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Since the late 1960’s, when he become the doyen of the experimental music scene, Howard Skempton has carved a unique place for himself in British musical life.
Skempton’s influences include Eric Satie, Morton Feldman, John Cage and La Monte Young. His own music resists lazy categorisation, but is characterised by pared-back textures, focused economy of expression, clarity of melodic line, and the avoidance of dissonance even when most determinedly resisting the pull of tonality.
These qualities remain an integral hallmark of the latest entry in his significant solo piano catalogue, the 24 Preludes and Fugues recently published by OUP.
Continue reading Howard Skempton: 24 Preludes and Fugues
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