A recent review that I read elsewhere suggested that Elena Cobb’s EVC Music has “cornered the market in pedagogical, developmental publications for piano”. While this is something of an overstatement, it is certainly great to see EVC at last receiving its due recognition for a published catalogue that has continued to go from strength to strength.
EVC Music is not just about pedagogy though; the company has been steadily bringing to market a growing and glowing range of performance works by contemporary composers, the latest of which is Art Preludes, a suite of five new pieces by British composer Graham Lynch.
Jazz music and Christmas have a beautifully nostalgic association for many, and it’s no surprise that jazz pianist Nikki Iles’ Jazz on a Winter’s Night has been such a huge success since its 2009 publication.
Jazz on a Winter’s Night proved to be a milestone publication that spawned three outstanding sequels in Jazz in Springtime, Jazz on a Summer’s Day and Jazz in Autumn, each including a selection of seasonally themed jazz standards and originals composed by Nikki herself.
I was thrilled to recently notice that Oxford University Press have now brought out a second collection of Christmas classics arranged by Nikki in a range of jazz styles that once again pay homage to legendary jazz musicians.
In this review I will recap what makes the original book such a classic must-have for every advanced pianist before taking a closer look at its excellent new sequel…
Philip Martin has long been well-regarded as one of our finest concert pianists, recording artists, pedagogues and composers, writing music that combines the influences of the folk music he grew up with, the British classical scene he trained in, and a longstanding passion for American classical and jazz music.
Now, in what must be regarded as a landmark publication, a retrospective collection of his more jazzy solo piano pieces have been published by Elena Cobb’s EVC Music Publications Ltd.
New York Nights offers the more advanced player a veritable “greatest hits” of Martin’s more accessible pieces, and promises to be an essential purchase.
Melanie Spanswick’s Play it Again: Piano series launched with two books published by Schott Music back in 2017. At the time, I heaped praise on those books, and I have subsequently used them with adult “returners” who have also loved them.
Now, with a third book joining the series, it’s time for another look. This new review covers all three books in the series, so let’s dig in…
An interview with teenage piano sensation Eva Gevorgyan.
At the tender age of just 14, Russian pianist Eva Gevorgyan has astonished audiences across Europe, Israel and the USA with her deeply felt musicality, dazzling technique and mature musical intelligence.
A student at the prestigious Central Music School for Gifted Children at the Moscow Conservatory since she was six years old (where she studies with Natalia Trull), Eva is gaining recognition as one of the brightest stars to emerge from Russia in recent years.
In 2019, Eva became the Discovery Winner at the ICMA (International Classical Music Awards). She is among 24 pianists who went through to the 1st round of The Cliburn Competition, and was named a piano student-in-residence at the Verbier Festival this year.
Here she is performing Liszt’s Rhapsodie espagnole, S.254:
Eva has performed for the Italian President, and recently quizzed Russian President Vladimir Putin in a live TV debate about possible reforms for the Specialist Music education in her homeland.
It was a privilege to witness her first UK performance, recently held in the Elgar Room at London’s prestigious Royal Albert Hall, and one of the highlights of this year’s Elena Cobb Star Prize Festival.
Afterwards, with Elena’s support as a translator, I was able to chat with Eva backstage…
Heather Hammond is a piano teacher and the composer of the Cool Piano, Funky Flute, Cool Clarinet & Super Sax books (all published by Kevin Mayhew Ltd), and will be known to many readers for the Get Set! Piano series (Harper Collins) and award-winning Intermediate Pianist series (Faber Music), both co-authored with Karen Marshall. She also has a number of books published by Elena Cobb (EVC Music Publications Ltd).
A few months ago I had the pleasure of writing a world-exclusive first review of Nikki Iles’ latest piano collection, Piano Tales for Alice, published by Elena Cobb’s EVC Music.
At the time of the review, I concluded:
“All in all, Piano Tales for Alice is an absolute delight – perhaps EVC Music’s most exciting publication and essential purchase to date. Hats off to publisher Elena Cobb, composer Nikki Iles, and all involved in bringing this exceptional publication to market.”
I receive dozens of publications for review each term, and cannot possibly cover them all in the detail I would like to, still less actually use all this music with my own students (even though I have more than 60, of all ages and abilities).
In the case of this outstanding collection, however, such was my enthusiasm that I have since used it with two of my own students, Imogen (aged 11) and Bella (12), both of whom had recently completed ABRSM Grade 1.
Both girls chose Piano Tales for Alice from a small selection of books I showed them, and both have absolutely fallen in love with Nikki’s pieces. Quite simply, it has been a joy to behold the extent to which they have each been inspired by this collection, their imaginations alight to an extent that they have risen quickly to the fresh musical challenges in each piece.
What a privilege, then, to have been invited to a very special launch event celebrating this publication, hosted by publisher Elena Cobb at Fortnum & Mason in London’s Piccadilly…
The rise and rise of EVC Music Publications as an exciting and innovative music publisher can’t have escaped the notice of any player or teacher active on social media, and like many I have watched their emergence over the last three years or so with growing interest.
With the publication of Piano Tales for Alice – a brand new collection of easy pieces by acclaimed jazz performer and composer Nikki Iles – it seems to me that EVC Music has unequivocally arrived as a mature and significant force in music publishing.
Building on their activities thus far, with this publication EVC Music has hit the jackpot, bringing to market a genuine classic.
Pictured (from the left) – Andrew Eales, Elena Cobb, Lindsey Berwin and Heather Hammond.
We often hear of a decline in music education within UK state schools – and without doubt, over the last 25 years of teaching I have witnessed a steady but undeniable diminuendo in the musical life of local schools here, often despite best intentions.
How wonderful, then, to see buoyant evidence of enthusiasm for music among young people – as was most certainly and robustly the case when I attended the Elena Cobb Star Prize Event at the Elgar Room in London’s prestigious Royal Albert Hall last week.
Here was a showcase of great playing delivered by young people from around the UK and beyond, each performing and clearly relishing music by a host of living writers, and in many cases in the very presence of those composers.
Graham Lynch is a composer whose works have been performed by (among others) the BBC Symphony Orchestra, The Hilliard Ensemble, and in venues as diverse and prestigious as London’s South Bank and the Wigmore Hall, the Paris Conservatoire and the Merkin Hall New York.
One of Graham’s more recent projects was his series of progressive piano repertoire books called Sound Sketches.
When he self-published them back in 2011-12, Graham explained to me:
“Sound Sketches is an exciting and innovative series of graded piano pieces that will appeal to pianists of all ages and abilities. These pieces are varied in character, and each one opens up an imaginative world of colours and textures for players to explore. These ‘sound images’ are evoked through strong melodic ideas which hide their technical challenges within a sense of the delight that can be had from conjuring music from the keyboard.”
Obtaining a set I quickly found students – both teenagers and adults – who were enchanted by the pieces.
I was therefore delighted to hear that the books are now being published and freshly promoted by Elena Cobb via her EVC Music website. It must be hoped this will lead to these brilliant books receiving the attention they deserve!
Let me tell you why I think that these books merit a place on the already crowded shelves of piano teachers, students and players…