Granados: Danzas españolas

Sheet Music Review

Enrique Granados (1867-1916) was one of the great composers to expand the piano repertoire in the twilight years of the Romantic era, and must be counted among Spain’s most marvellous writers for the instrument; so it is a shame that so much of his output remains too little-known and rarely performed.

Less than a handful of easy miniatures have been picked up by exam boards and anthologies, the same few repeatedly so, revealing not only a lack of imagination but too limited a knowledge of Granados’s music, which in fact includes a significant body of music suitable for intermediate and early advanced players.

Meanwhile, the mighty cycle Goyescas belongs aside his compatriot Albéniz’s Iberia suites, but alas, only a couple of movements appear on concert programmes with any frequency.

At the centre of Granados’s output, the twelve Danzas españolas are a fabulous collection suitable for the advanced player (around UK Grades 6-8).

And while (unlike Albéniz) much of Granados’s solo piano music is closer in tone to Schumann than to Spanish flamenco, these pieces are replete with the regional flair and the sunny countenance that lends colour and a hint of exoticism to the best Spanish music. This is Granados at his most rustic.

That much of Granados’s music is difficult to find in good, widely available editions doesn’t help. Those wanting to play the Danzas Españolas relied on old editions by IMP and Dover. Happily, these marvellous pieces can now be explored in a superb new urtext from Henle Verlag, the subject of this review…

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Memoirs of an Accompanist

Building a Library

Specialist literary publisher Kahn & Averill have a stellar reputation for delivering compelling biographies and autobiographies of interesting and important figures within the classical music world.

I have previously reviewed their biographies of the iconic pianist Dinu Lipatti and more recently the autobiography of filmmaker Christopher Nupen.

And now, hot off the press, comes the autobiography of Helmut Deutsch, one of the most successful and sought-after lieder accompanists of our time.

Deutsch has accompanied, both on stage and in the recording studio, the likes of Hermann Prey, Olaf Bär, Brigitte Fassbaender, Jonas Kaufmann and many others.

His is a career and life in music that will surely yield both insight and a rich seam of anecdote, in the tradition of Gerald Moore’s excellent memoirs, so let’s take a look…

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Mike Cornick’s Elgar Favourites

Sheet Music Review

In addition to Mike Cornick‘s new solo piano collection Ragtime Blues and more (which I recently reviewed here), Universal Edition have just published his latest collection for one piano, four hands: Elgar Favourites arranged for Piano Duet.

Once again, it’s a collection that’s well worth a look, so let’s take one…

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Iyad Sughayer in Conversation

Iyad Sughayer has been quietly establishing a reputation as one of our brightest upcoming pianists, appearing as soloist with the BBC Philharmonic Orchestra, European Union Chamber Orchestra and the Cairo and Amman Symphony Orchestras, as well as giving solo performances in such prestigious venues as London’s Wigmore Hall and King’s Place, Manchester’s Bridgewater Hall and the Steinway-Haus in Hamburg.

Now he has released his debut recording on the BIS label. A brilliantly conceived and executed disc of solo piano works by Aram Khachaturian (1903-78), the recording is certainly a stunning showcase for the brilliant talents of this young player, who delivers performances of the utmost musical conviction and power.

Sughayer wrote a short piece touching on the nature of musical engagement for Pianodao a couple of years ago, and I was delighted to more recently catch up with him at the Chetham’s Summer School for Pianists, since which I have now had a chance to interview him in more depth for the site…

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Andrey Gugnin plays Shostakovich

Recording of the Month

Though perhaps not the best-known of his piano works, Shostakovich’s solo music for the instrument surely ranks among the best of the twentieth century.

Now, in his newly released Hyperion debut, Russian pianist Andrey Gugnin presents an all-Shostakovich programme which showcases both the quality and variety of this repertoire…

Make no mistake: this is a stunning album, and even in a month crowded with new releases from major artists, I found it an easy choice for inclusion in the Recording of the Month series…

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The Sufferings of the Queen of France

Sheet Music Review

Ut Orpheus Edizioni (distributed by Universal Edition) have recently published a new urtext edition of Dussek’s catchily-titled The Sufferings of the Queen of France (for piano of harpsichord), subtitled in the original:

“A Musical Composition, Expressing the feelings of the unfortunate Marie Antoinette, During her Imprisonment, Trial, etc. The Music, adapted for the Piano-Forte or Harpsichord Composed by J.L. Dussek.”

Ripping stuff! Let’s take a look…

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Igor Levit: Beethoven’s 32 Piano Sonatas

Recording of the Month

Undertaking a complete recording of the 32 published Piano Sonatas of Ludwig Van Beethoven (1770-1827) remains one of the monumental challenges for any concert pianist, and with the 250th anniversary of the composer’s birth next year it’s likely that the many accounts on disc will come under greater comparative scrutiny than ever.

Enter Igor Levit, who has previously impressed critics and audiences around the world both in recital and on disc. A Sony Classics artist, Levit is flying the flag for one of the world’s largest labels with his new 9CD set of the Sonata cycle, released this month.


photography © Felix Broede /Sony Classical

These are interpretations which inevitably face comparison with the legendary recordings by such luminaries as Artur Schnabel, Wilhelm Kempff and Friedrich Gulda, beloved cycles by Stephen Kovacevich, Alfred Brendel and Claudio Arrau, and the more recent accounts by Paul Lewis, András Schiff, Jean-Efflam Bavouzet and (revelatory on fortepiano) Ronald Brautigam.

With such high stakes, let’s find out how Levit’s cycle fares …

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Fazil Say: Troy Sonata

Sheet Music Review

It’s my pleasure to review a lot of superb new piano music on this site, but rarely do I have the chance to hail a monumental masterpiece to compare with Fazil Say’s Troy Sonata.

The piece was recently recorded by the composer himself and released on his outstanding Fazil Say Plays Say CD from Warner Classics, which was highly praised as my Recording of the Month and reviewed here.

In that review I noted:

“There really is no doubt in my mind that the Troy Sonata is one of the most significant solo piano works of our current century.”

It is with therefore with genuine pleasure that I can also now tell you about the sheet music publication, brought to us by Schott Music

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Schubert’s “Moments musicaux”

Sheet Music Review

Wiener Urtext Edition have, in recent years, made a particular effort to renew their editions of Schubert’s smaller-scale piano works, the two sets of Impromptus, Op.90 and Op.142, and the Moments musicaux op.94, a new edition of which has just appeared on the market.

Is this new version the definitive edition? Let’s see…

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The Waco Variations

Book Review

I should preface this review by saying that, disappointingly, in the last couple of years I have too rarely found time to start reading a good novel, and even less frequently succeeded in finishing one.

The Waco Variations, written by the American pianist and writer Rhonda Rizzo, kept me up late into the night, and demanded to be finished! Perhaps no further recommendation is needed!

However, you probably want to know more about what makes this such a great read, so…

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