Einaudi’s Seven Days Walking

Sheet Music Review

Ludovico Einaudi’s legion of fans worldwide are no doubt already enjoying his latest release; Seven Days Walking: Day One was released in mid-March, and is to be followed by six further albums, each offering fresh variants on the first, culminating in a boxed set later in the year.

Hot on its heels comes the sheet music publication of the album, brought to us by publishers Chester Music and distributed by Hal Leonard.

For more information read on…

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Lang Lang’s Piano Book

Sheet Music Review

SUMPTUOUS!

That’s the first word that came to me as I unpacked the advance review copy of Lang Lang’s Piano Book when it arrived back in February, and it is rightly the first word of this review.

Because Lang Lang’s Piano Book is without question one of the most lush sheet music publications I have ever seen. So, right away a huge round of applause goes to Faber Music for a job magnificently done.

But beyond the opulent presentation, what actually is Lang Lang’s Piano Book? Let’s take a look…

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Small Hand Piano

Sheet Music Review

Small Hand Piano is the latest in Barbara Arens’ series of publications from Edition Breitkopf, following on from the successful One Hand Piano, 21 Amazingly Easy Pieces (read my review here), Piano Misterioso (reviewed here), Piano Vivace – Piano Tranquillo and Piano Exotico (all reviewed here).

Small Hand Piano is also (ironically) the largest of these collections, providing 40 Pieces “without octaves”, half of which are original compositions, the rest selected from the existing literature.

I often hear players mention online that their stretch is too small for a lot of the repertoire they would prefer to play, so this publication certainly has the potential to be something of a crowd-pleaser.

Let’s take a look and see how well it succeeds in fulfilling this useful aim…

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James Welburn’s ‘Musical Escapades’

Sheet Music Review

The latest publication from Editions Musica Ferrum is a collection of “Animated pieces for the intermediate pianist” called Musical Escapades and composed by EMF newcomer James Welburn.

Let’s dive straight in…

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Bartók: Easy Pieces and Dances

Sheet Music Review

It’s fair to say that in the last three years or so I have received more sheet music by Bartók for review than any other composer, the renaissance of interest in publishing his works no doubt a result of the fact that they are no longer in copyright. Bartók is without doubt one of my very favourite composers, so in my book, this commitment to producing excellent new editions of his music is a great thing.

Latest to arrive, Bärenreiter’s Bartók: Easy Piano Pieces and Dances, which brings together miscellaneous pieces of easy to moderate difficulty (including many familiar favourites), is ideal for teaching purposes.

The Easy Piano Pieces and Dances series is one of the many highlights in the Bärenreiter catalogue, with nearly a couple of dozen great composers already given dedicated volumes suitable for the intermediate pianist. I have already given glowing reviews to the collections dedicated to Debussy (read the review) and Martinů (read the review here).

So let’s find out how the new Bartók volume compares …

Continue reading Bartók: Easy Pieces and Dances

Melanie Spanswick: No Words Necessary

Sheet Music Review

Lots of piano players enjoy the contemporary stylings of popular composers such as Ludovico Einaudi, Yirumi and David Lanz, but it’s not so easy to find really good arrangements of their music that are accessible to intermediate players, and which manage to be both concise and accurate distillations of the post-minimal piano style.

The search for an educationally sound and musically engaging alternative just got easier with the publication by Schott Music of No Words Necessary, an excellent collection of 12 new pieces composed by Melanie Spanswick.

These interesting and enjoyable pieces will certainly satisfy those looking for approachable contemporary piano solos, and they further confirm Melanie as an imaginative and engaging composer.

So let’s check it out …

Continue reading Melanie Spanswick: No Words Necessary

Bartók: Romanian Christmas Songs

Sheet Music Review

Few of the truly great or most popular classical piano composers have contributed much of substance to the ‘Christmas repertoire’, but Béla Bartók (along with Mendelssohn and Liszt) is one of those few.

Oddly, however, Bartók’s Rumänische Weihnachtslieder (or Romanian Christmas Songs) remain rather little known, even by those of us who are fans of the great 20th century pioneer’s work.

A new edition by leading scholar László Somfai, jointly published by Henle Verlag and Editio Musica Budapest, offers a timely reminder of this brilliant masterpiece, so let’s take a closer look…

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The Music Books of Mozart & His Sister

Sheet Music Review

The Music Book for Maria Anna “Nannerl” Mozart (compiled by Leopold Mozart in 1759) and Wolfgang Amadeus Mozart’s London Sketchbook (1764) are surely established at the very pinnacle of the pedagogic keyboard repertoire, their status secure alongside Bach’s Anna Magdalena Notebook, Schumann’s Album for the Young and Bartók’s For Children.

And yet, honestly, how many piano teachers are truly familiar with the contents of these collections, beyond the few favourites that are regularly cherry-picked for exam syllabi and educational repertoire collections? I’m certainly willing, if hardly happy, to plead guilty to the charge of somewhat overlooking this music.

But it turns out that there is a good reason why most of us don’t know these pedagogic collections inside out: while many selections of pieces from these notebooks are available elsewhere, most collections limit themselves to those written by Wolfgang Amadeus and, remarkably there isn’t a full published edition on the market.

No – seriously!

Well thankfully Bärenreiter Urtext Edition are now rectifying this situation with a new complete publication based on the New Mozart Edition. According to the publishers,

“Until now the edition The Music Books of Mozart and his Sister has only been available as part of the boxed set of Mozart’s oeuvre for piano (BA 5749) which has gone out of print. Now for the first time, it can be purchased separately.

“Based on the New Mozart Edition, this is the only publication to contain all the pieces, sketches and fragments found in the notebooks. The Foreword by the great Mozart scholar Wolfgang Plath provides valuable information on the pieces themselves and on the question of their authorship; besides Mozart’s earliest juvenilia, some of which formed the basis of later compositions, the notebooks also contain works by Leopold Mozart and other composers.”

This sounds plausibly irresistible, but as always, we’ll take a closer look …

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How to Play Jazz Piano

Sheet Music Review

It’s turned into a great Autumn for players and students of jazz piano!

Already this week I have reviewed  Gordon Goodwin’s Big Phat Jazz Piano Solos  (Alfred Music) and  Tim Richards’ Jazz, Latin and Modern Collection  (Schott Music) – both outstanding.

Now let’s see whether Pam Wedgwood’s How to Play Jazz Piano, published by Faber Music this week, can make it a hat-trick.

The book aims to provide a solid introduction to jazz playing and claims to be ideal for young players with a basic knowledge of how to play the piano (approximately Grade 2 standard)”.

As a standalone course suitable for players at this level, there is little competition – perhaps the nearest comparison would be with the (excellent) support materials for the ABRSM Jazz Piano syllabus.

So far, so interesting, so let’s take a closer look …


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Solo Xtreme Books 4-6

Sheet Music Review

Barely were the pixels dry on  my review of Solo Xtreme Books 1 – 3  when Books 4 – 6 landed on my door mat.

My favourable impression and comments about the first three books equally apply to all these – and indeed, the presentation, feel, quality and target audience for Books 4 – 6 is unchanged. The concept here, too, is a simple extension of the earlier collections.

Please therefore consider this review an addendum to the previous one, and be sure to read that first.

Like the previous books, each book includes a selection of new compositions which are billed as “X-traordinary and Challenging Piano Pieces”.

The levels covered by Books 4 – 6 are:

  • Book 4: Early Intermediate to Intermediate (ABRSM Grade 3)
  • Book 5: Intermediate to Late Intermediate (Grades 4-5)
  • Book 6: Late Intermediate to Early Advanced (around Grade 6)

Grade equivalents are necessarily vague, because as with the previous books they are not so much designed to fit snuggly into any particular assessment system, but rather to bust out the player beyond their current level.

What remains to be written, then, is an evaluation of the music in these new collections…

Continue reading Solo Xtreme Books 4-6