Rebeca Omordia’s “African Pianism”

RECORDINGS OF THE MONTH
Selected & Reviewed by ANDREW EALES


Discovering new repertoire, personalities and sound worlds has long been a particular goal when selecting the Pianodao Recording of the Month, and for March 2022, I am excited to be writing about a new album that ticks all three boxes.

African Pianism is a revelatory collection of music by seven African composers, none of whom I was previously familiar with. Released to coincide with Black History Month in the United States, the album marks the solo debut of Nigerian-Romanian pianist Rebeca Omordia on the SOMM label.

There’s certainly nothing predictable or conservative about this release, so let’s take the disc for a spin…

Continue reading Rebeca Omordia’s “African Pianism”

The Piano: A History in 100 Pieces

THE PIANODAO BOOKSHELF
Books For Musicians, Educators & Enthusiasts


Before the last rays of summer settle into the colours of autumn, let me tell you about this wonderful book, my summer holiday read, but equally suitable for the cozy evenings ahead, or for that matter as a Christmas gift.

Indeed, whether you find yourself wanting inspiration for fresh beginnings, a reboot in your piano journey, or simply a brilliant read, Susan Tomes’ The Piano: A History in 100 Pieces is poised to perfectly hit the spot and deliver the tonic you are looking for.

It’s a book which very much delivers on the promise of its title, giving a chronological survey of the storied history of the instrument and, more particularly, the development of a glorious repertoire that is surely one of the pinnacles of human achievement.

So let’s take a closer look…

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Variations on a Waltz: The Diabelli Project

The PIANODAO MUSIC LIBRARY
Selected & Reviewed by ANDREW EALES


In early 1819, the well-known composer and music publisher Anton Diabelli (1781-1858), sent a 32-bar waltz to the most reputable composers of the Austrian Empire, together with an invitation to submit their variations for publication as a collaborative collection.

Among those who responded to the call were Czerny, Hummel, Moscheles, Schubert, and the eleven-year-old Franz Liszt, and from their contributions Diabelli was able to assemble a set of 50 Variations on his theme.

We only know for sure of one composer who explicitly declined Diabelli’s invitation to collaborate: Beethoven. It remains unclear why he did not want to participate directly, but he nevertheless composed his own monumental set of 33 Variations, not directly for Diabelli but exploring alternative avenues of publication.

Beethoven’s 33 Variations on a Waltz Op.120 quickly established itself not only as one of his most important keyboard works, but one of the pinnacle summits of the entire classical piano repertoire, entirely overshadowing the rest of the project.

Delivered for the recent Beethoven 250 anniversary year, Mario Aschauer’s landmark new scholarly performing edition of the Beethoven Diabelli Variations is an essential score for serious students of the work, published by Bärenreiter, BA 9657.

Perhaps even more interestingly however, Bärenreiter have also brought us their edition BA 9656, which includes Beethoven’s masterpiece together with Aschauer’s new edition of the 50 Variations on a Waltz composed by his contemporaries in response to Diabelli’s call.

Let’s take a closer look at this ambitious and exciting publication…

Continue reading Variations on a Waltz: The Diabelli Project

J.S. Bach: The Six Partitas

The PIANODAO MUSIC LIBRARY
Selected & Reviewed by ANDREW EALES


The Six Partitas BWV 825-30 of Johann Sebastian Bach (1685-1750) have long been regarded as one of the most important milestones of the Baroque keyboard repertoire, and exist in many editions.

The latest, edited by Ullrich Scheideler, with fingering added by concert pianist William Youn, and published by Henle (HN 518), replaces the same publisher’s 1979 Rudolf Steglich/Hans-Martin Theopold edition (HN 28), and aims to deliver the latest scholarship in a practical performing edition…

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Howard Skempton: 24 Preludes and Fugues

The PIANODAO MUSIC LIBRARY
Selected & Reviewed by ANDREW EALES


Since the late 1960’s, when he become the doyen of the experimental music scene, Howard Skempton has carved a unique place for himself in British musical life.

Skempton’s influences include Eric Satie, Morton Feldman, John Cage and La Monte Young. His own music resists lazy categorisation, but is characterised by pared-back textures, focused economy of expression, clarity of melodic line, and the avoidance of dissonance even when most determinedly resisting the pull of tonality.

These qualities remain an integral hallmark of the latest entry in his significant solo piano catalogue, the 24 Preludes and Fugues recently published by OUP.

Continue reading Howard Skempton: 24 Preludes and Fugues

Vanessa Benelli Mosell: Casta Diva

RECORDINGS OF THE MONTH
Selected & Reviewed by ANDREW EALES


I first heard the 33-year-old Italian pianist Vanessa Benelli Mosell a few years back when she released an impressive disc of Debussy on the Decca label. Exploring her catalogue I soon found myself considering her one of the most artistically adventurous and astute artists of her generation.

Her latest disc, Casta Diva, more than confirms that view, and is quite simply one of the most dazzling piano recordings I’ve heard in a while.

So it’s a very easy choice for the first Recording of the Month in 2021…

Continue reading Vanessa Benelli Mosell: Casta Diva

Returning “…from Chopin’s Land”

The PIANODAO MUSIC LIBRARY
Selected & Reviewed by ANDREW EALES

MUSIC FROM CHOPIN’S LAND
In 2020, I was commissioned by PWM Edition to record five films showcasing Polish piano music. I was captivated by new musical discoveries, asked to see a wider selection, and have subsequently continued to independently review and introduce this repertoire to Pianodao readers…


At the start of this series I gave an account of my surprise 2020 visit to Poland, and in subsequent articles I have discussed some of the best piano music I discovered on my trip, together with the tutorial films that I and a team of international colleagues created to showcase this music to the piano teaching community worldwide.

As the series draws to a close, I would like to share a couple more books that were featured in the PWM promotion, as well as a series of three special collections which actually bear the project name, Music from Chopin’s Land.

And then the punchline! I will end this final post in the series with a short reflection on the lasting lessons I have learnt about piano pedagogy following on from my visit to Chopin’s land…

So, firstly, a few extra reviews and videos for your interest and enjoyment…

Continue reading Returning “…from Chopin’s Land”

Kurt Schwertsik: Collected Piano Works

The PIANODAO MUSIC LIBRARY
Selected & Reviewed by ANDREW EALES


When Austrian composer Kurt Schwertsik’s Albumblätter: collected piano works landed on my desk in 2018, I was intrigued, but like too many books it ended up buried in my review backlog.

Fast forward to Summer 2020, and the newly released recording of this music by pianist Aya Klebahn caught my attention on Apple Music. Second time lucky, I was quickly hooked…

Publishers Boosey & Hawkes tell us:

“Kurt Schwertsik’s music is characterised by ever-changing moods and is idiosyncratic with a refreshing lightness of touch. Though a pupil of Stockhausen, the composer rejected serialism in favour of new forms of tonality. His search for an ‘alternative’ modern culture draws inspiration from Satie and the Dada movement.”

Intrigued? A little belatedly, here is the Pianodao review…

Continue reading Kurt Schwertsik: Collected Piano Works

Blood, Sweat and Tours

THE PIANODAO BOOKSHELF
Books For Musicians, Educators & Enthusiasts


Rami Bar-Niv is known and beloved worldwide as one of Israel’s most acclaimed and sought-after pianists.

Performing worldwide as a soloist with orchestra, recitalist and chamber musician, Bar-Niv has become an ambassador of goodwill for Israel. He has made several well received recordings for CBS, many of his compositions have been published and recorded, and he is widely in demand as a teacher.

Bar-Niv will be known to some readers as author of the outstanding book, The Art of Piano Fingering (which I have reviewed here), and from his illuminating interview with Pianodao last year.

And we can all get to know him in depth and far more intimately, thanks to his recently published autobiography Blood, Sweat and Tours: Notes from the Diary of a Concert Pianist.

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Granados: Danzas españolas

The PIANODAO MUSIC LIBRARY
Selected & Reviewed by ANDREW EALES


Enrique Granados (1867-1916) was one of the great composers to expand the piano repertoire in the twilight years of the Romantic era, and must be counted among Spain’s most marvellous writers for the instrument; so it is a shame that so much of his output remains too little-known and rarely performed.

Less than a handful of easy miniatures have been picked up by exam boards and anthologies, the same few repeatedly so, revealing not only a lack of imagination but too limited a knowledge of Granados’s music, which in fact includes a significant body of music suitable for intermediate and early advanced players.

Meanwhile, the mighty cycle Goyescas belongs aside his compatriot Albéniz’s Iberia suites, but alas, only a couple of movements appear on concert programmes with any frequency.

At the centre of Granados’s output, the twelve Danzas españolas are a fabulous collection suitable for the advanced player (around UK Grades 6-8).

And while (unlike Albéniz) much of Granados’s solo piano music is closer in tone to Schumann than to Spanish flamenco, these pieces are replete with the regional flair and the sunny countenance that lends colour and a hint of exoticism to the best Spanish music. This is Granados at his most rustic.

That much of Granados’s music is difficult to find in good, widely available editions doesn’t help. Those wanting to play the Danzas Españolas relied on old editions by IMP and Dover. Happily, these marvellous pieces can now be explored in a superb new urtext from Henle Verlag, the subject of this review…

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Memoirs of an Accompanist

THE PIANODAO BOOKSHELF
Books For Musicians, Educators & Enthusiasts


Specialist literary publisher Kahn & Averill have a stellar reputation for delivering compelling biographies and autobiographies of interesting and important figures within the classical music world.

I have previously reviewed their biography of iconic pianist Dinu Lipatti and recent autobiography of filmmaker Christopher Nupen.

And now, hot off the press, comes the autobiography of Helmut Deutsch, one of the most successful and sought-after lieder accompanists of our time.

Deutsch has accompanied, both on stage and in the recording studio, the likes of Hermann Prey, Olaf Bär, Brigitte Fassbaender, Jonas Kaufmann and many others.

His is a career and life in music that will surely yield both insight and a rich seam of anecdote, in the tradition of Gerald Moore’s excellent memoirs, so let’s take a look…

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Mike Cornick’s Elgar Favourites

The PIANODAO MUSIC LIBRARY
Selected & Reviewed by ANDREW EALES


In addition to Mike Cornick’s new solo piano collection Ragtime Blues and more (which I recently reviewed here), Universal Edition have just published his latest collection for one piano, four hands: Elgar Favourites arranged for Piano Duet.

Once again, it’s a collection that’s well worth a look, so let’s take one…

Continue reading Mike Cornick’s Elgar Favourites

Iyad Sughayer in Conversation

Iyad Sughayer has been quietly establishing a reputation as one of our brightest upcoming pianists, appearing as soloist with the BBC Philharmonic Orchestra, European Union Chamber Orchestra and the Cairo and Amman Symphony Orchestras, as well as giving solo performances in such prestigious venues as London’s Wigmore Hall and King’s Place, Manchester’s Bridgewater Hall and the Steinway-Haus in Hamburg.

Now he has released his debut recording on the BIS label. A brilliantly conceived and executed disc of solo piano works by Aram Khachaturian (1903-78), the recording is certainly a stunning showcase for the brilliant talents of this young player, who delivers performances of the utmost musical conviction and power.

I was delighted to more recently catch up with him at the Chetham’s Summer School for Pianists, since which I have now had a chance to interview him in more depth for the site…

Continue reading Iyad Sughayer in Conversation

Andrey Gugnin plays Shostakovich

RECORDINGS OF THE MONTH
Selected & Reviewed by ANDREW EALES


Though perhaps not the best-known of his piano works, Shostakovich’s solo music for the instrument surely ranks among the best of the century.

Now, in his newly released Hyperion debut, Russian pianist Andrey Gugnin presents an all-Shostakovich programme which showcases both the quality and variety of this repertoire…

Make no mistake: this is a stunning album, and even in a month crowded with new releases from major artists, I found it an easy choice for inclusion in the Recording of the Month series…

Continue reading Andrey Gugnin plays Shostakovich

The Sufferings of the Queen of France

The PIANODAO MUSIC LIBRARY
Selected & Reviewed by ANDREW EALES


Ut Orpheus Edizioni (distributed by Universal Edition) have recently published a new urtext edition of Dussek’s catchily-titled The Sufferings of the Queen of France (for piano of harpsichord), subtitled in the original:

“A Musical Composition, Expressing the feelings of the unfortunate Marie Antoinette, During her Imprisonment, Trial, etc. The Music, adapted for the Piano-Forte or Harpsichord Composed by J.L. Dussek.”

Ripping stuff! Let’s take a look…

Continue reading The Sufferings of the Queen of France