Andrew Eales is a pianist, writer and teacher based in Milton Keynes UK, where he runs Keyquest Music - his successful independent music education business, private teaching practice and creative outlet.
Ahmad Jevdet Ismail oglu Hajiyev (June 18, 1917 – January 18, 2002) was one of the major Azerbaijani composers of the Soviet period.
A student of Shostakovich, Hajiyev composed eight symphonies, three poems, the opera Veten (“Motherland”) (in collaboration with Gara Garayev), string quartets, solo piano music, choral and vocal works. He also taught at the Azerbaijan State Conservatory for more than four decades, while serving as a Rector from 1957-1969, and as Professor of Composition.
In 1997, the President of Azerbaijan bestowed upon Hajiyev the country’s highest accolade, the Azerbaijan Order of Glory, on the occasion of his 80th Jubilee, commemorating ‘60 long years of fruitful work which is highly appreciated by the nation and the State’.
To celebrate the centenary of his birth, the Muradov Family Archive has released Piano Collection book 1, with a series of concerts to be held in some of the finest concert halls around the world.
Piano Collection book 1 is brought to us via the ever-enterprising EVC Music Publications in the UK, and can be purchased from the EVC Music website here, where you can also listen to audio samples of most of the pieces (these are MIDI versions rather than performances).
Regular readers will know that I have huge admiration for the independent publisher Editions Musica Ferrum, whose publications consistently bring high-end quality and creative originality.
In recent months EMF have been adding to their range of publications suitable for intermediate, and younger players, building on the success of their best-selling Cool Beans series by Ben Crosland, and EMF founder Nikolas Sideris’s outstanding Fairyland in Treble. Among the most recent releases, I’m going to take a look at four real gems:
Alison Mathews: Treasure Trove
Simon Hester: Megabytes I: The Private Life of Bugs
Barbara Arens: All Beautiful & Splendid Things
Bonislava Taneva: Sound Stories
These are all available for immediate purchase worldwide, directly from the publisher’s website here. And Pianodao Members are entitled to 20% discount on all purchases.
I was first introduced to singing rounds as a very young child at Primary school…
It was much later in life that I realised their potential for instrumental use. I can remember being quite miffed that – even though I learnt three instruments – I’d not played one round during any of my instrumental lessons.
I try to incorporate rounds into my piano teaching along with using them constantly in my choir and whole school singing assemblies (I work as a music specialist in a Primary School along side piano teaching).
The ability to write an effective miniature for solo piano – one which is personal but idiomatic, original but accessible – remains one of the true challenges for any composer, and one that many “big names” in classical music have seemingly avoided.
Not so for composer Jan Freidlin, who succeeds not just once but four times in quick succession in his latest publication from Edition Dohr, Four Stories.
I am sure that most piano teachers will be alert to the fact that some pupils coming to lessons are anxious. This post will look at some reasons for that, and offer some suggestions that might help normalise lessons.
The article is written for any player who has ever said – and any teacher who has ever heard – the words:
“It was perfect when I practised it at home this morning…”
Clearly, in order for student and teacher to make the most of any piano lesson we all want to move beyond this point!
Around this time last year I wrote a post welcoming the Chinese New Year, the Year of the Fire Monkey, in which I considered what might lie ahead according to the Daoist Astrological traditions of ancient China.
It proved to be prescient in many ways – and also ended up being one of the most popular posts of the whole year! For a general introduction to Chinese astrology before reading on, it is worth looking back.
Regular readers will know that for several years I have been sharing my recordings on the SoundCloud website, as well as enjoying the music that others share there.
One musician whose tracks have regularly impressed me is young Belgian composer Koen Janssen. Like many whose music I admire on SoundCloud, Koen does not come from a traditional background in music education – following piano lessons as a child he has largely taught himself, and his musical adventures have included stints as a DJ and playing in bands.
Having returned to more classical roots, his first EP of epic soundtrack and piano music is now available on iTunes. I was delighted to have a chance to discuss his musical journey with him …
As you read on, enjoy listening to this example of Koen’s music, ’Touch’: