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So here’s something very different, and yet which seems so very comfortingly familiar…
The question of whether or not J.S. Bach’s harpsichord works translate well to the modern piano has led to recurring discussion and debate throughout my lifetime in piano education, so I was intrigued to hear about New York-based pianist Eleonor Bindman’s latest project: the transcription, performance and recording of Bach’s Six Cello Suites for solo piano.
Bindman’s recordings have recently become available as a 2CD set from the Grand Piano label:
As Bindman points out in her fascinating CD booklet essay, Bach himself regularly transcribed his works originally intended for one instrument so that they could be performed on another, as well as making arrangements of the music of other composers.
And indeed, this was a standard practice in the Baroque era. And not only then: Bach’s music in particular has of course been the subject of many excellent transcriptions over the last three centuries.
Listening to Bindman’s recording, I was immediately struck by the mellifluous beauty and sensitivity of her renditions of these iconic cello works; that she has transcribed them so well and plays them with such assurance, grace and finesse makes this 2CD set an easy choice for my Recording of the Month…Continue reading Eleonor Bindman: Bach Transcriptions