Rami Bar-Niv will be known to some readers as an acclaimed concert pianist, recording artist, renowned pedagogue and author of the outstanding book, The Art of Piano Fingering (which I have reviewed here).
Before discovering any of this, I first encountered the genial musician when running an online group for composers; Rami became an active contributor, and I was immediately struck by the quality of his original music in an engaging contemporary classical style.
It is a privilege to have this opportunity to chat with Rami about his composing career, and there are many insights here which Pianodao readers will undoubtedly find interesting and helpful…
Continue reading A Composer in Conversation
Sheet Music Review
As I write this, the UK is one of many countries in the grip of a historic heat-wave. Suffice to say that when the weather here turns Mediterranean in feel, I have a tendency to uncork a fine bottle of Rioja and reach for the Albéniz CDs.
The piano music of Isaac Albéniz (1860-1909), it seems to me, occupies a uniquely odd position in the classical piano repertoire.
On the one hand he would seem to be universally admired, his monumental series of 12 piece Iberia roundly hailed as one of the seminal masterpieces at the very pinnacle of the “core repertoire” (and yet rarely performed or recorded!). On the other hand, many pianists complete their lifetime journey at the piano without once opening one of his scores.
As well as the stunning Iberia cycle, don’t miss the gorgeous Suite Española Op.47, scenic Recuerdo de Viaje Op.71, accessible España Op.165 and the brilliant Cantos de España Op.232. All are easily available as sheet music scores.
A brand new edition of the last listed of these works has recently been issued in the Alfred Masterworks Edition library, so let’s take a closer look.
Continue reading Albéniz: Cantos de España