It has been around a decade since Russian pianist Daniil Trifonov burst onto the classical scene, during which time he has continued to astound both on stage and on disc as a Deutsche Grammophon artist.
Trifonov’s recorded catalogue has thus far been dominated by virtuoso (and predominantly Russian) romantic repertoire, Rachmaninov, Prokofiev, Tchaikovsky and Scriabin looming large alongside the expected Chopin and Liszt discs.
For his latest release, however, Trifonov has ventured into fresh territory. Bach: The Art of Life brings together Johann Sebastian’s monumental late work The Art of Fugue and the early-classical works of four of his sons, JC, WF, CPE and JCF, with electrifying results…
For a second month in a row, my piano recording of the month choice comes from the fingers of a young player whose playing I did not immediately warm to, but who has more recently completely won me over.
Víkingur Ólafsson’s DG debut recording focused on the music of Philip Glass, while for his award-winning follow-up he turned to Bach, mixing the composer’s originals with transcriptions and various reworkings. The Icelandic pianist proved his mettle with an ultra-crystalline approach and technique that dazzled critics and music-lovers alike; but it left me just a little cold.
Ólafsson’s latest offering, bringing together a joyous collection of pieces by the French baroque master Jean-Philippe Rameau (1683-1764) interspersed and offset with an eclectic set of beloved and lesser-known pieces by Claude Debussy (1862-1918), is the clincher.
A disc replete with musical marvels, Ólafsson’s album of French keyboard wizardry is revelatory in its insights and deserves the highest plaudits…
That’s the first word that came to me as I unpacked the advance review copy of Lang Lang’s Piano Book when it arrived back in February, and it is rightly the first word of this review.
Because Lang Lang’s Piano Book is without question one of the most lush sheet music publications I have ever seen. So, right away a huge round of applause goes to Faber Music for a job magnificently done.
But beyond the opulent presentation, what actually is Lang Lang’s Piano Book? Let’s take a look…
Yuja Wang’s meteoric rise to global stardom has been one of the most extraordinary stories of the piano world over the last decade.
When her debut CD for Deutsche Grammophon was released back in 2009 she was barely in her 20’s and many (me included) raised their eyebrows at her choice of programme, opening with Chopin’s monumental B flat minor Sonata and squeezing in performances of Scriabin’s 2nd Sonata and two Ligeti Etudes before finishing with Liszt’s Sonata in B minor. As it turned out, she performed all these with aplomb, her Liszt in particular being among the very best readings recently committed to disc.
Since then, the Chinese virtuoso has recorded concerti by Rachmaninov, Prokofiev (perhaps the most emotionally gripping performance I’ve yet heard of his grief-ridden 2nd Concerto), Ravel and Mendelssohn. Her solo discs Transformation and Fantasia have delighted fans, and she has lit up the world’s greatest concert halls with her technically explosive and musically rapt playing.
Now she’s back with a new recording. The Berlin Recital was recorded live at the Berlin Philharmonie Kammermusiksaal in June 2018, and features a bedazzling programme of music by Rachmaninov, Scriabin, Ligeti and Prokofiev.
Of the many wonderful young pianists who have arrived on the international performing circuit in recent years, Alice Sara Ott impresses me as one of the more honest to her own artistic intentions, and authentic in her delivery.
Her several recordings for Deutsche Grammophon have consistently revealed Ott as an intelligent pianist, eschewing glitz for its own sake, ready and willing to plough her own musical furrow, staying true to her vision and – importantly – to the intentions and spirit of the composers whose music she identifies with.
Commenting on her latest release, Nightfall, the now-30-year-old German pianist writes:
“It’s a very personal album in which I recall many moments of light and brightness, but also moments of darkness and doubt. One month before I entered the recording studio – I was in the midst of the bleak world of Gaspard de la nuit – my father suffered a heart attack that he barely survived. Despite a fortunate outcome, these were terrifying hours and days in which I realised how close life and death are intertwined. But there can be no light without darkness, and no hope without fear. And sometimes the borders blur – as in Nightfall.”
Elena Kats-Chernin’s new collection of 26 pieces, titled Unsent Love Letters, has recently been published by Boosey & Hawkes, with a full recording by concert pianist Tamara-Anna Cislowska released worldwide on the Deutsche Grammophon label.
In this review I will be considering both products and reacquainting myself with the music of one of my favourite living composers…