Any self-published autobiography could too quickly be written off as a vanity project; Howard Smith’s newly available Note for Note offers a strong rebuttal of any such inclination, delivering a rich banquet that could both inspire the “returning adults” of the amateur piano world and inform those of us who teach them.
We are told at the start of the book that,
“The events narrated in this book took place between Friday, February 14, 2014 and New Year’s Day 2018”.
With equal precision, Smith lays out the story of his piano journey, self-described as “climbing onto an escalator”, and in so doing achieves much more than a simple memoir. As we accompany the author on his journey, we learn a mix of theory and practice at his side, set in the context of his ‘late returning adult’ story.
Before I read the book, its author self-effacingly warned me,
“The text is as much a moral tale of how not to go about learning to play the piano, as it is a set of pointers to a more enlightened and effective approach.”
Having now read Smith’s “musical fable” from cover to cover, here are my personal thoughts on his success, together with some suggestions as to why I think the book is a truly essential read…
Continue reading Howard Smith: Note for Note
Rami Bar-Niv is known and beloved worldwide as one of Israel’s most acclaimed and sought-after pianists.
Performing worldwide as a soloist with orchestra, recitalist and chamber musician, Bar-Niv has become an ambassador of goodwill for Israel. He has made several well received recordings for CBS, many of his compositions have been published and recorded, and he is widely in demand as a teacher.
Bar-Niv will be known to some readers as author of the outstanding book, The Art of Piano Fingering (which I have reviewed here), and from his illuminating interview with Pianodao last year.
And we can all get to know him in depth and far more intimately, thanks to his recently published autobiography Blood, Sweat and Tours: Notes from the Diary of a Concert Pianist.
Continue reading Blood, Sweat and Tours: Notes from the Diary of a Concert Pianist
PATHWAYS FOR LIVING • Feature by ANDREW EALES
Setting our Piano Journey in its Living Context.
To what extent does the place we live, and the community we are a part of, shape the person, musician and teacher that we become?
That’s a question that I have been reflecting on, prompted by the recent BBC documentary ’Milton Keynes and Me’, in which documentary filmmaker Richard Macer returned to Milton Keynes to reflect on his childhood growing up here, and celebrate Milton Keynes’ 50th Anniversary.
Macer’s film was at times thought-provoking, informative, personal, historical, and moving. I didn’t agree with his sometimes negative perspective (and nor did many in Milton Keynes, it would seem!), but that hardly mattered. What was so much more important is that the programme inspired me to reflect on my own experiences of living here over the last nearly three decades.
We probably all wonder from time to time what impact we have made for the good. Hopefully piano teachers such as myself can recall students who gained a lifelong love for music, which sometimes defined their future. But this post isn’t about my contribution, but rather the imprint that has been made on me.
Having lived in Milton Keynes for 28 years – more than half of my life, and more than half of the city’s existence – how has this shaped who I am today?
Continue reading Milton Keynes & Me