J.S. Bach: The Six Partitas

SHEET MUSIC REVIEW • by ANDREW EALES
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The Six Partitas BWV 825-30 of Johann Sebastian Bach (1685-1750) have long been regarded as one of the most important milestones of the Baroque keyboard repertoire, and exist in many editions.

The latest, edited by Ullrich Scheideler, with fingering added by concert pianist William Youn, and published by Henle (HN 518), replaces the same publisher’s 1979 Rudolf Steglich/Hans-Martin Theopold edition (HN 28), and aims to deliver the latest scholarship in a practical performing edition…

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Catherine Gordeladze: Caprice Brillant

RECORDING OF THE MONTH • review by ANDREW EALES
showcasing an inspiring recent piano recording.


In my review of Catherine Gordeladze’s Dance Fantasies CD back in 2017, I concluded,

Dance Fantasies is a brilliant success, offering a fabulous selection of familiar and semi-familiar music in a fresh and inspired piece of programming.”

Now Gordeladze is back with an equally clever and in my view even better executed recital album intriguingly titled Caprice Brillant. Featuring a 76-minute programme of music from Bach to Kapustin, from Mendelssohn to Moszkowski, Gordeladze once again assembles an imaginative and riveting programme of too-little performed piano gems.

Let’s take a closer look at this month’s Pianodao Choice recording…

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Wiener Urtext: ‘Primo’ Series

SHEET MUSIC REVIEW • by ANDREW EALES
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“Easy” collections of the core classical piano repertoire abound, but few bring to the table the depth of scholarship, reliable editing, fingering and expert advice found in the recent (and ongoing) “Urtext Primo” series.

As the latest collection in the series – featuring the music of Clementi, Czerny and Cramer – hits the shelves of music stores worldwide, let’s take a look …

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