Nicola Campogrande: ‘Nudo’

Sheet Music Review

In addition to their recent new editions and reissues of the music by Brahms and Busch, Breitkopf & Härtel continue to bring us fresh and brilliant new concert works.

Nicola Campogrande (b.1969, Turin, Italy) is one of today’s most exciting classical composers; his music has been performed around the world by such luminaries as Gauthier Capuçon and Lilya Zilberstein, with glowing praise from audiences and critics alike.

Campogrande’s compositions have also been featured on more than 30 CD recordings from a variety of labels.

Since 2017, Campogrande has published exclusively with Breitkopf, and an early fruit of their partnership is the recent publication of a solo piano concert work intriguingly titled Nudo.

Let’s take a peek…

Continue reading Nicola Campogrande: ‘Nudo’

Breitkopf’s Brahms and Busch

Sheet Music Review

Celebrating their 300th Anniversary in 2019, august publishing house Breitkopf & Härtel reissued several heritage editions alongside their typically exciting new publications.

I have recently reviewed their edition of Joachim Raff’s Piano Sonatas and reissue of Clara Schumann’s celebrated edition of her late husband Robert Schumann’s complete piano works, with fingering by Wilhelm Kempff.

Now I’m looking at their reissued Complete Piano Works of Johannes Brahms, drawn from the Urtext of the Brahms Complete Edition issued by the Gesellschaft der Musikfreund, Vienna: this is the famous edition prepared by Brahms’ close personal friend Eusebius Mandyczewski (1857-1929).

And, breaking newer ground, I’ll also discuss Jakob Fichert’s new urtext edition of Adolf Busch’s (1891-1952) Piano Sonata in C minor Op.25.

Continue reading Breitkopf’s Brahms and Busch

Beethoven’s Piano Sonatas: the Jonathan Del Mar edition

Sheet Music Review

As publishers prepare for the 250th Anniversary of the birth of Beethoven, several have been revisiting his Piano Sonatas, a steady flow of which have been arriving for review over recent months.

First to deliver their new version of the complete cycle are Bärenreiter, whose edition of all 35 Sonatas (including the three early Sonatas WoO 47) is now complete and available in a variety of formats.

An epic achievement, this new edition has already won the hearts and minds of some of the world’s greatest Beethoven interpreters; those giving glowing endorsements include Marc-André Hamelin, Angela Hewitt, Stephen Hough, Robert Levin, Leslie Howard and Igor Levit (whose recording of the cycle I recently reviewed here).

To quote Paul Badura-Skoda:

“Jonathan Del Mar’s Beethoven edition is unparalleled in terms of its precision. What I value most about it is the use of lesser-known or previously unknown sources, the commentary, which is the most extensive to date, and the discussion of problematic sections. I wholeheartedly recommend this new edition of Beethoven piano sonatas.”

So now let’s take a more in-depth look…

Continue reading Beethoven’s Piano Sonatas: the Jonathan Del Mar edition

The Melody at Night, With You

Sheet Music Review

Keith Jarrett has long been one of my piano heroes, his album The Melody at Night, With You an all-time favourite recording.

I am absolutely delighted that, 20 years after its release, Schott Music have brought out a complete sheet music transcription of the ten album tracks, by Friedrich Grossnick.

I’ll get straight to it – this music is a very special recommendation.

Let me tell you why…

Continue reading The Melody at Night, With You

Ravel: Jeux d’eau

Sheet Music Review

“…the wellspring of all the pianistic innovations which have been thought to be found in my work.”

So said composer Maurice Ravel (1875-1937) of his breakthrough composition Jeux d’Eau, completed on November 11th, 1901 and dedicated to his teacher Gabriel Fauré.

As such, the work is surely a milestone not only in Ravel’s compositional development, but also in that of the classical piano repertoire.

In this post I will consider the genesis and significance of Jeux d’Eau before taking a look at Nicolas Southon’s brand new urtext edition of the piece, with fingering and notes on the interpretation by concert pianist Alexandre Tharaud, recently published by Bärenreiter.

Continue reading Ravel: Jeux d’eau

Beethoven’s Variations for Piano

Sheet Music Review

As the 250th centenary of the birth of Beethoven approaches, it’s no surprise that the major publishers are issuing new and updated editions of his major piano solo works.

The monumental cycle of 35 Sonatas (the “New Testament” of the solo piano repertoire) are inevitably a centrepiece of the release schedules of several major publishers, but Beethoven’s other piano works mustn’t be overlooked.

Happy news, then: Henle Urtext have brought out an updated edition of Beethoven’s Variations for Piano in two volumes.

The first volume [HN 1267] appeared a couple of years ago, but it’s the second [HN 1269], now available, that may prove the more irresistible.

Let’s find out why …

Continue reading Beethoven’s Variations for Piano

Fazil Say: Troy Sonata

Sheet Music Review

It’s my pleasure to review a lot of superb new piano music on this site, but rarely do I have the chance to hail a monumental masterpiece to compare with Fazil Say’s Troy Sonata.

The piece was recently recorded by the composer himself and released on his outstanding Fazil Say Plays Say CD from Warner Classics, which was highly praised as my Recording of the Month and reviewed here.

In that review I noted:

“There really is no doubt in my mind that the Troy Sonata is one of the most significant solo piano works of our current century.”

It is with therefore with genuine pleasure that I can also now tell you about the sheet music publication, brought to us by Schott Music

Continue reading Fazil Say: Troy Sonata

Exploring the Piano Music of Nikolai Kapustin

Kapustin’s extensive catalogue of solo piano music is increasingly recognised as one of the significant landmarks of the contemporary recital repertoire.

In an earlier review, Discovering the Piano Music of Nikolai Kapustin, I had a look at two contrasting works, the fiendishly difficult Sonata No.6 Op.62 (1991), and the more accessible (and now highly popular) Sonatina Op.100 (2000), new editions of which Schott Music had recently released.

Since then, Schott have been continuing to refresh the Kapustin catalogue (theirs since 2013) with new editions of his solo works appearing at regular intervals.

In this follow-up I will be giving a quick round-up of all the latest arrivals. Of these it must be noted that even the least assuming pieces here are rightly classified as “virtuoso”, being at least Diploma level in difficulty.

In all cases, these works are fully scored-out compositions in the classical vein, but heavily imbued with the language, techniques and aesthetics of contemporary jazz, leaning on influences that encompass modern jazz piano icons from Thelonious Monk to McCoy Tyner and beyond.

Continue reading Exploring the Piano Music of Nikolai Kapustin

The Greatest Schumann?

In a grand publishing milestone, Breitkopf & Härtel have reissued in seven volumes Robert Schumann’s complete piano works in the edition prepared by his widow Clara Schumann, and later updated with additional fingerings by the legendary pianist Wilhelm Kempff

Let’s dig straight into the fascinating history of this one ….

Continue reading The Greatest Schumann?

Weber: The Piano Sonatas

Sheet Music Review

Carl Maria von Weber (1786-1826) was one of the significant pioneers of German Romanticism in music, chiefly remembered for his operas Der Freischütz, Oberon and the popular Invitation to the Dance.

Weber was also a brilliant pianist who composed four Sonatas, several shorter solo pieces, two Concertos, the Konzertstück in F minor for piano and orchestra, and considerably influencing successors such as Mendelssohn and Liszt.

Though not as universally known as those of his contemporaries Beethoven and Schubert, Weber’s four Sonatas have found a continuing place in the repertoire, and have been championed by leading concert artists such as Artur Schnabel, Claudio Arrau, Sviatoslav Richter, Emil Gilels, Leon Fleischer, Hamish Milne and Paul Lewis.

They have been less-well served in print however, an oversight which Schott Music hope to rectify with the publication of their new, affordable single-volume edition.

Continue reading Weber: The Piano Sonatas

Joachim Raff’s Piano Sonatas

Sheet Music Review

At the peak of his success in the 1870’s, Joachim Raff (1822-1882) was one of the most celebrated composers in the world, his eleven symphonies popular in concert halls across Europe and beyond, his marvellous body of solo and four-hand piano music a staple of the repertoire.

And yet, but the time of his death a few years later, his star was already in decline, his fall from fashion remarkably rapid. His music languished largely unperformed through the twentieth century, and is only now being properly reappraised, enjoying something of a revival.

Of Raff’s 216 works with opus numbers, 117 are works for piano solo, 54 for four-handed piano, and 23 piano arrangements of works by other composers. Concert pianist Tra Nguyen has led the charge to rediscover some of this extraordinary music, her stunning recordings revealing the quality of Raff’s writing and once again elevating him to a position alongside Brahms and his contemporaries.

Nguyen’s recordings for Naxos’s Grand Piano label are available to stream via the major platforms, and can be bought as a budget 6CD set from Amazon UK here. They are well worth exploring!

Introducing his new scholarly urtext edition of Raff’s three Piano Sonatas, recently published by Edition Breitkopf, Ulrich Mahlert suggests:

“It was precisely the enormous scope of Raff’s creativity that was one of the reasons why his works were not paid so much attention, because a differentiated engagement with so many compositions is time-consuming. The disregard of abundance went along with generalised, stereotypically repeated negative judgments, obscuring the view or even preventing dealing with Raff’s music at all. Thus, an unfortunate cycle of ignorance emerged which we hope that the present edition can help overcome.”

With that goal in mind, let’s consider Mahlert’s new edition of the Piano Sonatas.

Continue reading Joachim Raff’s Piano Sonatas

Play it Again: Piano

Sheet Music Review

Melanie Spanswick’s Play it Again: Piano series launched with two books published by Schott Music back in 2017. At the time, I heaped praise on those books, and I have subsequently used them with adult “returners” who have also loved them.

Now, with a third book joining the series, it’s time for another look. This new review covers all three books in the series, so let’s dig in…

Continue reading Play it Again: Piano

Henle’s revised Chopin Scherzi

Sheet Music Review

Ask a group of pianists which edition of Chopin’s piano works is the best, and you will probably get little consensus.

Some cling to our old copies of the much-revered Paderewski Editions which have been widely used since their appearance in the mid-twentieth century, while of the more recent urtext editions, the Jan Ekier Polish National Edition comes highly recommended.

Alongside these, the ever-reliable Henle Urtext editions have been popular for many years, and enthusiasts will be pleased to hear that they have just added a new revised edition of the 4 Scherzi, edited by Norbert Müllemann and with fingerings by Hans-Martin Theopold.

Continue reading Henle’s revised Chopin Scherzi

Johanna Doderer: “Everything Flows”

Sheet Music Review

“Alles fließt” – “Everything Flows” – is a virtuoso piano piece which was commissioned for the International Beethoven Piano Competition 2017, and first performed during its opening by Christoph Traxler.

When reviewing new music, it always helps to have a recording; and if it happens to be accompanied by an arty film of a man wearing just his underpants having an existential meltdown in a remote forest (see below) … well, so be it.

Now that I’ve got your attention, let me tell you more about this rather wonderful new concert work, just published by Doblinger…

Continue reading Johanna Doderer: “Everything Flows”

Couperin: Pièces de clavecin

Sheet Music Review

François Couperin ‘le grand (1668-1733) was undoubtedly one of the great keyboard composers. His seminal influence is not only evident in the music of later French composers from Rameau to Ravel, but as an antecedent finds echoes in Chopin’s piano miniatures and even perhaps (by way of Creole migrants) the rhythms of New Orleans Jazz.

And yet his music remains too little known, and too rarely performed.

Now we have an even better chance to explore his glorious solo keyboard output, thanks to Bärenreiter’s recent publication of a stunning new edition of the Second Livre (1717) of Couperin’s Pièces de clavecin.



Let’s find out more…

Continue reading Couperin: Pièces de clavecin

LCM Diplomas: In Concert 2

Sheet Music Review

London College of Music’s suite of LCM Diplomas have just been revised for 2019, with certification beginning this Spring, and with a crossover during which candidates can continue to use the 2011 syllabus until the end of 2019.

Alongside the Diploma syllabus revision, a new anthology of solo piano repertoire has been published, called In Concert 2. This book is the sequel to last year’s In Concert, which I enthusiastically reviewed here.

In this review I will first consider the syllabus changes, link to the full syllabus for those interested, and then offer a more detailed review of In Concert 2.

Continue reading LCM Diplomas: In Concert 2

Brahms: Two Rhapsodies

Sheet Music Review

Brahms’ vivacious Two Rhapsodies Op.79 of 1879 are among his most frequently performed and popular concert works.

The Rhapsody in G minor Op.79 No.2 is also a mainstay of the ABRSM piano diploma syllabus, where its gorgeous sweeping melody line makes it a popular choice with players.

Inevitably there are several printed scores on the market; ABRSM naturally promote their own, while many performers have tended to opt for the Henle Urtext edition.

Now Brahms expert Christian Köhn is presenting these popular pieces in an up-to-date new edition that remains faithful to the sources and reflects scholars’ latest findings. And according to publishers Bärenreiter,

“In addition to the informative Preface the edition offers enlightening details regarding performance practice of Brahms’ day. With a reader-friendly engraving, comfortable page turns including a fold-out page and fingering where required, the edition meets all the needs of today’s performers.”

Let’s take a quick look…

Continue reading Brahms: Two Rhapsodies

Rachmaninov: Second Sonata

Sheet Music Review

Rachmaninov’s Sonata No.2 in B flat minor Op.36 is one of those gargantuan masterpieces generally only attempted by those with a truly titanic technique.

But for anyone interested in playing, studying or getting to know the work, Dominik Rahmer’s brand new edition for Henle Verlag will be of profound interest.

As connoisseurs of the Sonata will probably know, there are two versions: the original 1913 version published in 1914, and the composer’s major revision published in 1931.

For this Henle publication, Rahmer has produced not one but two brand new urtext editions, printed one after the other for comparison.

Adding further enticement, fingering is provided by none other than the revered concert pianist Marc-André Hamelin. So let’s have a look…

Continue reading Rachmaninov: Second Sonata

Piano Music by British & American Composers

Sheet Music Review

Lurking in my reviews backlog for some time, here’s a book which has continued to beckon, so let me finally highlight it as the epitome of a great idea brilliantly brought to life.

The so-called “core repertoire” for classical piano has long been predominantly drawn from the great composers of the Central European Tradition (Germany, Austria and Hungary), France and Russia. Meanwhile, composers from the UK and USA have somewhat struggled to gain comparable recognition beyond their own borders.

This bumper anthology from publishers Boosey & Hawkes collates piano works from an even and well-matched spread of composers from both sides of the Atlantic, all of whom lived and worked in the 20th century.

As such it offers a rather wonderful introduction to some great music, much of it too-little performed, but all hugely worthy of the pianist’s attention.

Continue reading Piano Music by British & American Composers

Albéniz: Cantos de España

Sheet Music Review

As I write this, the UK is one of many countries in the grip of a historic heat-wave. Suffice to say that when the weather here turns Mediterranean in feel, I have a tendency to uncork a fine bottle of Rioja and reach for the Albéniz CDs.

The piano music of Isaac Albéniz (1860-1909), it seems to me, occupies a uniquely odd position in the classical piano repertoire.

On the one hand he would seem to be universally admired, his monumental series of 12 piece Iberia roundly hailed as one of the seminal masterpieces at the very pinnacle of the “core repertoire” (and yet rarely performed or recorded!). On the other hand, many pianists complete their lifetime journey at the piano without once opening one of his scores.

As well as the stunning Iberia cycle, don’t miss the gorgeous Suite Española Op.47, scenic Recuerdo de Viaje Op.71, accessible España Op.165 and the brilliant Cantos de España Op.232. All are easily available as sheet music scores.

A brand new edition of the last listed of these works has recently been issued in the Alfred Masterworks Edition library, so let’s take a closer look.

Continue reading Albéniz: Cantos de España

Schubert’s “Fantasy Sonata” in G major

Sheet Music Review

20th March 1989 is embedded in my memory as the evening on which I attended one of the most magical classical piano recitals!

Although I was seated in the balcony, and towards the back of London’s Royal Festival Hall, I could just as well have been sat in the front row, such was the silent rapture of the audience. In semi darkness, lit by just one small lamp, the legendary Sviatoslav Richter quitly took to the stage and opened the recital with the hushed tones of a simple but fully-fleshed G major chord.

At this point in his career, Richter had given up announcing his programme – which didn’t stop tickets for his recitals from selling out within minutes of going on sale. But that opening chord was sufficient to announce to the pianophile audience that we were about to be served a very special musical treat:

Schubert’s magical “Fantasy Sonata” in G major, Op.78, D.894.

In Richter’s hands, this joyous work took on a new dimension – and not least because of his controversially slow interpretation of the first movement, lasting a full 25 minutes (compared to the more usual 15 – in Wilhelm Kempff’s recording this movement lasts just 10’54”, albeit omitting the repeats).

While I love Schubert’s Sonatas as a whole, the G major is perhaps even more dear to me than the others because of this much-treasured memory. So I was delighted when the brand new Bärenreiter Urtext edition dropped onto my door mat for review …

Continue reading Schubert’s “Fantasy Sonata” in G major

The ‘Deliberately Forgotten’ Composer

Sheet Music Review

The name Vsevolod Petrovich Zaderatsky (1891-1953) may be a new one to most readers – but if so it is perhaps because the authorities of the Soviet Era condemned this extraordinary composer to be “deliberately forgotten”.

But with the first edition of his 24 Preludes and Fugues (1937-9) – which were composed while Zaderatsky was a prisoner in the dreaded Kolyma forced-labour camp – newly published worldwide, his fortunes may be posthumously about to change…

Continue reading The ‘Deliberately Forgotten’ Composer

Rachmaninoff: Critical Urtext Edition

Sheet Music Review

Given the ravishing Romantic beauty of Sergei Rachmaninoff’s piano oeuvre, it’s easy to forget that the composer only passed away in 1943, meaning that for copyright purposes new editions of his works are only now beginning to significantly make their mark.

Chief among editions must surely be the colossal Critical Edition of the Complete Works edited by Valentin Antipode and published by the Russian Music Publishing in 2005, in association with Schott Music GmbH and Boosey & Hawkes.

Now available, the “Practical Edition” for performers is based on that groundbreaking benchmark edition.

This review will take a look at Volumes 2-4 in the ongoing series. In case you are wondering, Volume 1 apparently won’t be available for a little while yet, but I hope to bring you a review once it is!

Continue reading Rachmaninoff: Critical Urtext Edition

Debussy: Images & Pour le piano

Sheet Music Review

As many will know, pianists and classical music lovers are this year marking the centenary of Debussy’s death in 1918.

In a previous post I addressed the frequently asked question, “where to start?” exploring his piano works, suggesting Bärenreiter Edition’s Easy Pieces and Dances collection and their excellent urtext edition of the Preludes livre 1 as great entry points.

In this post I will look at a couple of Bärenreiter’s other Debussy editions – the two volumes of Images, but first Pour le piano. These are virtuoso concert works which qualify for the diploma and professional tag in terms of difficulty.

Continue reading Debussy: Images & Pour le piano

Discovering the Piano Music of Nikolai Kapustin

Sheet Music Review

Without doubt one of the more interesting, indeed extraordinary, composers of our times, Nikolai Kapustin was born in the town of Gorlovka in eastern Ukraine in 1937.

At the age of 14 he relocated to Moscow, studying piano at the Conservatoire, and announcing his composing career in 1957 with the Concertino for piano and orchestra Op.1. During this time he also had his own quintet and was a member of Yuri Saulsky’s Big Band; his enthusiasm for jazz continued after graduation when he joined the Oleg Lundstem Big Band.

Focussing purely on composing from the 1980s, Kapustin uses jazz idioms within the context of formal classical structures, writing orchestral, chamber and piano solo works for the concert hall.

Kapustin’s piano writing is for the most part rhythmically complex and highly virtuosic, making huge technical and musical demands on the performer.

Although his jazz-infused classical music is gaining an ever-larger audience of enthusiastic connoisseurs, few of us it seems have found a suitable entry point for learning and performing his works, in spite of the fact that his publishers Schott Music have many of his solo piano works available in print.

Schott’s two latest additions to the Kapustin catalogue may provide impetus, however: the Sonata No.6 Op.62 (1991) and Sonatina Op.100 are among his more approachable works, and should be accessible to players upwards from UK Grade 8 to Diploma level.

Continue reading Discovering the Piano Music of Nikolai Kapustin

Which Mikrokosmos?

Sheet Music Review

Bartók’s monumental cycle of 153 educational piano pieces and 33 exercises, published in six volumes as the Mikrokosmos in 1940, is rightly regarded as a  seminal work within the pedagogic literature. But it often strikes me that it is more important than it is popular.

Even in my own studio (and I am a self-confessed Bartók fanatic!) it emerges from the music cupboard far less frequently than the more obviously popular For Children, First Term at the Piano, Rumanian Folk Dances and Ten Easy Pieces.

For those wanting to explore this musical smorgasbord there has never been more opportunity to do so, however, with three excellent editions to choose from. Which, though, is the best?

In this review I will be looking at classic New Definitive Version from Boosey & Hawkes, and comparing the more recent Urtext editions from Henle Verlag and Wiener Urtext Edition. I should note in passing that there is also a budget all-in-one-volume edition from Chester Music, not submitted for review or included in this survey.

Continue reading Which Mikrokosmos?

Mozart: Concerto in D, K.537

Sheet Music Review by Alison Eales

It gives me great pleasure to welcome my sister Alison Eales as a sometime reviewer here on Pianodao. Alison is an experienced professional performer, ABRSM examiner, and has been Head of Music at Kingshott School, Hitchin for many years.

For her first review here, Alison is looking at the new Bärenreiter Urtext Edition of the Mozart Piano Concerto in D major, K.537 ”Coronation”.

Continue reading Mozart: Concerto in D, K.537

Masterworks from Bärenreiter

Esteemed publishers Bärenreiter continue to produce some of the world’s finest editions of core classical piano repertoire (and of course, so much more!) and I have been delighted to see some of their latest releases.

In this review I will look at their new scores of masterworks by Bach, Haydn and Beethoven, which are suitable for post-grade 8 amateur players, diploma students, and professional pianists.

In a separate review I will also be looking at a couple of most interesting recent educational releases, so as always, stay tuned!

Continue reading Masterworks from Bärenreiter

New Editions from G. Henle Verlag

Sheet Music Review

Here’s a quick roundup of the latest benchmark urtext editions from revered published Henle Verlag…


Brahms: Piano Sonata in F minor, Op.5

Brahms’ mammoth F minor Sonata, composed when he was just 20, is symphonic in scope.

This new edition by Katrin Eich, and with ingenious fingerings supplied by Andreas Boyde, comes from the New Brahms Complete Edition of 2014, and will be welcomed by all who wish to tackle this masterpiece!

publisher’s website

Brahms: Waltz in A flat, Op.39 No.15

How wonderful to see this stand-alone edition of Brahms’ well-loved classic, offering both the original and the slightly simplified version in A major, side-by-side!

Whether you are a teacher or player working on this piece, an academic or composition student, it’s fascinating to compare the two!

publisher’s website

Schumann • Liszt: Liebeslied (Widmung)

Liszt’s stunning virtuoso transcription of Schumann’s gorgeous love son “Dedication” from Myrthen, Op.25, has returned as a popular show-stopper in recent years, with recordings by Evgeny Kissin, Daniil Trifonov, Lang Lang, Yundi Li, and others giving the piece a wide audience.

Annette Oppermann’s new edition is a most welcome addition to the Henle catalogue.

publisher’s website

Dvorák: Humoresques Op.101

There’s no better place to begin an exploration of Dvorak’s solo piano music than these eight highly attractive pieces, and hopefully this brilliant new edition from Henle will help to bring these lovely works into wider circulation.

publisher’s website

Grieg: Norwegian Dances Op.35 for piano, four-hands

Grieg’s Norwegian Dances Op.35 for piano duet will be known to many from the popular orchestral version.

The original piano duet version is a brilliant concert work for advanced performers, and Ernst-Günter Heinemann’s new edition for Henle – co-edited and with fingering by the great Grieg performer Einar Steen-Nøkleberg – combines scholarship, clarity of presentation and helpfully organised page turns.

publisher’s website

Bartók: Suite Op.14

László Somfai’s authoritative new edition of the Suite Op.14, one of Bartók’s most important solo piano concert works, now supersedes the older Universal Edition version in several regards.

Of particular interest, it includes as an appendix the Andante movement that formed part of the original five-movement design of Bartók in 1916, but which was removed by the composer shortly before the work’s publication in 1918.

publisher’s website

Bartók: 15 Hungarian Peasant Songs

Also edited by László Somfai and excerpted from the new Bartók Complete Edition, published by Henle in collaboration with Editio Musica Budapest, this is a welcome performing version of a rather neglected work.

In his fascinating Preface, Somfai explores the work’s complex background. The music itself is nicely organised on the page, and although the early pieces seem to me just a little more cramped than the old UE edition, the later movements (and particularly the dense Finale) are certainly more spacious, and overall this new version is without doubt the one to go for!

publisher’s website

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K331. But as you know it?

Sheet Music Review

Published in 1784, Mozart’s Sonata in A major, with its famous Rondo Alla Turca finale, is one of the most popular works in the entire classical piano repertoire. Now, a newly resurfaced section of the autograph has prompted Bärenreiter to issue an up-to-date Urtext edition of this celebrated piece.

According to the publishers,

“The editor, Mario Aschauer, has set new editorial standards and offers the most innovative methodological approach of our time. His scholarly-critical performance edition is the only one to remain entirely true to the sources by presenting the musical text of the autograph and the original print separately.”

Continue reading K331. But as you know it?