Grooves for Piano Dudes

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Heather Hammond is well established as one of the best-loved educational composers in the UK today, with more than 100 publications in print (piano and woodwind) from a variety of publishers.

The last time I took a good look at Hammond’s music was in my review of her Ballads Without Words, brought to us by EVC Music.

In this review, I’m considering a contrasting series of her music from the same publisher. Grooves for Piano Dudes currently includes three volumes of which the second and third (with a special Halloween theme) have just recently been released.

The three books are all suitable for intermediate players, and between them offer 37 fresh Hammond compositions in jazz, rock, blues and boogie styles…

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Beethoven’s Revised Für Elise

  • Products featured on Pianodao are selected for review by Andrew Eales.
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  • Andrew offers playing advice online through his Video Feedback Service.

“It’s Für Elise, Jim, but not as we know it!”

Bärenreiter’s new urtext edition of Beethoven’s beloved Bagatelle is one of the most unexpectedly fascinating publications to arrive in a while, offering as it does a radically different version of the piece alongside the one we know so well.

Believed to have been composed between 1808-10, the autograph manuscript of Für Elise remained in private hands until 1865, at which point one Ludwig Nohl discovered it in the possession of a local piano teacher in Munich. Nohl published this version (we’ll call it “Version 1”) in 1867, and it’s the one we all play to this day. It’s really not bad.

How surprising to learn, then, that in 1822/3 Beethoven went back and revisited his earlier sketch, substantially revising it for publication within a planned (but unrealised) collection of 12 Bagatelles. Version 2.0.

Those sketches survive, and for Bärenreiter’s new edition Mario Aschauer presents not only the most authoritative text of Version 1, but also includes his fully performable completion of Version 2.

The review below includes Aschauer’s own recording of Version 2, so you can hear it for yourself and make up your own mind. Be prepared for a bit of a shock, though; right from the start, Beethoven’s revised version is very different to that which we know…

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