Beatrice Rana plays Chopin

RECORDING OF THE MONTH • by ANDREW EALES
Showcasing an inspiring recent piano recording.


As Autumn draws in, there is usually a bumper selection of new piano recordings to enjoy, and this year is proving no exception.

In recent weeks, several major artists have released recordings which explore unusual territory, adding to the interest of their programmes. Streaming these latest issues, I have heard superlative pianism and moments of supreme beauty and inspiration. Sadly though, I must also admit that some albums I had high hopes for have ultimately left me disappointed, proving perhaps that novelty as an end in itself is not always the best route.

Enter Beatrice Rana with her latest CD for Warner Classics. Following on from her stunning and highly acclaimed recording of Ravel and Stravinsky a couple of years ago (my Recording of the Month here), Rana’s latest disc is a recital of Chopin, comprising his 12 Études Op.25 and the Four Scherzi.

And that’s it. No obscurities, DJ collaborations or electronic noodling thrown in to entice the punters, nor even an encore bonbon to sweeten what is essentially a rather dark programme.

But Rana’s programme is, in my view, the most audacious of all. It is perhaps easier to impress with music that is lesser known; to tackle two such beloved monuments of the piano repertoire and breathe fresh, invigorating life and artistic illumination into them: well, that’s a significant challenge!

And – big sigh – Rana succeeds.
This new recording is in a word: magnificent.

Continue reading Beatrice Rana plays Chopin

Myriam Barbaux-Cohen plays Granados

RECORDING OF THE MONTH • by ANDREW EALES
Showcasing an inspiring recent piano recording.


The music of Spanish composer Enrique Granados (1867-1916) is surely one of the great treasuries of the piano repertoire, with imaginatively engaging and brilliantly crafted pieces suitable for players at all levels of development.

And yet too many are unaware of the breadth of Granados’s output, despite instantly recognising his name; aside from a couple of the pieces from his monumental masterpiece Goyescas and one or two easy pieces which have been picked up by music examination boards, much of his music remains largely unexplored by today’s players.

The brilliant Alicia de Larrocha (1923-2009) did much to popularise the music of Granados alongside the other great composers of her country, but for me the discovery of his music was first made through the fabulous complete set recorded by Martin Jones for Nimbus back in 2001, which has proved an ongoing source of musical delight.

And yet still too-little cherished, much of this music remains rarely heard.

Appearing last year, but a fresh discovery to me, French pianist Myriam Barbaux-Cohen’s disc of Granados’s music offers another noteworthy opportunity to discover some of the hidden music that you may have missed!

With Spring in the air, the sunny disposition of this disc definitely belongs to this moment, so let’s take it for a spin. It’s my February 2021 Recording of the Month…

Continue reading Myriam Barbaux-Cohen plays Granados

Andrey Gugnin plays Shostakovich

RECORDING OF THE MONTH • by ANDREW EALES
Showcasing an inspiring recent piano recording.


Though perhaps not the best-known of his piano works, Shostakovich’s solo music for the instrument surely ranks among the best of the century.

Now, in his newly released Hyperion debut, Russian pianist Andrey Gugnin presents an all-Shostakovich programme which showcases both the quality and variety of this repertoire…

Make no mistake: this is a stunning album, and even in a month crowded with new releases from major artists, I found it an easy choice for inclusion in the Recording of the Month series…

Continue reading Andrey Gugnin plays Shostakovich