Interview with Marcel Zidani
Marcel Zidani’s Hey Presto! is billed as a “first piano lessons” book for older beginners aged 11 and upwards.
The subtitle – pedal your way to piano perfection– reveals something of the book’s unique approach, and like many I was intrigued when it first appeared a couple of summers ago.
Reviewing Hey Presto! at the time, I found much to love about Marcel’s method and music, while noting a few minor concerns. Since then, Marcel has responded to the feedback received from teachers and is now back with a thorough reworking of the concept and a brand-new edition of Hey Presto!
So what better time to catch up with Marcel for a chat, find out what motivates Hey Presto! and ask how he has improved on the original publication…
Continue reading Hey Presto!
Sheet Music Review
20th March 1989 is embedded in my memory as the evening on which I attended one of the most magical classical piano recitals!
Although I was seated in the balcony, and towards the back of London’s Royal Festival Hall, I could just as well have been sat in the front row, such was the silent rapture of the audience. In semi darkness, lit by just one small lamp, the legendary Sviatoslav Richter quitly took to the stage and opened the recital with the hushed tones of a simple but fully-fleshed G major chord.
At this point in his career, Richter had given up announcing his programme – which didn’t stop tickets for his recitals from selling out within minutes of going on sale. But that opening chord was sufficient to announce to the pianophile audience that we were about to be served a very special musical treat:
Schubert’s magical “Fantasy Sonata” in G major, Op.78, D.894.
In Richter’s hands, this joyous work took on a new dimension – and not least because of his controversially slow interpretation of the first movement, lasting a full 25 minutes (compared to the more usual 15 – in Wilhelm Kempff’s recording this movement lasts just 10’54”, albeit omitting the repeats).
While I love Schubert’s Sonatas as a whole, the G major is perhaps even more dear to me than the others because of this much-treasured memory. So I was delighted when the brand new Bärenreiter Urtext edition dropped onto my door mat for review …
Continue reading Schubert’s “Fantasy Sonata” in G major
Sheet Music Review
Paul Harris’s excellent A Piece a Week series has already prompted many of us to reevaluate how we encourage our students to develop their reading skills at the piano, providing delightful collections of pieces suitable as quick study material at Grades 1 to 3.
I have previously reviewed the Grade 1 and 2 books here, explaining the concept of quick study material in more depth; if you are coming to this review fresh please have a read of that introduction before going on.
I have also reviewed the Grade 3 book here. And for a second opinion, check out Liz Giannopoulos’s comments in her recent article about playing at sight here.
I am delighted to see, and to let you all know that those books have now been joined by the Grade 4 book – so let’s take a quick look!
Continue reading A Piece a Week Grade 4
Sheet Music Review
The name Vsevolod Petrovich Zaderatsky (1891-1953) may be a new one to most readers – but if so it is perhaps because the authorities of the Soviet Era condemned this extraordinary composer to be “deliberately forgotten”.
But with the first edition of his 24 Preludes and Fugues (1937-9) – which were composed while Zaderatsky was a prisoner in the dreaded Kolyma forced-labour camp – newly published worldwide, his fortunes may be posthumously about to change…
Continue reading The ‘Deliberately Forgotten’ Composer
Once upon a time, books were something very special – not mere repositories of bullet-pointed knowledge, but containers of true magic whose words could unfetter the imagination and conjure into being a genuine sense of wonder.
It seems to me that as the internet age comes to maturity there has been a concurrent if unexpected reappraisal and renewed appreciation of the tactile immersion made possible by a traditional, high-quality physical book.
Riding the crest of an exciting wave of publications crafted to the highest standard, and with a deliberate nod towards the publishing values of an earlier generation, comes a small but highly significant volume by Mark Tanner entitled Mindfulness in Music, published by Leaping Hare Press as an imprint within their ongoing series of mindfulness-related books.
The book is an inspirational delight from cover to cover (and including the covers themselves!) and I highly commend it to Pianodao readers as the “must-read” book of the season…
Continue reading Mindfulness in Music
Guest post by Liz Giannopoulos
Over the past few months I’ve undertaken the challenge to improve the sight-reading ability of my students and help the tutors in the Encore Music team to find new and creative ways to teach sight-reading.
As most of our students are children, this research – and this article – is child-centric but much can still be applied to older learners.
Continue reading Strong Foundations for Playing at Sight
Sheet Music Review
Faber Music have been producing a steady flow of printed compilations of piano music for some time, with a focus on bringing together pieces from films, arrangements of hit songs, and popular classical favourites.
Latest addition, Ultimate Piano Solos boasts “over 50 bestsellers” and offers an appealing selection of mainstream favourites that most people will instantly recognise.
Keenly priced at just £15.99 it offers excellent value, and is perhaps the ideal collection for the enthusiastic player at around Grade 5 level who wants to grow their repertoire of popular favourites.
Continue reading Ultimate Piano Solos
Sheet Music Review
Much-loved composer Christopher Norton turned 65 this June, and while celebrating the milestone, long-time publishers Boosey & Hawkes issued newly repackaged editions of his hugely popular Latin Preludes Collection and Jazz Preludes Collection, complete with accompanying CDs featuring newly-recorded demonstration performances by pianist Iain Farrington, who also delivered the recordings included with the more recent Eastern Preludes and Pacific Preludes Collections.
What better time to reappraise these publications?
Continue reading Latin & Jazz Preludes
Sheet Music Review by Guest Reviewer Karen Marshall
I was delighted last week to receive the above publications which I have been readily using with my students of all ages and grades.
Initial impressions after using Mosaic with my whole teaching practice are that these books are best placed with the teenage and adult market, but with material also for primary age children. Younger children in my practice loved compositions in the collection particularly by Ben Crosland and Sarah Konecsni.
This is a job well done, and I congratulate all the composers and Nikolas Sideris on the contents of these volumes.
Continue reading Mosaic Volumes 1 & 2
Barbara Arens will be known to most Pianodao readers as an excellent and prolific educational composer – I have previously reviewed several collections of her music, and most recently the Piano Exotico and Piano Tranquillo/Vivace collections published by Breitkopf & Härtel.
Around the time I was writing that review, I heard from Barbara that she was publishing a further five books via her own Editions Rensakov publishing on Amazon.
I decided it was about time I caught up with Barbara for a chat about all this fresh activity!…
Continue reading Barbara Arens in Conversation
Many of my students and teacher colleagues will no doubt be breathing tired sighs of relief at the prospect that they will soon be “on holiday” … a time not just for sandy beaches, but for taking a break from the routines and responsibilities that can crowd our lives throughout most of the year.
Even those of us who continue teaching in some capacity throughout July and August will no doubt enjoy the more relaxed atmosphere and warm evenings over the coming weeks, and hopefully be able to catch ourselves at least some time away from the job!
But I noticed early in my teaching career that, come September, my returning students had often all but forgotten how to play the piano! So that’s a concern…
The relaxation of August can give way to a rather depressing start to the Autumn Term. Is there any way that as teachers (and parents) we can address this common problem?
One common approach is for teachers to set students a summer challenge of one sort or another – and for those students who haven’t yet developed an Active Repertoire this might be the ideal moment to introduce the idea…
Continue reading The Summer Holidays are coming!
Sheet Music Review
Given the ravishing Romantic beauty of Sergei Rachmaninoff’s piano oeuvre, it’s easy to forget that the composer only passed away in 1943, meaning that for copyright purposes new editions of his works are only now beginning to significantly make their mark.
Chief among editions must surely be the colossal Critical Edition of the Complete Works edited by Valentin Antipode and published by the Russian Music Publishing in 2005, in association with Schott Music GmbH and Boosey & Hawkes.
Now available, the “Practical Edition” for performers is based on that groundbreaking benchmark edition.
This review will take a look at Volumes 2-4 in the ongoing series. In case you are wondering, Volume 1 apparently won’t be available for a little while yet, but I hope to bring you a review once it is!
Continue reading Rachmaninoff: Critical Urtext Edition