to “work in a playful manner”, and how this could make all the difference for our students.

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