Piano Junior 3

Sheet Music Review

Concluding my review of Levels 1 and 2 of Hans-Günter Heumann’s new method series, Piano Junior (published by Schott), I wrote:

“I have often said that teachers owe it to themselves and their students to have a few different methods to draw on, remembering that one size does not fit all. And I strongly recommend that teachers consider including Piano Junior among their options…
My own view is that Piano Junior has in many respects raised the bar, in some ways perhaps even setting a new standard by which piano courses for children will be judged.”

Those who followed my suggestion and took a look for themselves will be keen to hear that Level 3 is now available. Once again, there are four books, covering Lessons, Duets, Performance (additional pieces) and Theory. Let’s take a look…

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NEW Piano Music from Breitkopf & Hārtel

Sheet Music Review

Over recent months, esteemed and enterprising German music publishers Breitkopf & Hārtel have unleashed a succession of interesting new piano sheet music publications, and in this group review I’m going to introduce you to the whole lot:

  • Ulrich Mahlert (editor): Spielbuch für Klavier
  • Friedrich Grossnick: More Catchy Tunes
  • Luis Zett: Busy Lizzy & Lazy Daisy
  • Alexey Shor: Childhood Memories
  • Martin Reich: Primo & Secondo  (4 hands)
  • Manfred Schmitz: Jazz Parnass  (6 hands)
  • Jairo Geronymo: 4 Prima Vistas  (2 pianos, 4 hands)

Here goes…

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First Term at the Piano

Sheet Music Review

Bartók’s Mikrokosmos has – since the first half of the 20th century – been a potent force in the pianist’s repertoire, hugely impacting pedagogy worldwide, while his charming collections of pieces For Children have delighted elementary to intermediate players of all ages. But what of his other little collection, The First Term at the Piano?

Largely overlooked, except as a curiosity for completists to consider, this seemingly innocuous sequence of 18 short pieces has passed under the radar of most piano teachers, and even though some of the pieces are brilliantly inventive and melodic, they have too rarely surfaced in other collections, exam syllabi or student performances.

Now the US-based pianist, teacher, lecturer and editor Immanuela Gruenberg is looking to turn the tables, resurrecting this work for a new century, and for a new audience.

Her stunning new edition of the pieces – which comes with complete commentary, imaginative lesson plans, and a series of online videos – has recently been published by Hal Leonard in association with Boosey & Hawkes. And as we shall see in this review, it is a genuine must-have purchase for anyone who teaches beginners.

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Pedal your way to Perfection!

Sheet Music Review

Over the last couple of decades I have enjoyed the privilege of teaching many teenage beginners, but have often found it difficult selecting the best material for them. These days we have become somewhat spoilt for choice when it comes to child-friendly beginner material, but music and method for the teenager remains a bit more thin on the ground.

Composer and teacher Marcel Zidani believes his new publication Hey Presto! Pedal your way to Piano Perfection offers a solution to the problem of older beginners losing interest due to musically dull method books. Describing the book as a “Fast-track Piano Method for ages 11 to Adult” which will help the beginner “sound like a pro in minutes”, he writes:

“You will find that this method is a modern approach to learning the piano and is designed to help beginner pianists create a professional sound very quickly. With the use of the sustain pedal, a good piano teacher and the creative writing of this composer, you will be inspired to complete the course.”

From the outset, it is clear that the unique selling point of Hey Presto! is the immediate use of the sustain pedal. But just how does this work in practice?

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