Our Piano Journey in its Living Context
Written by ANDREW EALES
Ever wished you could be one of the top Hollywood movie stars of your generation?
It turns out that Dustin Hoffman had a different dream, as he relates in an interview with the Radio Times magazine (5-11 March 2016):
“I always wanted to be a piano player.
I grew up studying piano, particularly jazz.
I just didn’t have the talent.
I had the desire. I had the feeling for it – and I still have it – but I didn’t have a very good ear.
I couldn’t just sit down and play something if you whistled it, like many musicians can.
I could not read regular classical music quickly; it was all laborious for me.
I still feel I missed my calling in life.
If God said today, “You will be what you always wanted to be, starting right now, and that is a really good jazz pianist”, I’d quit everything and be quite happy.”
This collection of thoughts and statements suggests to me many ways in which we use language quite loosely.
What, for example, is “a piano player” or for that matter “a really good jazz pianist”? Are these labels limited to those who can earn a living as a performer? At what stage in one’s development as a pianist is one allowed to use the term?
And then there is the question of “talent”. If ever there was a word that is used to convey so much, but actually conveys so little, “talent” is surely a contender!
Why did Dustin Hoffman believe that he “didn’t have the talent”? Did a teacher or parent take him to one side and gently break the news? Did he fail an exam or lose a competition? Or did he simply submit to the worst insults leveled at him by his own inner critic?
The answers to these questions are perhaps not for the knowing, but it is interesting that Dustin Hoffman goes on to talk about the ideas contained in Kung Fu Panda 3, the latest movie he is involved with.
Hoffman concludes the interview with this thought:
“One of the themes of Kung Fu Panda 3 is that they use the word “Chi”, in other words finding your inner self; the purpose of life is to find your inner self. Your essence.
And I think you spend a lifetime doing that.”
For me, being a pianist is a real part of my “inner self”, regardless of whether I have a successful concert career or not. And I suspect many readers will identify with piano playing in the same way – as a core part of our identity and means of self-expression.
If so, do not listen to your inner critic, to the teacher who puts you down, to the competition judge who overlooks you, or to the audition board that pass you over.
Be sure to pursue your dream, because the rest is just noise.
You can access Andrew’s personal support at the piano using his
Video Feedback Service or by Booking a Consultation at his studio.
His book How to Practise Music is also packed with helpful advice.
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