Sheet Music Review
François Couperin ‘le grand’ (1668-1733) was undoubtedly one of the great keyboard composers. His seminal influence is not only evident in the music of later French composers from Rameau to Ravel, but as an antecedent finds echoes in Chopin’s piano miniatures and even perhaps (by way of Creole migrants) the rhythms of New Orleans Jazz.
And yet his music remains too little known, and too rarely performed.
Now we have an even better chance to explore his glorious solo keyboard output, thanks to Bärenreiter’s recent publication of a stunning new edition of the Second Livre (1717) of Couperin’s Pièces de clavecin.
Let’s find out more…
Continue reading Couperin: Pièces de clavecin
At a recent piano recital, I started with the very beautiful Chaconne in F major by the early French Baroque composer Louis Couperin (1626-61), uncle of the far better known François Couperin “Le Grand” (1668-1731).
For most who were in the audience, it will have been their first encounter with the music of Louis Couperin, and even those with an interest in the early French Baroque will perhaps never have heard this music performed on a modern piano before – it was written for the harpsichord (or clavecin as the French knew it) and while later Baroque music (for example the keyboard works of J.S.Bach and Domenico Scarlatti) has found its way into the piano repertoire, earlier Baroque keyboard music is rarely heard outside of specialist “Early Music” circles.
Continue reading Louis Couperin … on the Piano?