Interview with Marcel Zidani
Marcel Zidani’s Hey Presto! is billed as a “first piano lessons” book for older beginners aged 11 and upwards.
The subtitle – pedal your way to piano perfection– reveals something of the book’s unique approach, and like many I was intrigued when it first appeared a couple of summers ago.
Reviewing Hey Presto! at the time, I found much to love about Marcel’s method and music, while noting a few minor concerns. Since then, Marcel has responded to the feedback received from teachers and is now back with a thorough reworking of the concept and a brand-new edition of Hey Presto!
So what better time to catch up with Marcel for a chat, find out what motivates Hey Presto! and ask how he has improved on the original publication…
Continue reading Hey Presto!
Barbara Arens will be known to most Pianodao readers as an excellent and prolific educational composer – I have previously reviewed several collections of her music, and most recently the Piano Exotico and Piano Tranquillo/Vivace collections published by Breitkopf & Härtel.
Around the time I was writing that review, I heard from Barbara that she was publishing a further five books via her own Editions Rensakov publishing on Amazon.
I decided it was about time I caught up with Barbara for a chat about all this fresh activity!…
Continue reading Barbara Arens in Conversation
Editions Musica Ferrum have recently brought out two volumes of pieces in a new series called Mosaic, featuring original music by a dozen or so composers, organised by difficulty level and suitable for beginner to early intermediate players.
I have enjoyed the privilege of contributing to the project, with two of my own compositions included in each book so far, and more to come!
Karen Marshall will be writing an independent review of the first two books, which will be published here on the Pianodao site soon. In the meantime, I decided to catch up with Editions Musica Ferrum founder Nikolas Sideris and ask him more about the project…
Continue reading Exploring “Mosaic” with Nikolas Sideris
Interview with Daniel Spreadbury
Until fairly recently, two big names dominated the world of music notation software: Make Music’s Finale and Avid’s Sibelius.
Other software – such as Presonus’ Notion and the free-to-use MuseScore have continued to challenge their supremacy, but with the October 2016 release of Dorico it was clear that a significant professional alternative had arrived on the scene, causing quite a stir.
The backstory has been repeated many times elsewhere – how Avid decided to close their London office in 2012, leaving their existing Sibelius development team – headed by Daniel Spreadbury – without their jobs.
By the start of 2013, music software giants Steinberg Media Technologies – a wholly owned subsidiary of Yamaha, and the creators of the VST standard, Cubase, Nuendo and Wavelab – had snapped up the team and tasted them with creating a brand new notation package from the ground up. Enter Dorico …
In this interview, I will be chatting with Daniel about his career in the music software world, the development of Dorico, and the birth of version 2.0.
But first … Continue reading The Rise of Dorico
“Upright” is a piano project with a difference …
I spoke to project coordinator, Garreth Brooke to find out more…
Continue reading Garreth Brooke’s “Upright” Project
When I published a blog post sharing clips of 20 Great Jazz Pianists – with the disclaimer that, “these aren’t necessarily the 20 greatest jazz pianists of all time” – I was hopeful that by exploring the included clips readers would get a glimpse of the length and breadth of the wonderful world of jazz piano.
But no sooner had I posted than I began musing over those many brilliant pianists who I hadn’t included, and in a jiffy the idea came to me – publish a follow-up post with another 20 pianists!
In the event this list was far more difficult to collate – and here I must thank my good friend Mark Polishook for pointing me in the direction of a few players I might otherwise have overlooked. And having covered some of the most obvious seminal players in my first list of 20 great jazz players, this post has offered a chance to explore some less predictable paths!
In the event, including everyone we both thought deserved a moment in the spotlight wasn’t possible. On the plus side the 20 I have selected include something for everyone, and once again show how immersive and varied the world of jazz playing is, from the stride of James P. Johnson to the beautiful and experimental introspection of Tord Gustavsen, and from the sophistication of George Shearing to the explosive force of nature that is Hiromi Uehara – it’s all here.
Or at least some if it is! Because there’s a whole world of amazing music out there waiting to explored.
So without further ado or comment, Welcome back to the world of the jazz pianist. Here are the clips – I hope that you enjoy them!
Continue reading Another 20 Great Jazz Pianists
Jazz is caught, not taught!
So goes the cliché (although I believe this also applies to classical and other styles too). So much of the nuance, the energy, the essence and the inflection of piano music cannot be expressed away from the instrument, whether in words or using notation.
As I write this I am about to deliver a workshop entitled Introducing Jazz Piano for the Piano Teachers’ Course UK, where I am a guest tutor. And as I consider the point that listening to jazz piano playing must be our starting point, this raises the question, “where do we start?”
So to that end I’ve compiled this list of 20 seminal jazz pianists, with clips of their playing and a suggestion that you go on to more fully explore their recorded legacy.
Understand, these aren’t necessarily the 20 greatest jazz pianists of all time (and it isn’t, in any case, a competition!). However, they are all genuine greats, and between them they represent a wide range of styles and approaches within the very broad world of jazz music.
Dip in now, and keep coming back, because ongoing exposure to the genius of these players is the key to developing as a player and teacher of jazz music…
Continue reading 20 Great Jazz Pianists
I am delighted to host this wonderfully reflective post by the brilliant young pianist Iyad Sughayer, which touches on the nature of musical engagement:
Guest post by Iyad Sughayer
Messiaen’s Quartet for the End of Time is perhaps one of his most celebrated works. Written during his time as a war prisoner at the Nazi Stalag VIII-A camp after the German invasion of France, it is the most intense religiously inspired work I have ever come across.
Despite coming from a Muslim background, having grown up in Jordan, I was still able to understand the strong Catholic Liturgy behind the work. Indeed Messiaen’s Catholic beliefs are clearly and beautifully portrayed throughout the work.
Continue reading My Journey towards the End of Time
“100 Totally Mad Really Easy Piano Songs for Kids” is an exciting collection of songs written especially for the young pianist. Wacky and original material makes learning fun, while progressively building skills in piano technique and music reading, providing a wide range of content suitable for use from the first lesson up until around Grade 1.
The use of songs – and hence singing – makes this an ideal resource for helping children developing their musicianship and aural engagement. And the quirky sense of humour that pervades the songs is sure to have huge appeal, hooking children into a lifetime of musical enjoyment.
It is without doubt one of the most innovative and imaginative alternatives to the conventional Tutor Book approach that I’ve come across. So it was a delight to catch up with the book’s author/composer, Chris Dann, and ask him all about the book – and the other resources he has produced.
But first, I wanted to find about more about Chris’s own musical journey…
Continue reading Interview with “Totally Mad” composer Chris Dann
Building a Library
“Music is a serious matter”
Dinu Lipatti (1917-1950)
Dinu Lipatti was born in Bucharest on 19th March 1917. His life and career shone with a brightness that helped illuminate the piano’s “golden age”, leaving an indelible hue on our cultural heritage. That blazing light was tragically extinguished on 2nd December 1950, when Lipatti died of Hodgkin’s Disease.
But Lipatti’s legacy lives on, and such was the precision, luminosity and spirituality of his playing that, these many decades later, many of his recordings (mostly from the 1940s) are still regarded as milestones in the history of music.