Active Repertoire Project
For piano players, like everyone else, 2020 has been a huge struggle.
We have needed to re-evaluate our goals and quickly change many of our plans. But in the midst of the turmoil, many of us have found a renewed enthusiasm for piano playing, while many more have returned to the piano or taken up playing for the first time.
We enter 2021 with growing numbers of pianists and teachers embracing a fresh direction and revitalised piano goals.
Whether disenchanted with a dull exam-driven formula or eager to disentangle from over-prescriptive methodology, many are now hungry for a more inspired musical approach.
We want to embrace a more motivated, positive version of ourselves at the piano!
Thankfully, there is an answer…
Continue reading Active Repertoire: The 2021 Challenge
Sheet Music Review
With the publication of their 2021-22 Piano Syllabus (reviewed in full here), ABRSM have given their scales requirements a significant overhaul, also publishing new scales books and resources.
In this review I will consider three main areas of this development:
- The new syllabus requirements
- The new ABRSM Piano Scales & Arpeggios books
- Scale Explorer for Piano – a new series of five graded books written for ABRSM by Alan Bullard
Let’s get straight to it…
Continue reading ABRSM Piano Scales 2021
Sheet Music Review
Once in a while, a publication arrives for review which is based on a great concept and is itself essentially a very good product, but where the mismatch between the original intention and its actual delivery is a glaring one, as though at some point in the developmental process there was a communication breakdown.
Core Classics: Essential Repertoire for Piano, a set of seven progressively “graded” solo repertoire books published worldwide today by ABRSM, is a striking example of this phenomenon.
That is a particular disappointment, given that this is actually a beautifully presented and musically interesting series. So let’s find out exactly what Core Classics has to offer…
Continue reading ABRSM “Core Classics” – The Review