Guest post by Karen Marshall
Multi-sensory music teaching is just what it sounds like: using all the senses to teach and learn music. The main senses employed are visual (seeing), auditory (hearing) and kinesthetic (doing).
I would also add in reading and writing (text) as the literate nature of our world shows that many people find this useful, even those with dyslexia.
Multi-sensory music teaching can be seen in some of the most respected approaches to such work throughout the world including those of Dalcroze, Kodály, Suzuki and Orff. It can benefit all learners, including those with specific learning difficulties like dyslexia. In her key book Instrumental Music for Dyslexics: A Teaching Handbook (Whurr, 2002), Sheila Oglethorpe emphasizes this, encouraging people
“to employ as many of the child’s senses as possible in the hope that the stronger senses will compensate for the weaker ones”.
However, multi-sensory teaching shouldn’t be seen as a method to just use with students who have special needs – it has huge benefits for all…
Continue reading Multi-Sensory Music Teaching
Sheet Music Review
ABRSM’s three Piano Star books (published Autumn 2016) have been a huge and well-deserved success, appealing to children and their teachers alike.
So I was thrilled to hear that there would be two more additions to the series (which have just been published) – Piano Star: Five-Finger Tunes, and Piano Star Grade 1.
According to ABRSM:
The new books, Piano Star: Five-Finger Tunes and Piano Star: Grade 1, are packed with a wealth of useful teaching material which children will love to play.
The Piano Star series is part of ABRSM’s commitment to producing a wider range of early years resources and aims to inspire young pianists and help them to develop their musical skills. The five Piano Star books are designed to take young pianists from the end of their first tutor book to Grade 1 standard.
The series now offers over 120 new compositions and arrangements from leading educational composers and are brought to life with imaginative titles, eye-catching full colour illustrations and fun activities.
Let’s take a look at each of the two books, and see what they add to this popular series.
Continue reading ABRSM “Piano Star”: The Review
Few topics generate as much heat online as discussion about which piano Method Book series is ‘the best’.
As a reviewer I have more than once found myself on the receiving end of some odd feedback on the subject. One teacher might chastise me for being in their view way too generous in my evaluation of a particular Method Book, while another responds to the same review as if I had just personally insulted their favourite grandma.
In this post I will explain why there will never be a truly perfect Method Book. We’ll consider a balanced curriculum, stare into the abyss of a world without Method Books at all, and hopefully come away with a better idea of how to use Method Books in a sensible, balanced way.
Continue reading The Problem with Method Books
Sheet Music Review
Concluding my review of Levels 1 and 2 of Hans-Günter Heumann’s new method series, Piano Junior (published by Schott), I wrote:
“I have often said that teachers owe it to themselves and their students to have a few different methods to draw on, remembering that one size does not fit all. And I strongly recommend that teachers consider including Piano Junior among their options…
My own view is that Piano Junior has in many respects raised the bar, in some ways perhaps even setting a new standard by which piano courses for children will be judged.”
Those who followed my suggestion and took a look for themselves will be keen to hear that Level 3 is now available. Once again, there are four books, covering Lessons, Duets, Performance (additional pieces) and Theory. Let’s take a look…
Continue reading Piano Junior 3