It has become fashionable, once again, for concert pianists to release recital albums containing a mixed variety of music, brought together by a particular concept.
I personally welcome this approach, finding that it leads to releases which are generally more enjoyable than listening to the completist’s rendition of a huge raft of music by one composer. But it is certainly a challenge for pianists to put together a programme that is both fresh and familiar.
Where some have failed, Georgian pianist Catherine Gordeladze has brilliantly succeeded on her new release, called Dance Fantasies. And remarkably, about half of the music here was new to me, even though the programme strikes a fabulous balance between novelty and the comfort of the familiar.Continue reading Catherine Gordeladze’s ‘Dance Fantasies’