Couperin’s Troisième Livre

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Reviewing the new Denis Herlin edition of the Second Livre of Pièces de Clavecin by François Couperin ‘le grand’ (1668-1733) when it was published by Bärenreiter back in 2019, I concluded:

Occasionally I receive for review a volume that is, quite simply, above any reproach. This is one such edition. For any harpsichord player, this must surely be an essential and immediate purchase; for pianists keen to explore this too-little-known keyboard repertoire, this new edition must also be the one to seek out and highly prize.

READ THE FULL REVIEW HERE

Three years later, and the next volume of this incomparable benchmark edition has appeared, and once again I have no hesitation in lavishing it with praise…

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Rediscovering Anna Magdalena Bach’s Notebooks

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It is more than 60 years since the last complete critical edition was produced of the famous music notebooks that J.S.Bach compiled for his second wife, Anna Magdalena.

Keenly aware of the need to revisit both collections of 1722 and 1725, and in mind of the tremendous leaps made in Bach scholarship in recent years, leading expert Christoph Wolff’s new critical urtext has recently been published by Edition Peters.

This landmark treasure appears in two separate forms: the Premium Scholarly Edition is a hardback clothbound complete version, while the less expensive Practical Student Edition delivers the shorter pieces from the collections as a more conventional score suitable for learners.

For more information, read on for my full review of both versions…

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Couperin: Pièces de clavecin

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François Couperin ‘le grand (1668-1733) was undoubtedly one of the great keyboard composers. His seminal influence is not only evident in the music of later French composers from Rameau to Ravel, but as an antecedent finds echoes in Chopin’s piano miniatures and even perhaps (by way of Creole migrants) the rhythms of New Orleans Jazz.

And yet his music remains too little known, and too rarely performed. But now we have an even better chance to explore his glorious solo keyboard output, thanks to Bärenreiter’s recent publication of a stunning new edition of the Second Livre (1717) of Couperin’s Pièces de clavecin.

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