Discovering Schönberg’s Piano Works

The PIANODAO MUSIC LIBRARY
Selected & Reviewed by ANDREW EALES


Image: Portrait of Arnold Schoenberg by Richard Gerstl, c.June 1905

When music publisher Universal Edition was founded in Vienna in 1901, its goal was to provide core classical and educational works to an enthusiastic Austrian market, but the company soon became associated with some of the most radical modernist composers of the age.

Within ten years, UE had signed contracts to publish new music by Mahler, Bartók, Schönberg, Webern, Zemlinsky, and in subsequent decades the company became the publishers of Kurtág, Ligetti, Stockhausen, Berio and Boulez among many others.

Austrian copyright ownership lasts for 70 years after a composer’s death, and when Bartók’s music came out of copyright in 2015, G. Henle Verlag were quick to produce new urtext editions which significantly improved on the scores that were previously available.

Now they are repeating the trick with the key piano works of Arnold Schönberg (later Schoenberg, 1874-1951), delivering fresh urtext editions of the Drei Klaveristücke (Three Piano Pieces) Opus 11, Sechs kleine Klavierstücke (Six Little Piano Pieces) Opus 19 and Suite Opus 25…

Continue reading Discovering Schönberg’s Piano Works

The Beethoven Sonatas: Where to Start?

The PIANODAO MUSIC LIBRARY
Selected & Reviewed by ANDREW EALES


In this review I will be looking at two recent volumes from publisher Henle Verlag which between them offer an excellent introduction to Beethoven’s 35 Piano Sonatas, in a superb new edition edited by Norbert Gertsch and concert pianist Murray Perahia.

The two volumes are:

  • Five Easy Piano Sonatas, Henle 1391
  • Five Famous Piano Sonatas, Henle 1392
Continue reading The Beethoven Sonatas: Where to Start?