Happy Birthday, Musica Ferrum!

The PIANODAO MUSIC LIBRARY
Selected & Reviewed by ANDREW EALES


Independent music publisher Editions Musica Ferrum launched ten years ago, and as we celebrate the anniversary this week I am happy to share this interview which I recently conducted with EMF founder and owner Nikolas Sideris.

The interview covers the Musica Ferrum story so far, with many fascinating insights. The interview also appears as a YouTube video at the end of this post, following a transcript of the major points…

Continue reading Happy Birthday, Musica Ferrum!

Margaret Murray McLeod: An Appreciation

I was saddened to hear news of the recent passing of the beloved pianist, teacher, educator, writer, and composer MARGARET MURRAY McLEOD (1936-2021).

In this moving appreciation, guest writer MURRAY McLACHLAN pays tribute to one who made such a wonderful difference in the lives and music-making of many…


Margaret was an extraordinary, talented person in so many ways. She was driven by the desire to give. Her contributions to society, pupils, colleagues, organisations, and family are immense and serve as a model for all of us, even though there are few if any of us who could begin to match Margaret in terms of what she achieved.

She was an immensely talented individual, a beautiful person who touched so many of us through her tremendous warmth, loyalty, energy, and devotion. Her beauty is evident in many touching photographs from different periods of her life…. But the real beauty in Margaret was so much more than her physical attractiveness, considerable though that was.

She cared with beauty. Her pupils’ development mattered deeply to her. Margaret cared so much for Napier (where she was a remarkable head of keyboard), for ABRSM (for whom she did countless national and international tours as well as articles, presentations and books), for EPTA and EPTA Scotland in particular (regional organiser, EPTA UK Management Committee Member), for the Scottish Chamber Orchestra (for whom she played harpsichord and Piano), and for the Royal Academy of Music (where she graduated from after a hugely successful studentship in which she won the coveted Scott Huxley Prize for accompaniment).

She was a vibrant speaker. She wrote enthusiastic reviews and teaching notes. She was passionate about training new teachers. The burning desire she felt to help new teachers resulted in an extraordinary annual summer course at Napier which ran for many years, and which was hugely successful in helping to support and encourage new generations of musicians to become piano teachers. Margaret’s piano teachers’ course remains the flagship model of its kind, and it remains by far the most successful piano teaching course ever to have been held in the United Kingdom.

But all the above is but a superficial beginning… Margaret was so much more than that. She never retired; she was constantly working, supporting, encouraging, and motivating. Every phone conversation I had with her (and there were many) always included a new musical project for her, or me, or usually both of us, to get stuck in with.

She wrote a wonderful book on piano pedalling which was well received, and which really needs now to be reprinted. She planned a follow up book to this excellent first volume.

Margaret was also a highly accomplished composer in her own right. A number of her beautifully crafted miniatures are still available in print. Additionally, she made transcriptions, including a most exquisite one for clarinet and piano duo of John’s solo piano version of the ‘Three Interludes’ from his film score ‘Another Time, Another Place’. I was deeply honoured and privileged to perform Margaret’s transcription with the clarinettist and principal of RNCM, Professor Linda Merrick at a special John McLeod 80th birthday concert in 2014.

Margaret had a highly stimulating and extremely busy career. Her performances ranged from triumphant renderings of Bartók’s Third Concerto through world premieres of her husband’s works, duo sonata repertoire and harpsichord continuo work (as well as much else).

But in spite of such ‘perpetual motion’, she never failed to be anything other than a wonderful mother and grandmother, and an extraordinary wife! As partner to John she was, undeniably, superwoman. Her energetic fervour, loyalty, and passionate endeavour knew no bounds when it came to supporting John McLeod the composer. Not only did she perform her husband’s glorious music, but she also helped and assisted with the tiring tasks of administration, copying, proof-reading and so on. And she was far from inactive in terms of promoting John’s music: Immediately after her husband John’s Sixtieth birthday concert at Napier University in 1994 (an event which Margaret lovingly organised and masterminded) the composer Ronald Stevenson pulled me aside and said,

‘We should be deeply moved, touched and humbled by the huge love that Margaret has just shown to dear John. That is devotion. That is loyalty’.

Ronald Stevenson always had a soft spot in his heart for dear Margaret, just as I am sure everyone privileged enough to come into contact with her did too. When John phoned me on Monday with the sad news, of course tears immediately filled my eyes, along with deep concern for John himself, who has lost his devoted partner after over 60 years of blissful marriage. Indeed, they had only just celebrated their Diamond Wedding anniversary on 12 August in a hospital party at which Margaret showed extraordinary fortitude, positivity, and spirit.

But, as the grief continues, we should also feel a deep sense of gratitude for all that Margaret did. She was courageous beyond belief in the face of her final illness, over the past twelve months in particular, so it is a merciful blessing indeed that she is no longer suffering.

There remains a deep held conviction that Margaret is continuing to inspire us all by watching over what we do. In particular she will ensure that the world shows continued loyalty for John’s glorious music. As mentioned earlier, Margaret assisted so much in John’s artistic work, and John looked after Margaret too. In the final months, as throughout all their marriage, John was exceptionally caring and loving. It is comforting to know that she spent her final days in her beloved music room, surrounded by flowers with her Steinway grand and photos not only of her family but also including one of Emil Gilels, her special pianistic hero.

Margaret Murray McLeod
pianist, teacher, educator, writer, and composer
Born: Southend-on-Sea, 18th November 1936
Died: Edinburgh 26th September 2021


The Piano Teachers’ Course

ANDREW EALES in conversation with LUCINDA MACKWORTH-YOUNG and MASAYUKI TAYAMA of the PIANO TEACHERS’ COURSE UK


Currently in its 13th year, the Piano Teachers’ Course UK (PTC) is the longest-running course of its kind in this country, specifically designed for pianists and piano teachers who wish to enhance their professional teaching skills, come together for inspiration and become part of a motivated, supportive musical network.

Having previously visited several residential course weekends as an observer and guest tutor, I have been hugely impressed with the professionalism with which the one-year programme is run, and by the expertise and dedication that the PTC personnel offer.

I have also seen that the PTC shares very similar values to those that I espouse here on Pianodao. Those who have studied with me, who come to me for mentoring, or who simply enjoy reading my articles here will most likely feel very at home on the PTC course.

As the course continues to diversify its offer to include online access and an international reach, this seems a good time to catch up with the course’s founder and International Director, Lucinda Mackworth-Young, and UK Course Director Masayuki Tayama for a cup of tea and a chat on Zoom.

Continue reading The Piano Teachers’ Course

Discovering MTB Exams (part 1)

An Interview with MTB Chief Examiner Mark Kesel

For music teachers and students struggling through the last five months, with the UK in lockdown, there has been a significant preoccupation with the problem that music examining boards have been struggling to adapt to the situation.

On the social media platforms and forums where I am active, I have seen regular and very significant complaints about all three of the traditional boards here in the UK. But throughout these challenges, one fully accredited music exam board has stood out from the crowd by a country mile.

Many teachers hadn’t even heard of the Music Teachers’ Board at the start of the year. But this changed overnight with the appearance of effective targeted advertisements online trumpeting a bold claim:

“MTB’s Grade 1-8 exams are to continue without disruption during this difficult period.”

The progression from intrigue to full commitment has been startling, many teachers who were formally loyal to ABRSM or one of the other boards posting online to praise the MTB Exams having tried them out and had hugely positive experiences.

Determined to get to the bottom of this, I tracked down MTB’s Chief Examiner Mark Kesel for this remote interview. And in a second feature I talk to some of those teachers who have tried out these exams with their students, asking them about their experiences.

So buckle up and enjoy the ride…

Continue reading Discovering MTB Exams (part 1)

Iyad Sughayer in Conversation

Iyad Sughayer has been quietly establishing a reputation as one of our brightest upcoming pianists, appearing as soloist with the BBC Philharmonic Orchestra, European Union Chamber Orchestra and the Cairo and Amman Symphony Orchestras, as well as giving solo performances in such prestigious venues as London’s Wigmore Hall and King’s Place, Manchester’s Bridgewater Hall and the Steinway-Haus in Hamburg.

Now he has released his debut recording on the BIS label. A brilliantly conceived and executed disc of solo piano works by Aram Khachaturian (1903-78), the recording is certainly a stunning showcase for the brilliant talents of this young player, who delivers performances of the utmost musical conviction and power.

I was delighted to more recently catch up with him at the Chetham’s Summer School for Pianists, since which I have now had a chance to interview him in more depth for the site…

Continue reading Iyad Sughayer in Conversation

A Composer in Conversation

Rami Bar-Niv will be known to some readers as an acclaimed concert pianist, recording artist, renowned pedagogue and author of the outstanding book, The Art of Piano Fingering (which I have reviewed here).

Before discovering any of this, I first encountered the genial musician when running an online group for composers; Rami became an active contributor, and I was immediately struck by the quality of his original music in an engaging contemporary classical style.

It is a privilege to have this opportunity to chat with Rami about his composing career, and there are many insights here which Pianodao readers will undoubtedly find interesting and helpful…

Continue reading A Composer in Conversation

Samantha Coates in Conversation

Exclusive interview with best-selling author Samantha Coates

Sydney-based music teacher and author Samantha Coates dazzled at this year’s Music Education Expo event, with a presentation brimming with energy and enthusiasm.

It was a pleasure to catch up with her afterwards to talk about her publications. In a warm, wide-ranging conversation, we discussed the importance of literacy, music theory and sight-reading, as well as Samantha’s recently developed passion for rote teaching.

But first I wanted to know more about Samantha’s back story …

Continue reading Samantha Coates in Conversation

Martin Roscoe’s Dohnányi Odyssey

photo: Eric Richmond

Exclusive Interview with concert pianist Martin Roscoe

As Hyperion Records release the fourth and final disc in Martin Roscoe’s survey of the solo piano music of Ernő Dohnányi it was a delight to have the chance to ask Martin about his Dohnányi odyssey, which has taken so much of his time over recent years.


I was keen to know more about how this extraordinary project came about, and the impact it has made on pianist and audiences alike …

Continue reading Martin Roscoe’s Dohnányi Odyssey

Marcel Zidani: Hey Presto!

Interview with Marcel Zidani, author of Hey Presto.

Marcel Zidani’s Hey Presto! is billed as a “first piano lessons” book for older beginners aged 11 and upwards. The subtitle – pedal your way to piano perfection– reveals something of the book’s unique approach, and like many I was intrigued when it first appeared a couple of summers ago.

Reviewing Hey Presto! at the time, I found much to love about Marcel’s method and music, while noting a few minor concerns. Since then, Marcel has responded to the feedback received from teachers and is now back with a thorough reworking of the concept and a brand-new edition of Hey Presto!

So what better time to catch up with Marcel for a chat, find out what motivates Hey Presto! and ask how he has improved on the original publication…

Continue reading Marcel Zidani: Hey Presto!

Musica Ferrum’s “Mosaic”

The PIANODAO MUSIC LIBRARY
Selected & Reviewed by ANDREW EALES


Editions Musica Ferrum have recently brought out two volumes of pieces in a new series called Mosaic, featuring original music by a dozen or so composers, organised by difficulty level and suitable for beginner to early intermediate players.

I have enjoyed the privilege of contributing to the project, with two of my own compositions included in each book so far, and more to come!

Given my involvement, I decided that instead of my standard review I would catch up with Editions Musica Ferrum founder Nikolas Sideris and chat with him about the project, explaining its vision and purpose…

Continue reading Musica Ferrum’s “Mosaic”

Garreth Brooke’s “Upright” Project

“Upright” is a piano project with a difference.
I spoke to project coordinator, Garreth Brooke to find out more…

Continue reading Garreth Brooke’s “Upright” Project

Lipatti: Remembering a Legend

THE PIANODAO BOOKSHELF
Books For Musicians, Educators & Enthusiasts


“Music is a serious matter”
Dinu Lipatti (1917-1950)

Dinu Lipatti was born in Bucharest on 19th March 1917. His life and career shone with a brightness that helped illuminate the piano’s “golden age”, leaving an indelible hue on our cultural heritage. That blazing light was tragically extinguished on 2nd December 1950, when Lipatti died of Hodgkin’s Disease.

But Lipatti’s legacy lives on, and such was the precision, luminosity and spirituality of his playing that, these many decades later, many of his recordings (mostly from the 1940s) are still regarded as milestones in the history of music…

Continue reading Lipatti: Remembering a Legend

Emanuel Rimoldi on Qigong

World Exclusive Interview

Born in Milan, pianist Emanuel Rimoldi first studied in the Conservatory of his home city with Vincenzo Balzani , and then studied at the Tchaikovsky Conservatory in Moscow with Elissò Virsaladze from 2009-2015. He is presently continuing his doctorate specialisation at the Hochschule für Musik, Theater und Medien in Hannover with Arie Vardi. In addition to his official studies, he has completed a series of master- classes with famous pianists such as Dina Yoffe, Boris Petrushansky and Vladimir Askenazy.

Emanuel has won several international competitions in Italy including the ‘Ettore Pozzoli’ in Seregno and the ‘Città di Cantù’. In 2013, he won the 1st prize at the “Top of the World” international piano competition held in Tromso (Norway), and in 2016 he won the Grand Prix and the ‘Ivo Pogorelich Prize’ at the first Manhattan International Music Competition.

Emanuel’s performances have lit up stages from the Carnegie Hall in New York to London’s Wigmore Hall, and from the Tel Aviv Museum of Art to the Great Hall of the Tchaikovsky State Conservatory in Moscow.

Emanuel Rimoldi 8

Prior to his last performing trip to the UK, Emanuel very kindly wrote an insightful guest post for Pianodao, following on from which we got chatting and I found that he is a keen practitioner of taichi, an interest which coincides with my own interest in ‘piano qigong’.

I am delighted that Emanuel agreed to talk about the impact his taichi practice has had on his development as a pianist in this world exclusive interview for Pianodao.

Continue reading Emanuel Rimoldi on Qigong

Andrew Eales: an interview

This interview of Andrew by Frances Wilson originally appeared on her site The Cross-Eyed Pianist, and is reproduced here with her kind permission.

Continue reading Andrew Eales: an interview

An Interview with Koen Janssen

Regular readers will know that for several years I have been sharing my recordings on the SoundCloud website, as well as enjoying the music that others share there.

One musician whose tracks have regularly impressed me is young Belgian composer Koen Janssen. Like many whose music I admire on SoundCloud, Koen does not come from a traditional background in music education. Following piano lessons as a child he has largely taught himself, and his musical adventures have included stints as a DJ and playing in bands.


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Having returned to more classical roots, his first EP of epic soundtrack and piano music is now available on iTunes. I was delighted to have a chance to discuss his musical journey with him …

As you read on, enjoy listening to this example of Koen’s music, ’Touch’:

Continue reading An Interview with Koen Janssen