Guest post by Karen Marshall
Multi-sensory music teaching is just what it sounds like: using all the senses to teach and learn music. The main senses employed are visual (seeing), auditory (hearing) and kinesthetic (doing).
I would also add in reading and writing (text) as the literate nature of our world shows that many people find this useful, even those with dyslexia.
Multi-sensory music teaching can be seen in some of the most respected approaches to such work throughout the world including those of Dalcroze, Kodály, Suzuki and Orff. It can benefit all learners, including those with specific learning difficulties like dyslexia. In her key book Instrumental Music for Dyslexics: A Teaching Handbook (Whurr, 2002), Sheila Oglethorpe emphasizes this, encouraging people
“to employ as many of the child’s senses as possible in the hope that the stronger senses will compensate for the weaker ones”.
However, multi-sensory teaching shouldn’t be seen as a method to just use with students who have special needs – it has huge benefits for all…
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… especially to those with dyslexia and other learning difficulties
Guest Post by Karen Marshall
I have been teaching students with specific learning difficulties (especially dyslexia) for twenty years now. It’s been a real journey which has been packed with lots of learning, creativity, patience, joy, challenge but most of all reward.
Reward in being able to share in music making with students who can find music learning has challenges.
It is important to remember that no two students are the same – and especially no two dyslexic or students with special needs. The solutions may need adapting for individual students, or strategies specially selected for them. And also remember that some students with learning difficulties don’t have any problems with music learning at all. One size does not fit all!
The topic is vast. In this post I identify four of the main Guiding Principles for working with students with special needs.
These principles work well across all my teaching – good teaching is, I believe, good teaching! And I am sure many teachers reading this post will do much of what I describe anyway.
Continue reading Making Music Accessible