Recording of the Month
The music of Spanish composer Enrique Granados (1867-1916) is surely one of the great treasuries of the piano repertoire, with imaginatively engaging and brilliantly crafted pieces suitable for players at all levels of development.
And yet too many are unaware of the breadth of Granados’s output, despite instantly recognising his name; aside from a couple of the pieces from his monumental masterpiece Goyescas and one or two easy pieces which have been picked up by music examination boards, much of his music remains largely unexplored by today’s players.
The brilliant Alicia de Larrocha (1923-2009) did much to popularise the music of Granados alongside the other great composers of her country, but for me the discovery of his music was first made through the fabulous complete set recorded by Martin Jones for Nimbus back in 2001, which has proved an ongoing source of musical delight.
And yet still too-little cherished, much of this music remains rarely heard.
Appearing last year, but a fresh discovery to me, French pianist Myriam Barbaux-Cohen’s disc of Granados’s music offers another noteworthy opportunity to discover some of the hidden music that you may have missed!
With Spring in the air, the sunny disposition of this disc definitely belongs to this moment, so let’s take it for a spin. It’s my February 2021 Recording of the Month…
Continue reading Myriam Barbaux-Cohen plays Granados
Sheet Music Review
It used to be possible to joke that piano exam syllabi, like busses, arrived three at a time. But with the addition of the Music Teachers’ Board to the mix and fresh arrival of a “classical” syllabus from RSL Awards (Rockschool), students and teachers have five fully and equally accredited UK boards to choose between.
A disclaimer at the start. Eagle-eyed readers will soon spot that in the nine RSL Classical Piano books the name Andrew Eales appears as a “syllabus consultant”. While I didn’t actually contribute directly to the syllabus, I did offer a little feedback in the later stages of its conception.
On the plus side this perhaps gives me particular insight, but at the same time I will try to maintain distance, as ever avoid bias, and focus on providing the independent factual outline that you need in order to evaluate for yourself whether the syllabus might be the right fit you.
So let’s take a look…
Continue reading RSL Classical Piano
Active Repertoire Project
For piano players, like everyone else, 2020 has been a huge struggle.
We have needed to re-evaluate our goals and quickly change many of our plans. But in the midst of the turmoil, many of us have found a renewed enthusiasm for piano playing, while many more have returned to the piano or taken up playing for the first time.
We enter 2021 with growing numbers of pianists and teachers embracing a fresh direction and revitalised piano goals.
Whether disenchanted with a dull exam-driven formula or eager to disentangle from over-prescriptive methodology, many are now hungry for a more inspired musical approach.
We want to embrace a more motivated, positive version of ourselves at the piano!
Thankfully, there is an answer…
Continue reading Active Repertoire: The 2021 Challenge
MUSIC FROM CHOPIN’S LAND.
In 2020 I was commissioned to record five short films showcasing piano music from PWM Edition. Captivated by the music, I asked to see a wider selection. This series was written independently to introduce this wonderful Polish repertoire to a wider audience…
While The Maiden’s Prayer is one of the most beloved piano pieces of all time, its composer Tekla Bądarzewska-Baranowska remains one of the many great female composers of the early 19th century whose music was largely ignored in the 20th.
In this article I will try to find out who she was, what else she wrote, introduce a wonderful collection of her pieces from PWM edition, Memories of my Cottage, and share the tutorial video that I filmed for PWM offering tips on playing and teaching The Maiden’s Prayer itself…
Continue reading ‘The Maiden’s Prayer’ and beyond
Wilhelm Ohmen’s My First Composers collections from Schott Music are proving to be a series which keeps on giving…
It only seems yesterday that I reviewed My First Haydn, having previously taken a look at My First Schumann and My First Beethoven. The series also includes collections of music by J.S. Bach, Mozart and Chopin.
The latest collection to join the series is My First Tchaikovsky …
Continue reading My First Tchaikovsky
Sheet Music Review
“…the wellspring of all the pianistic innovations which have been thought to be found in my work.”
So said composer Maurice Ravel (1875-1937) of his breakthrough composition Jeux d’Eau, completed on November 11th, 1901 and dedicated to his teacher Gabriel Fauré.
As such, the work is surely a milestone not only in Ravel’s compositional development, but also in that of the classical piano repertoire.
In this post I will consider the genesis and significance of Jeux d’Eau before taking a look at Nicolas Southon’s brand new urtext edition of the piece, with fingering and notes on the interpretation by concert pianist Alexandre Tharaud, recently published by Bärenreiter.
Continue reading Ravel: Jeux d’eau
Iyad Sughayer has been quietly establishing a reputation as one of our brightest upcoming pianists, appearing as soloist with the BBC Philharmonic Orchestra, European Union Chamber Orchestra and the Cairo and Amman Symphony Orchestras, as well as giving solo performances in such prestigious venues as London’s Wigmore Hall and King’s Place, Manchester’s Bridgewater Hall and the Steinway-Haus in Hamburg.
Now he has released his debut recording on the BIS label. A brilliantly conceived and executed disc of solo piano works by Aram Khachaturian (1903-78), the recording is certainly a stunning showcase for the brilliant talents of this young player, who delivers performances of the utmost musical conviction and power.
Sughayer wrote a short piece touching on the nature of musical engagement for Pianodao a couple of years ago, and I was delighted to more recently catch up with him at the Chetham’s Summer School for Pianists, since which I have now had a chance to interview him in more depth for the site…
Continue reading Iyad Sughayer in Conversation
Sheet Music Review
Few would argue with the statement that Haydn composed some of the most important and brilliant music in the Western classical canon. And the older I get, the more I am finding that his compositions (in a similar way to Bach’s) have the power to restore balance when I feel off-key, and enrich my days.
But Haydn’s music isn’t just for miserable old fogeys; I consistently find that even the youngest of my students quickly learn to enjoy his music more than most, its appealing melodies and jaunty, humorous spirit never far away.
Of course, children (and older beginners) can only make this discovery if teachers make a point of introducing Haydn’s oeuvre to their students. And Schott Music’s latest publications My First Haydn may be just the ticket for ensuring this happens.
The book joins Schott’s imaginative “My First…” series of music books, each featuring a major keyboard composer. I have previously reviewed My First Schumann and My First Beethoven and My First Haydn follows the same format to a tee, so do check those earlier reviews.
But for now let’s dig into this latest in the series…
Continue reading My First Haydn
Sheet Music Review
Wiener Urtext Edition have, in recent years, made a particular effort to renew their editions of Schubert’s smaller-scale piano works, the two sets of Impromptus, Op.90 and Op.142, and the Moments musicaux op.94, a new edition of which has just appeared on the market.
Is this new version the definitive edition? Let’s see…
Continue reading Schubert’s “Moments musicaux”
Sheet Music Review
Kapustin’s extensive catalogue of solo piano music is increasingly recognised as one of the significant landmarks of the contemporary recital repertoire.
In an earlier review, Discovering the Piano Music of Nikolai Kapustin, I had a look at two contrasting works, the fiendishly difficult Sonata No.6 Op.62 (1991), and the more accessible (and now highly popular) Sonatina Op.100 (2000), new editions of which Schott Music had recently released.
Since then, Schott have been continuing to refresh the Kapustin catalogue (theirs since 2013) with new editions of his solo works appearing at regular intervals.
In this follow-up I will be giving a quick round-up of all the latest arrivals. Of these it must be noted that even the least assuming pieces here are rightly classified as “virtuoso”, being at least Diploma level in difficulty.
In all cases, these works are fully scored-out compositions in the classical vein, but heavily imbued with the language, techniques and aesthetics of contemporary jazz, leaning on influences that encompass modern jazz piano icons from Thelonious Monk to McCoy Tyner and beyond.
Continue reading Exploring the Piano Music of Nikolai Kapustin