In a special Christmas message for Pianodao, Karen Marshall offers generous words of encouragement and advice for musicians, teachers and parents during this busy season…
In this guest post, Alison Mathews outlines a fabulous benefit project she has committed to, as well as unveiling a brilliant new piano composition…
Brahms’ vivacious Two Rhapsodies Op.79 of 1879 are among his most frequently performed and popular concert works.
The Rhapsody in G minor Op.79 No.2 is also a mainstay of the ABRSM piano diploma syllabus, where its gorgeous sweeping melody line makes it a popular choice with players.
Inevitably there are several printed scores on the market; ABRSM naturally promote their own, while many performers have tended to opt for the Henle Urtext edition.
Now Brahms expert Christian Köhn is presenting these popular pieces in an up-to-date new edition that remains faithful to the sources and reflects scholars’ latest findings. And according to publishers Bärenreiter,
“In addition to the informative Preface the edition offers enlightening details regarding performance practice of Brahms’ day. With a reader-friendly engraving, comfortable page turns including a fold-out page and fingering where required, the edition meets all the needs of today’s performers.”
Let’s take a quick look…
Recording of the Month December 2018
Artist photos © Peter Adamik
Yuja Wang’s meteoric rise to global stardom has been one of the most extraordinary stories of the piano world over the last decade.
When her debut CD for Deutsche Grammophon was released back in 2009 she was barely in her 20’s and many (me included) raised their eyebrows at her choice of programme, opening with Chopin’s monumental B flat minor Sonata and squeezing in performances of Scriabin’s 2nd Sonata and two Ligeti Etudes before finishing with Liszt’s Sonata in B minor. As it turned out, she performed all these with aplomb, her Liszt in particular being among the very best readings recently committed to disc.
Since then, the Chinese virtuoso has recorded concerti by Rachmaninov, Prokofiev (perhaps the most emotionally gripping performance I’ve yet heard of his grief-ridden 2nd Concerto), Ravel and Mendelssohn. Her solo discs Transformation and Fantasia have delighted fans, and she has lit up the world’s greatest concert halls with her technically explosive and musically rapt playing.
Now she’s back with a new recording. The Berlin Recital was recorded live at the Berlin Philharmonie Kammermusiksaal in June 2018, and features a bedazzling programme of music by Rachmaninov, Scriabin, Ligeti and Prokofiev.
It’s an easy choice for Recording of the Month. Let’s investigate…
Here’s a very positive trend within the world of piano education: many teachers are enthusiastic about refreshing their skills by attending training courses and seeking out a mentor who can support their ongoing professional development.
Unfortunately though, while there are plenty of courses to choose from, finding a suitable mentor isn’t always so easy.
In this post I will consider the qualities to look for, but first of all we need to ask: what is a mentor?
The Oxford English Dictionary tells us:
“A mentor is an experienced and trusted adviser.”
With this definition in mind, I will begin by sharing something of my own journey…
Mike Cornick remains one of our most prolific piano composers, and one who has made a very substantial contribution to the popular piano duet literature.
His latest release, Dinner for Two, subtitled “Romantic arrangements for piano duet”, continues his best-selling “for two” series which began with 2010’s Tea for Two and has now grown to 7 titles. As ever, the book is brought to us by Universal Edition.
Let’s take a look inside…
Composer Ben Crosland will be known to many Pianodao readers for his popular Cool Beans series of books published by Editions Musica Ferrum, the most recent (and in my view best) of which, Magic Beans, I reviewed here.
Ben’s latest publication, also from Editions Musica Ferrum, is Songs from Rainbow Hill, a collection of “Lyric Pieces for Solo Piano” that ties in with his new album recording of the same name.
As such this is very different from his previous publications, taking us deeper into Ben’s own compositional world. So let’s enter …
Guest Post by Margaret Murray McLeod
This post is an exclusive excerpt from this month’s Piano Teacher Talk – the online newsletter from EPTA UK. The whole newsletter is also available as a PDF at the end of this excerpt, with the kind permission of EPTA.
In this month’s EPTA post, Margaret Murray McLeod offers much-needed advice on pedalling…
Recording of the Month November 2018
“So, who’s your favourite pianist, then?”
It’s a question most of us run from. But over many years I have become comfortable in naming Keith Jarrett as, if not “favourite” (because I enjoy the playing of great musicians from a variety of genres), then certainly one of the most extraordinary pianists alive.
So when a new album of his live improvised music is released, it jumps straight to the top of the pile, and likely becomes a very easy choice for “Recording of the Month”.
Happily for me (and for you) La Fenice is not simply an album of live outtakes from the vault, but another very special Jarrett release which demonstrate just why he is such an extraordinary and acclaimed musician. Recorded live in concert on a single evening, La Fenice exemplifies everything that those in-the-know have come to treasure in Jarrett’s music. So let’s take a closer look…
Rachmaninov’s Sonata No.2 in B flat minor Op.36 is one of those gargantuan masterpieces generally only attempted by those with a truly titanic technique.
But for anyone interested in playing, studying or getting to know the work, Dominik Rahmer’s brand new edition for Henle Verlag will be of profound interest.
As connoisseurs of the Sonata will probably know, there are two versions: the original 1913 version published in 1914, and the composer’s major revision published in 1931.
For this Henle publication, Rahmer has produced not one but two brand new urtext editions, printed one after the other for comparison.
Adding further enticement, fingering is provided by none other than the revered concert pianist Marc-André Hamelin. So let’s have a look…