Black Composers – Pianodao

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The piano music of Samuel Coleridge-Taylor (1875-1912) is surely one of the great treasures of the solo repertoire, too long overlooked but now rightly being rediscovered and brought back into the spotlight.

Schott Music, who published many of these works during the composer’s lifetime, have begun painstakingly re-releasing Coleridge-Taylor’s output in modern performing editions. Among the piano scores restored to the Schott catalogue, and the subject of this review, are the Three Humoresques Op.31 (1898), Three Cameos Op.56 (1904), and (perhaps best-known), Three Fours: Valse-Suite Op.71 (1909).

These pieces all offer wonderful examples of Coleridge-Taylor’s art, and would suit players at around UK Grade 8 to Associate Diploma level. So let’s take a closer look, and reflect on their value…

THE PIANODAO MUSIC LIBRARY

Products featured on Pianodao are selected for review by ANDREW EALES.
ABOUT PIANODAO REVIEWS

Here in the UK we celebrate Black History Month each October, and with perfect timing Hal Leonard have recently launched a wonderful new sheet music collection. The African American Folk Songs Collection contains intermediate piano arrangements by Artina McCain of 24 traditional songs.

Dr. McCain, who comes from Arlington, Texas and is now based in Memphis, Tennessee, has won multiple Global Music Awards for her recordings of works by composers of African descent.

In her introduction to this new piano collection she tells us,

“African Americans created a rich history of song and dance. I am proud to say that I am the great-great-great-granddaughter of these strong and resilient enslaved Americans and can trace my origins in America back almost 200 years. In the late 18th century our musical history began with the African American Spiritual (or Negro Spiritual) and is the largest and most significant form of American folk song. There are over 6,000 or these anonymous masterpieces! Through oral tradition, they were passed down from generation to generation and brilliantly blended the rich musical culture of Africa with text describing hardships that they were experiencing in America.”

From this extraordinary treasury of song, McCain has selected her 24 classics for inclusion here, making original, wonderfully pianistic and pedagogically valuable arrangements.

I’m happy to tell you right away that this book is really outstanding, but let’s take a closer look…

Tag: Black Composers

The Restoration of Samuel Coleridge-Taylor

African American Folk Songs