Recording of the Month December 2018
Artist photos © Peter Adamik
Yuja Wang’s meteoric rise to global stardom has been one of the most extraordinary stories of the piano world over the last decade.
When her debut CD for Deutsche Grammophon was released back in 2009 she was barely in her 20’s and many (me included) raised their eyebrows at her choice of programme, opening with Chopin’s monumental B flat minor Sonata and squeezing in performances of Scriabin’s 2nd Sonata and two Ligeti Etudes before finishing with Liszt’s Sonata in B minor. As it turned out, she performed all these with aplomb, her Liszt in particular being among the very best readings recently committed to disc.
Since then, the Chinese virtuoso has recorded concerti by Rachmaninov, Prokofiev (perhaps the most emotionally gripping performance I’ve yet heard of his grief-ridden 2nd Concerto), Ravel and Mendelssohn. Her solo discs Transformation and Fantasia have delighted fans, and she has lit up the world’s greatest concert halls with her technically explosive and musically rapt playing.
Now she’s back with a new recording. The Berlin Recital was recorded live at the Berlin Philharmonie Kammermusiksaal in June 2018, and features a bedazzling programme of music by Rachmaninov, Scriabin, Ligeti and Prokofiev.
It’s an easy choice for Recording of the Month. Let’s investigate…
Continue reading Yuja Wang: The Berlin Recital
Recording of the Month September 2018
Of the many wonderful young pianists who have arrived on the international performing circuit in recent years, Alice Sara Ott impresses me as one of the more honest to her own artistic intentions, and authentic in her delivery.
Her several recordings for Deutsche Grammophon have consistently revealed Ott as an intelligent pianist, eschewing glitz for its own sake, ready and willing to plough her own musical furrow, staying true to her vision and – importantly – to the intentions and spirit of the composers whose music she identifies with.
Commenting on her latest release, Nightfall, the now-30-year-old German pianist writes:
“It’s a very personal album in which I recall many moments of light and brightness, but also moments of darkness and doubt. One month before I entered the recording studio – I was in the midst of the bleak world of Gaspard de la nuit – my father suffered a heart attack that he barely survived. Despite a fortunate outcome, these were terrifying hours and days in which I realised how close life and death are intertwined. But there can be no light without darkness, and no hope without fear. And sometimes the borders blur – as in Nightfall.”
Continue reading Alice Sara Ott: Nightfall
Sheet Music Review
Elena Kats-Chernin’s new collection of 26 pieces, titled Unsent Love Letters, has recently been published by Boosey & Hawkes, with a full recording by concert pianist Tamara-Anna Cislowska released worldwide on the Deutsche Grammophon label.
In this review I will be considering both products and reacquainting myself with the music of one of my favourite living composers…
Continue reading “Unsent Love Letters” (Elena Kats-Chernin)