Fauré: The 5 Impromptus

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Addressing the piano music of the great French master Fauré in my recent review of Louis Lortie’s superb recordings, I noted,

“Of all the truly seminal composers in the evolution of the piano repertoire, Gabriel Fauré (1845-1924) remains one of the less performed, his significance little understood, his extraordinary music too easily overlooked.”

How joyous, then, to see Jean-Pierre Bartoli’s new scholarly-critical performing edition of the 5 Impromptus from leading publisher Bärenreiter, based on the musical text from the corresponding volume of their Oeuvres complètes de Gabriel Fauré of 2020.

These ravishing treasures are suitable for the advanced performer at diploma level and above (the second Impromptu, and best known of the five, is presently included on ARSM, DipABRSM, ATCL and ALCM syllabi).

Let’s take a look at this new edition…

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Trinity College: A Recital Anthology

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Once in every while a music book arrives on my review desk which is simply too wonderful for words, and yes! this is one of those!

Surprisingly so, perhaps, given that on paper this looks like a rather plain anthology of well-worn diploma repertoire. According to the blurb,

“This unique collection contains 21 pieces from the ATCL repertoire list for Music Performance Diplomas in Piano from 2019. The most popular recital choices join lesser-known treasures, allowing performers to create diverse and compelling programmes, whether preparing for a Trinity diploma or not.”


So you’re possibly wondering what lifts it above the exam jargon and makes it truly special. Let’s find out…

Continue reading Trinity College: A Recital Anthology