Guest Post by Ben Jacklin
There was a time, not so long ago at all, where home recordings weren’t really an option for most of us. To get any sort of a decent recording you needed a huge amount of hardware and equipment.
Technology never sits still for long, and home recordings have become a real possibility for musicians, and recordings made in your bedroom can work their way into professional quality pieces of music or demos to send to bandmates, but only if you know what you are doing.
I’ve made it sound so easy, and although it has become a lot simpler, it is important to have an understanding of the basics of recording audio. The following tips are designed to transform your crackly, distant sounding piano recordings into clear, crisp audio.
Continue reading Pro Tips for Recording Piano at Home
I am sure that most piano teachers will be alert to the fact that some pupils coming to lessons are anxious. This post will look at some reasons for that, and offer some suggestions that might help normalise lessons.
The article is written for any player who has ever said – and any teacher who has ever heard – the words:
“It was perfect when I practised it at home this morning…”
Clearly, in order for student and teacher to make the most of any piano lesson we all want to move beyond this point!
Continue reading Piano Lessons: Dealing with Anxiety
As he prepares for a forthcoming recital at London’s Wigmore Hall and a chamber concert in Manchester’s Bridgewater Hall (details below), concert pianist Emanuel Rimoldi considers the emotional landscape of the music he is rehearsing …
Guest post by Emanuel Rimoldi
Continue reading The Darkness & The Light
Improvisation in Action – A Video!
In this series, I have written many words and imparted knowledge from my experience. But merely in print form.
I have mentioned a few times though, that you need to dip your foot in the pool and go for it yourself. That got me thinking about videoing myself noodling around until I “found” something that constituted a tune.
I’ve never done this before, so it was quite interesting for me as well. I put my phone on a shoe box and started taping in my music room. I only did one take and had never consciously heard this tune before.
Continue reading Simon Reich on Improvisation: Part 3
Advice for New Performers
As the pianist releases the final notes of the piece, the audience bursts into enthusiastic applause. The player stands and takes a bow…
It’s a code of conduct that we tend to take for granted – but one that should be taught and practised as part of performance preparation.
Because I try to cultivate a friendly, non-competitive, informal atmosphere at my student concerts, I have not always been careful to make sure that new performers understand the importance of “stagecraft”, and the essential place of taking a bow in order to receive and acknowledge audience applause.
I have been trying to address that by giving students a “mock performance” experience in their lesson, including teaching them how to bow. Here is a quick summary that supports that practice.
Continue reading Take a Bow! How, When and Why…
Improvisation – Jump In!
Guest post by Simon Reich (pictured)
The amazing thing about improvisation, in my experience, is the fact that inspiration and output can come no matter how I am feeling.
In fact, some of the best tunes I have composed have been when I am feeling down and compromised. The flip side to this is that when I am happy, the creative juices still flow! So in essence, nothing need hold you back from a productive improvisation.
As mentioned in the previous article, armed with your skills of scale and chord understanding it’s always the right time to start noodling around the keyboard and find a gem waiting to be unearthed. Sometimes it starts with a chord progression, other times a melody.
When I was quite young, I remember hearing certain tunes and feeling a funny tingling sensation in my stomach. This became my yardstick for great chord progressions. If I could make myself feel those “butterflies in my tummy”, I’d done it!
You are your own best guide to what sound good, so trust your intuition.
“Everything you want is on the other side of fear” – Jack Canfield
Continue reading Simon Reich on Improvisation: Part 2