Ut Orpheus Edizioni (distributed by Universal Edition) have recently published a new urtext edition of Dussek’s catchily-titled The Sufferings of the Queen of France (for piano of harpsichord), subtitled in the original:
“A Musical Composition, Expressing the feelings of the unfortunate Marie Antoinette, During her Imprisonment, Trial, etc. The Music, adapted for the Piano-Forte or Harpsichord Composed by J.L. Dussek.”
Undertaking a complete recording of the 32 published Piano Sonatas of Ludwig Van Beethoven (1770-1827) remains one of the monumental challenges for any concert pianist, and with the 250th anniversary of the composer’s birth next year it’s likely that the many accounts on disc will come under greater comparative scrutiny than ever.
Enter Igor Levit, who has previously impressed critics and audiences around the world both in recital and on disc. A Sony Classics artist, Levit is flying the flag for one of the world’s largest labels with his new 9CD set of the Sonata cycle, released this month.
These are interpretations which inevitably face comparison with the legendary recordings by such luminaries as Artur Schnabel, Wilhelm Kempff and Friedrich Gulda, beloved cycles by Stephen Kovacevich, Alfred Brendel and Claudio Arrau, and the more recent accounts by Paul Lewis, András Schiff, Jean-Efflam Bavouzet and (revelatory on fortepiano) Ronald Brautigam.
With such high stakes, let’s find out how Levit’s cycle fares …
It’s my pleasure to review a lot of superb new piano music on this site, but rarely do I have the chance to hail a monumental masterpiece to compare with Fazil Say’s Troy Sonata.
The piece was recently recorded by the composer himself and released on his outstanding Fazil Say Plays Say CD from Warner Classics, which was highly praised as my Recording of the Month and reviewed here.
In that review I noted:
“There really is no doubt in my mind that the Troy Sonata is one of the most significant solo piano works of our current century.”
It is with therefore with genuine pleasure that I can also now tell you about the sheet music publication, brought to us by Schott Music…
Wiener Urtext Edition have, in recent years, made a particular effort to renew their editions of Schubert’s smaller-scale piano works, the two sets of Impromptus, Op.90 and Op.142, and the Moments musicaux op.94, a new edition of which has just appeared on the market.
Is this new version the definitive edition? Let’s see…
I should preface this review by saying that, disappointingly, in the last couple of years I have too rarely found time to start reading a good novel, and even less frequently succeeded in finishing one.
The Waco Variations, written by the American pianist and writer Rhonda Rizzo, kept me up late into the night, and demanded to be finished! Perhaps no further recommendation is needed!
However, you probably want to know more about what makes this such a great read, so…
At the peak of his success in the 1870’s, Joachim Raff (1822-1882) was one of the most celebrated composers in the world, his eleven symphonies popular in concert halls across Europe and beyond, his marvellous body of solo and four-hand piano music a staple of the repertoire.
And yet, but the time of his death a few years later, his star was already in decline, his fall from fashion remarkably rapid. His music languished largely unperformed through the twentieth century, and is only now being properly reappraised, enjoying something of a revival.
Of Raff’s 216 works with opus numbers, 117 are works for piano solo, 54 for four-handed piano, and 23 piano arrangements of works by other composers. Concert pianist Tra Nguyen has led the charge to rediscover some of this extraordinary music, her stunning recordings revealing the quality of Raff’s writing and once again elevating him to a position alongside Brahms and his contemporaries.
Nguyen’s recordings for Naxos’s Grand Piano label are available to stream via the major platforms, and can be bought as a budget 6CD set from Amazon UK here. They are well worth exploring!
Introducing his new scholarly urtext edition of Raff’s three Piano Sonatas, recently published by Edition Breitkopf, Ulrich Mahlert suggests:
“It was precisely the enormous scope of Raff’s creativity that was one of the reasons why his works were not paid so much attention, because a differentiated engagement with so many compositions is time-consuming. The disregard of abundance went along with generalised, stereotypically repeated negative judgments, obscuring the view or even preventing dealing with Raff’s music at all. Thus, an unfortunate cycle of ignorance emerged which we hope that the present edition can help overcome.”
With that goal in mind, let’s consider Mahlert’s new edition of the Piano Sonatas.
An interview with teenage piano sensation Eva Gevorgyan.
At the tender age of just 14, Russian pianist Eva Gevorgyan has astonished audiences across Europe, Israel and the USA with her deeply felt musicality, dazzling technique and mature musical intelligence.
A student at the prestigious Central Music School for Gifted Children at the Moscow Conservatory since she was six years old (where she studies with Natalia Trull), Eva is gaining recognition as one of the brightest stars to emerge from Russia in recent years.
In 2019, Eva became the Discovery Winner at the ICMA (International Classical Music Awards). She is among 24 pianists who went through to the 1st round of The Cliburn Competition, and was named a piano student-in-residence at the Verbier Festival this year.
Here she is performing Liszt’s Rhapsodie espagnole, S.254:
Eva has performed for the Italian President, and recently quizzed Russian President Vladimir Putin in a live TV debate about possible reforms for the Specialist Music education in her homeland.
It was a privilege to witness her first UK performance, recently held in the Elgar Room at London’s prestigious Royal Albert Hall, and one of the highlights of this year’s Elena Cobb Star Prize Festival.
Afterwards, with Elena’s support as a translator, I was able to chat with Eva backstage…
Ludovico Einaudi’s legion of fans worldwide are no doubt already enjoying his latest release; Seven Days Walking: Day One was released in mid-March, and is to be followed by six further albums, each offering fresh variants on the first, culminating in a boxed set later in the year.
Hot on its heels comes the sheet music publication of the album, brought to us by publishers Chester Music and distributed by Hal Leonard.
In his recent interview for Pianodao, concert pianist Martin Roscoe enthusiastically discussed his long-held ambition to record a complete series of the solo piano works of the great Hungarian composer and polymath Ernő Dohnányi (1877-1960).
Now that ambition reaches its fulfilment, culminating in the fourth and final release in Roscoe’s recorded Dohnányi cycle for Hyperion Records, released this month, and an easy choice for Pianodao’s Recording of the Month.
I’ve been a fan of Dohnányi’s music for several years, not least knowing that my own teacher Joseph Weingarten had been one of his students in Budapest Academy. I’ve been collecting Roscoe’s recordings since the series started, and have been eagerly awaiting this final issue.
Before reviewing the CD itself, here’s a short introduction to the composer and music…
That’s the first word that came to me as I unpacked the advance review copy of Lang Lang’s Piano Book when it arrived back in February, and it is rightly the first word of this review.
Because Lang Lang’s Piano Book is without question one of the most lush sheet music publications I have ever seen. So, right away a huge round of applause goes to Faber Music for a job magnificently done.
But beyond the opulent presentation, what actually is Lang Lang’s Piano Book? Let’s take a look…