Bartók: Easy Pieces and Dances

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It’s fair to say that in the last three years or so I have received more sheet music by Bartók for review than any other composer, the renaissance of interest in publishing his works no doubt a result of the fact that they are no longer in copyright. Bartók is without doubt one of my very favourite composers, so in my book, this commitment to producing excellent new editions of his music is a great thing.

Latest to arrive, Bärenreiter’s Bartók: Easy Piano Pieces and Dances, which brings together miscellaneous pieces of easy to moderate difficulty (including many familiar favourites), is ideal for teaching purposes.

The Easy Piano Pieces and Dances series is one of the many highlights in the Bärenreiter catalogue, with nearly a couple of dozen great composers already given dedicated volumes suitable for the intermediate pianist. I have already given glowing reviews to the collections dedicated to Debussy (read the review) and Martinů (read the review here).

So let’s find out how the new Bartók volume compares …

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Debussy: Where to Start?

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It’s all about Claude Debussy for classical music lovers and pianists in 2018, as we mark the centenary of his death in 1918. And rightly so, because few composers have made such a seminal contribution to the pianist’s literature, or composed music which explores such a range of colour, tonal possibility and timbre from the instrument.

For the developing pianist, the question often arises – where to start exploring Debussy’s rich, varied and substantial body of piano music? The good news is that, while Debussy never wrote anything simple, his oeuvre does offer up plenty of music that suits pianists of early advanced, around Grade 5-8 level.

In a recent editorial for the BBC Music Magazine, Oliver Condy fondly remembers his teenage efforts playing Debussy’s music at the piano:

“Playing his music was always so much fun – serious music that didn’t seem at all serious, jazz that our music teachers would instantly sanction. And Debussy’s innate skill of writing for the piano meant that everything fell nicely under the fingers. Maximum effect, minimum effort. Of course, I’m not talking about the harder pieces – oh no. But in general, I’ll always see Debussy as one of the most gracious of composers who understands that to be appreciated, it helps if performers don’t hate you from the start.”

There are several excellent collections of Debussy’s piano music aimed at players at this “early advanced” level, but in this review I am going to focus on the Debussy: Easy Piano Pieces and Dances collection published by Bärenreiter…

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