Evolving Blues & Easy Pieces

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Adrian Connell is well-known and beloved as the smiling face of Universal Edition here in the UK. Over the last three decades, he has tirelessly promoted the music of other composers while quietly and steadily pursuing his own musical interests: conducting, arranging, playing bass guitar, and developing his own portfolio of compositions.

These include 6 Symphonies, 2 Concerti, numerous other orchestral works including overtures, variations and symphonic poems, works for string orchestra and for concert band, and a growing body of choral music. Most of these works were composed in response to commissions.

It’s with great pleasure that I highlight and commend three of his publications for pianists in this short review, all brought to us by German publisher Edition Dohr:

  • Evolving Blues for Piano four hands (1990)
  • Six Easy Pieces for piano solo (1990-2015)
  • Suite on a Jazz Theme for piano four hands (1989/2015)
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All About Neefe

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I often remind pupils and friends that the piano repertoire is an extraordinary treasury, and one which after several lifetimes of exploration would still yield up new gems and discoveries.

As if to prove the point, when I returned from a recent break in Moniaive I was surprised and delighted to see – among the packages awaiting me back at home – a splendid hardbound volume of piano music by Christian Gottlob Neefe (1748-1798), submitted for possible review by distributer Universal Edition on behalf of publisher Edition Dohr Köln.

Neefe’s name might be recognised by some as the composer of a charming Menuetto featured in ABRSM Grade 1 piano a few years ago.

But those who search the more distant recesses of their memories may recall mentioning him in their school-day essays about Beethoven; Neefe was young Ludwig’s principal piano teacher in Bonn.

As such, Neefe’s own compositions surely played a significant role in the latter’s music education, and thus attract peculiar interest. To what extent does his music inform Beethoven’s – and stand as a precursor to it?

So join me, and let’s find out more …

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Jan Freidlin: Four Stories

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The ability to write an effective miniature for solo piano – one which is personal but idiomatic, original but accessible – remains one of the true challenges for any composer, and one that many “big names” in classical music have seemingly avoided.

Not so for composer Jan Freidlin, who succeeds not just once but four times in quick succession in his latest publication from Edition Dohr, Four Stories.

Continue reading Jan Freidlin: Four Stories