Eusebius Mandyczewski: Little Cadences, Canons and Preludes

SHEET MUSIC REVIEW by Andrew Eales.
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The name Eusebius Mandyczewski may be new to you, so let me start this review by telling you a little bit about him…

Mandyczewski (1857-1929) was a Romanian musicologist, composer and conductor. From 1887 to 1929, he was the archivist and librarian of Vienna’s Gesellschaft der Musikfreunde. He concurrently taught music history and counterpoint at the Conservatory of the Musikfreunde, where his students included Hans Gál, Gerge Szell and Karl Böhm.

As a composer, Mandyczewski fell into oblivion, having never quite achieved a decisive breakthrough despite writing several choral works, as well as two sets of piano variations, several song cycles and other vocal works published in his lifetime.

As a music editor he achieved enduring longevity however, producing a complete Schubert Edition and (with Gál) a complete edition of the works of Brahms, with whom he had enjoyed a close friendship over many years.

I have previously reviewed Mandyczewski’s benchmark edition of Brahms Complete Piano Works, and the same publisher now brings us the First Edition of his newly resurrected Little Cadences, Canons and Preludes for Pianoforte, dating from 1916, and first performed in public on September 2nd, 2018.

It’s an intriguing collection…

Continue reading Eusebius Mandyczewski: Little Cadences, Canons and Preludes

Learning to Play with Precision

PATHWAYS FOR PLAYING

In my recent article  Why Bother with Scales?  I considered the many benefits that arise from regularly playing and teaching scales and arpeggios.

In this shorter post I’m going to hone in on one especially important advantage which is sometimes overlooked entirely:

Regular scale and arpeggio practice trains the brain and the fingers to develop precision in judging and playing all intervals up to a fourth, using any standard combination of shapes and fingerings, and in all the standard keys.

This significant benefit is certainly not to be sniffed at, and fosters a technical ability that is otherwise unlikely to develop during the formative stages of learning the piano.

Let’s consider how this works…

Continue reading Learning to Play with Precision