Many of my students and teacher colleagues will no doubt be breathing tired sighs of relief at the prospect that they will soon be “on holiday” … a time not just for sandy beaches, but for taking a break from the routines and responsibilities that can crowd our lives throughout most of the year.
Even those of us who continue teaching in some capacity throughout July and August will no doubt enjoy the more relaxed atmosphere and warm evenings over the coming weeks, and hopefully be able to catch ourselves at least some time away from the job!
But I noticed early in my teaching career that, come September, my returning students had often all but forgotten how to play the piano! So that’s a concern…
The relaxation of August can give way to a rather depressing start to the Autumn Term. Is there any way that as teachers (and parents) we can address this common problem?
One common approach is for teachers to set students a summer challenge of one sort or another – and for those students who haven’t yet developed an Active Repertoire this might be the ideal moment to introduce the idea…
Continue reading The Summer Holidays are coming!
When I published a blog post sharing clips of 20 Great Jazz Pianists – with the disclaimer that, “these aren’t necessarily the 20 greatest jazz pianists of all time” – I was hopeful that by exploring the included clips readers would get a glimpse of the length and breadth of the wonderful world of jazz piano.
But no sooner had I posted than I began musing over those many brilliant pianists who I hadn’t included, and in a jiffy the idea came to me – publish a follow-up post with another 20 pianists!
In the event this list was far more difficult to collate – and here I must thank my good friend Mark Polishook for pointing me in the direction of a few players I might otherwise have overlooked. And having covered some of the most obvious seminal players in my first list of 20 great jazz players, this post has offered a chance to explore some less predictable paths!
In the event, including everyone we both thought deserved a moment in the spotlight wasn’t possible. On the plus side the 20 I have selected include something for everyone, and once again show how immersive and varied the world of jazz playing is, from the stride of James P. Johnson to the beautiful and experimental introspection of Tord Gustavsen, and from the sophistication of George Shearing to the explosive force of nature that is Hiromi Uehara – it’s all here.
Or at least some if it is! Because there’s a whole world of amazing music out there waiting to explored.
So without further ado or comment, Welcome back to the world of the jazz pianist. Here are the clips – I hope that you enjoy them!
Continue reading Another 20 Great Jazz Pianists
Jazz is caught, not taught!
So goes the cliché (although I believe this also applies to classical and other styles too). So much of the nuance, the energy, the essence and the inflection of piano music cannot be expressed away from the instrument, whether in words or using notation.
As I write this I am about to deliver a workshop entitled Introducing Jazz Piano for the Piano Teachers’ Course UK, where I am a guest tutor. And as I consider the point that listening to jazz piano playing must be our starting point, this raises the question, “where do we start?”
So to that end I’ve compiled this list of 20 seminal jazz pianists, with clips of their playing and a suggestion that you go on to more fully explore their recorded legacy.
Understand, these aren’t necessarily the 20 greatest jazz pianists of all time (and it isn’t, in any case, a competition!). However, they are all genuine greats, and between them they represent a wide range of styles and approaches within the very broad world of jazz music.
Dip in now, and keep coming back, because ongoing exposure to the genius of these players is the key to developing as a player and teacher of jazz music…
Continue reading 20 Great Jazz Pianists
Guest post by Simon Reich
I have a recurring nightmare. It involves me and a piano…
I see the instrument from the other side of the room and then move stealthily, not too fast mind you, over to sit down on the stool waiting patiently for me. Everything seems like it’s going well up to this point. The horror only kicks in as I press down the notes for that first D minor 7 chord. The piano is totally out of tune with sticking notes I can’t avoid.
I’m sure some of us have also encountered this outside of our sleeping times, me included. Apart from our instrument, a piano tuner is our next most important point on our must have checklist.
With this in mind I decided to interview Nathan Winterbine, a piano tuner (based in Melbourne, Australia) who I only met last year, but instantly warmed to. His prompt service, fixed price and then excellent workmanship cemented him as my “go to” tuner.
I sat down with Nathan and plugged him with questions I wanted answered…
Continue reading Piano Tuning – What’s Under the Lid?
The Pianist’s Reflections Series
- What is it that motivates us as pianists?
- Why did we start learning to play the piano? ..
- And why do we continue to play?
- What are our piano goals for the future? ..
- And how do they excite us?
- How can we motivate and inspire our students?
Ask these questions to a hundred pianists, and there’s a good chance you will hear a hundred different answers – but some common themes will most likely emerge.
In this article I am going to consider the many and complex motivations we all experience in life, focussing in on the difference between intrinsic and extrinsic motivations, and how each pertains to our piano playing.
Continue reading The Pianist’s Motivations
Are you ready for a fresh challenge?
Throughout 2017, the Active Repertoire Project has helped piano players from around the world build confidence and find more enjoyment playing the piano.
In 2018, I invite you to join this exciting project –
and let’s take it to the Next Level!
Download ACTIVE REPERTOIRE 2018 sheets here.
Continue reading Active Repertoire Challenge 2018
My wife Louise and I recently visited my cousin and her husband for a delightful evening meal. At some point in the evening, conversation turned to footwear, and my cousin was appalled to learn that I often wear slippers when teaching in my home studio.
Inevitably, I was quickly ganged up on, the object of much mirth. To be honest, it was a bit harsh. Jibes included:
“How old did you say you are again – 87?”
“Do you wear pyjamas and a dressing gown too?”
And even …
“Are you trying to look like Hugh Heffner?”
Now I ask you, what kind of question is that?
Gamely, I tried to defend myself with:
“…but slippers are really comfortable when playing the piano…”
But of course this quickly led to:
“So do all your pupils bring slippers to wear too?”
Which got me thinking …
Continue reading Fancy Footwear?
With preparations for Christmas concerts, shows and services under way for many piano players, it is tempting to leave our Active Repertoire to one side while we focus on festive favourites.
If you would like to read about some of the best new Christmas sheet music, do check out my recent round up review here.
So here is a special gift to help balance our musical goals over the next few weeks, in the run up to Christmas itself.
Christmas Repertoire Sheet DOWNLOAD
The Christmas Repertoire sheet can of course be used how you like, but personally I advise my students to use it exactly as we use our standard Active Repertoire sheets throughout the rest of the year.
For now, why not just copy over the three pieces from your current Active Repertoire sheet, but as we approach Christmas, look to replace or supplement those pieces with your Seasonal choices?
Alternatively, some will want to focus solely on Christmas Carols and songs, revising those already learnt in previous years as repertoire to play from memory over the coming weeks.
As always, the choice is with each player. And however you use the Christmas Repertoire sheets, I hope that it will make a positive contribution to your piano journey over the next two months!
In this post I am going to share a simple trick that will help prompt you to compose and improvise your own music.
This also provides an excellent strategy for helping more advanced students develop their creativity, and move beyond written music.
When making up our own music it’s useful to have a “trigger” that helps get things started – or perhaps a set of “rules” or self-imposed limitations within which we will work. Far from limiting our imagination, this can stimulate our creativity as we explore the boundaries we have set ourselves.
The Eight Chord Trick can be used in exactly this way.
Continue reading The Eight Chord Trick
The Pianist’s Reflections Series
Do you ever feel a bit uncomfortable about shaking hands with people when you meet them?
Concerned about hygiene, and all those germs you’ll pick up “pressing the flesh”?
Worried about having your piano-playing fingers crushed by the over-enthusiastic clench of Mr. Assertive?
Then read on, and I will go over a few points that might help!
Continue reading The Pianist’s Handshake
Guest Post by Joni Hawkes
The recent articles on Active Repertoire on Pianodao have struck a chord with me … quite literally.
As an adult beginner into my third year of lessons, I have often found myself avoiding situations where I might be asked to play something, because I simply couldn’t play anything spontaneously without my trusty sheet music to hand.
The more pieces that I learned, the more they were becoming just a growing collection of stuff I couldn’t play.
The concept of Active Repertoire (always having 3 pieces that I enjoy playing, without notice, without embarrassment and without notation) has completely changed my approach to playing.
I now start every practice session by playing my 3 favourite pieces, and whilst I still have the book in front of me, I’m finding that with each session I’m increasingly looking away from the music as I play.
Continue reading Active Repertoire: An Adult Student’s Perspective
Active Repertoire Project
Since writing my article What can you play? readers have shown quite an interest in my concept of Active Repertoire.
Now I am going to explain a little more about how Active Repertoire fits into the wider picture of your piano journey.
Continue reading Three types of Repertoire