One of the highlights of last year, in my view, was the publication of Christopher Norton’s outstanding Eastern Preludes Collection, which I reviewed here.
Eastern Preludes continued a series of piano solo collections for the intermediate-to-advanced level pianist, which already included the best-selling Jazz Preludes, Country Preludes, Rock Preludes and Latin Preludes collections – so naturally I wondered what might come next.
And here it is: The Christopher Norton Pacific Preludes Collection, comprising 14 brand new compositions suitable for intermediate to advanced players (around UK Grades 6-8).
Publishers Boosey & Hawkes welcome us to:
“Embark on a voyage of discovery with this captivating collection of 14 new Pacific Preludes from the creator of Microjazz, inspired by traditional music from the shores of the world’s largest ocean.
Explore the rich and varied musical landscape of the Pacific Rim as each Prelude weaves together native themes from countries including Australia, China, Peru, New Zealand and the United States of America with Christopher Norton’s characteristically innovative popular musical styles.”
Compare weekly cinema attendance with the numbers who go to classical concerts (or any other sort, come to think of it!) and you will be left with no doubt as to why music composed for films works its magic in the hearts and minds of listeners more than any other genre.
And it is no wonder that those who take up an instrument are so quick to ask teachers if they can learn their favourite film themes.
In the case of the most popular composers and successful scores, there’s very often a tie-in publication so that fans can buy the sheet music, as was the case with the excellent La La Land score which I recently reviewed here.
But for those after an anthology of their favourite pieces, the choice is not so easy. Some publications of this kind provide poor transcriptions, while others aren’t sympathetically arranged for piano, taking account of the player’s level.
It is with real pleasure that I can therefore warmly recommend the latest piano book from Faber Music, a collection simply entitled Film Themes: The Piano Collection.
Alan Bullard will be known to many readers for his many contributions to popular educational series such as Piano Time from OUP and Piano Star from ABRSM. His Joining the Dots series of sight reading books for ABRSM and the excellent adult piano method series Pianoworks, co-written with his wife Janet, have also become well known favourites.
Alan’s latest publication is brought to us by Colne Edition, distributed by Spartan Press, and is entitled Twelve or Thirteen Preludes for Solo Piano.
Ahmad Jevdet Ismail oglu Hajiyev (June 18, 1917 – January 18, 2002) was one of the major Azerbaijani composers of the Soviet period.
A student of Shostakovich, Hajiyev composed eight symphonies, three poems, the opera Veten (“Motherland”) (in collaboration with Gara Garayev), string quartets, solo piano music, choral and vocal works. He also taught at the Azerbaijan State Conservatory for more than four decades, while serving as a Rector from 1957-1969, and as Professor of Composition.
In 1997, the President of Azerbaijan bestowed upon Hajiyev the country’s highest accolade, the Azerbaijan Order of Glory, on the occasion of his 80th Jubilee, commemorating ‘60 long years of fruitful work which is highly appreciated by the nation and the State’.
To celebrate the centenary of his birth, the Muradov Family Archive has released Piano Collection book 1, with a series of concerts to be held in some of the finest concert halls around the world.
Piano Collection book 1 is brought to us via the ever-enterprising EVC Music Publications in the UK, and can be purchased from the EVC Music website here, where you can also listen to audio samples of most of the pieces (these are MIDI versions rather than performances).
The ability to write an effective miniature for solo piano – one which is personal but idiomatic, original but accessible – remains one of the true challenges for any composer, and one that many “big names” in classical music have seemingly avoided.
Not so for composer Jan Freidlin, who succeeds not just once but four times in quick succession in his latest publication from Edition Dohr, Four Stories.
Tim Richards will be known to many readers as the best-selling author of the seminal Improvising Blues Piano, which set a new standard in jazz education publishing upon its first release back in 1997.
His follow up books Exploring Jazz Piano volumes 1 and 2, and Exploring Latin Piano (co-written with John Crawford de Cominges) have consolidated his place as a leading authority in the field of blues and jazz piano playing and teaching. Before proceeding, let me say that if you don’t already own Tim’s previous books, you owe it to yourself to buy copies right away.
Tim’s latest publication (once again brought to us by the forward-thinking Schott Music) is called Tim Richards Blues, Boogie and Gospel Collection – hereafter BBGC for short.