Piano Playground

Sheet Music Review

Hans-Günter Heumann is nothing if not prolific  – only a few weeks ago I was reviewing his excellent Mystery Piano collection, follow-up to his popular Fantasy Piano, which I am equally enthusiastic about.

And let’s not forget that in the meantime he has published the 16 books that make up the Piano Junior method series!

Somehow he has also now found the time to write Piano Playground 1 – with a second book to follow in November.

Piano Playground 1 is a collection of “30 Playful Piano Pieces”, brought to us by Heumann’s regular publishers, Schott Music.

Let’s take a look…

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Hey Presto!

Interview with Marcel Zidani

Marcel Zidani’s Hey Presto! is billed as a “first piano lessons” book for older beginners aged 11 and upwards.

The subtitle – pedal your way to piano perfection– reveals something of the book’s unique approach, and like many I was intrigued when it first appeared a couple of summers ago.

Reviewing Hey Presto! at the time, I found much to love about Marcel’s method and music, while noting a few minor concerns. Since then, Marcel has responded to the feedback received from teachers and is now back with a thorough reworking of the concept and a brand-new edition of Hey Presto!

So what better time to catch up with Marcel for a chat, find out what motivates Hey Presto! and ask how he has improved on the original publication…

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Multi-Sensory Music Teaching

Guest post by Karen Marshall

Multi-sensory music teaching is just what it sounds like: using all the senses to teach and learn music. The main senses employed are visual (seeing), auditory (hearing) and kinesthetic (doing).

I would also add in reading and writing (text) as the literate nature of our world shows that many people find this useful, even those with dyslexia.

Multi-sensory music teaching can be seen in some of the most respected approaches to such work throughout the world including those of Dalcroze, Kodály, Suzuki and Orff. It can benefit all learners, including those with specific learning difficulties like dyslexia. In her key book Instrumental Music for Dyslexics: A Teaching Handbook (Whurr, 2002), Sheila Oglethorpe emphasizes this, encouraging people

“to employ as many of the child’s senses as possible in the hope that the stronger senses will compensate for the weaker ones”.

However, multi-sensory teaching shouldn’t be seen as a method to just use with students who have special needs – it has huge benefits for all…

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ABRSM “Piano Star”: The Review

Sheet Music Review

ABRSM’s three Piano Star books (published Autumn 2016) have been a huge and well-deserved success, appealing to children and their teachers alike.

So I was thrilled to hear that there would be two more additions to the series (which have just been published) – Piano Star: Five-Finger Tunes, and Piano Star Grade 1.

According to ABRSM:

The new books, Piano Star: Five-Finger Tunes and Piano Star: Grade 1, are packed with a wealth of useful teaching material which children will love to play.

The Piano Star series is part of ABRSM’s commitment to producing a wider range of early years resources and aims to inspire young pianists and help them to develop their musical skills. The five Piano Star books are designed to take young pianists from the end of their first tutor book to Grade 1 standard.

The series now offers over 120 new compositions and arrangements from leading educational composers and are brought to life with imaginative titles, eye-catching full colour illustrations and fun activities.

Let’s take a look at each of the two books, and see what they add to this popular series.

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The Problem with Method Books

Pathways for Teaching

Few topics generate as much heat online as discussion about which piano Method Book series is ‘the best’.

As a reviewer I have more than once found myself on the receiving end of some odd feedback on the subject. One teacher might chastise me for being in their view way too generous in my evaluation of a particular Method Book, while another responds to the same review as if I had just personally insulted their favourite grandma.

In this post I will explain why there will never be a truly perfect Method Book. We’ll consider a balanced curriculum, stare into the abyss of a world without Method Books at all, and hopefully come away with a better idea of how to use Method Books in a sensible, balanced way.

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Piano Junior 3

Sheet Music Review

Concluding my review of Levels 1 and 2 of Hans-Günter Heumann’s new method series, Piano Junior (published by Schott), I wrote:

“I have often said that teachers owe it to themselves and their students to have a few different methods to draw on, remembering that one size does not fit all. And I strongly recommend that teachers consider including Piano Junior among their options…
My own view is that Piano Junior has in many respects raised the bar, in some ways perhaps even setting a new standard by which piano courses for children will be judged.”

Those who followed my suggestion and took a look for themselves will be keen to hear that Level 3 is now available. Once again, there are four books, covering Lessons, Duets, Performance (additional pieces) and Theory. Let’s take a look…

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