Sheet Music Review
The composer Bohuslav Martinů’s name will be known to many readers, but perhaps fewer will be familiar with his piano music – other than the gorgeous miniature Colombine Dances, which was such a popular choice when it was set for ABRSM Grade 6 a few years ago, subsequently appearing in the third Encore book.
Born in 1890, Martinů is rightly regarded as one of the great Czech composers of the early 20th century. He was impressively prolific, leaving 15 operas, 14 ballet scores, 6 Symphonies, and a very large body of instrumental and choral music. His musical influences were eclectic – embracing modernism, neo-classicism, jazz and Latin American dance music.
All of which are evident in a new collection of previously unknown piano works, brought to us by Bärenreiter.
Continue reading Martinů: Easy Piano Pieces & Dances
Sheet Music Review
Concluding my review of Levels 1 and 2 of Hans-Günter Heumann’s new method series, Piano Junior (published by Schott), I wrote:
“I have often said that teachers owe it to themselves and their students to have a few different methods to draw on, remembering that one size does not fit all. And I strongly recommend that teachers consider including Piano Junior among their options…
My own view is that Piano Junior has in many respects raised the bar, in some ways perhaps even setting a new standard by which piano courses for children will be judged.”
Those who followed my suggestion and took a look for themselves will be keen to hear that Level 3 is now available. Once again, there are four books, covering Lessons, Duets, Performance (additional pieces) and Theory. Let’s take a look…
Continue reading Piano Junior 3
Autumn is in full swing here in the UK, and the usually green city of Milton Keynes is now presenting itself in astonishing hues of yellow, orange, red and brown.
I’ve just returned from a walk in the woods (the wonderful Linford Wood, shown in my photo above, is just five minutes from my door on foot) with our puppy, Bella Bardóg. The best word I can think of to describe the vivid beauty here today is … invigorating. I’m not much of a photographer, but hopefully the picture captures it.
We sometimes think about Autumn as a season of decay, of decline, in which the weather turns drab, and the nights draw in. And for those of a melancholic disposition, the words seasonal affective disorder loom, an ominous spectre.
But I prefer to see the Autumn as a time of dynamic change and possibility, the old giving way to the new.
Any gardener will tell you that plants sometimes need a good pruning, and the spectacular feast of colour in Linford Wood today serves as a vivid reminder of nature’s inbuilt commitment to change, vitality and new beginnings.
What better time for us – as pianists, as teachers, and simply as people – to reflect on those changes that may be needed in our own lives?
- Which “leaves” are turning yellow, and will soon need to drop off?
- And in which areas of our activity do we enjoy evergreen successes?
Here are some questions which I am asking myself at present – you might want to consider them too, and will no doubt also think of others which are more applicable to your current journey…
Continue reading October 2017 Reflection
… especially to those with dyslexia and other learning difficulties
Guest post by Karen Marshall
I have been teaching students with specific learning difficulties (especially dyslexia) for twenty years now. It’s been a real journey which has been packed with lots of learning, creativity, patience, joy, challenge but most of all reward.
Reward in being able to share in music making with students who can find music learning has challenges.
It is important to remember that no two students are the same – and especially no two dyslexic or students with special needs. The solutions may need adapting for individual students, or strategies specially selected for them. And also remember that some students with learning difficulties don’t have any problems with music learning at all. One size does not fit all!
The topic is vast. In this post I identify four of the main Guiding Principles for working with students with special needs.
These principles work well across all my teaching – good teaching is, I believe, good teaching! And I am sure many teachers reading this post will do much of what I describe anyway.
Continue reading Making Music Accessible