Immanuela Gruenberg

Selected and reviewed by ANDREW EALES
Find out more: ABOUT PIANODAO REVIEWS

After several decades in which music by women composers was largely overlooked by those compiling piano anthologies, concert programmes, exam and festival lists, the recent renaissance of interest can be warmly welcomed as a necessary recalibration, and one which continues to bring to light many wonderful treasures.

Gail Smith’s pioneering Women Composers in History anthology (2013, Hal Leonard, available here) paved the way for more recent collections from Melanie Spanswick (reviewed here) and Karen Marshall (reviewed here). These ‘voices in the wilderness’ certainly piqued our interest, introducing piano enthusiasts to many names that we had been unaware of.

If those collections were the harbingers of change, two new anthologies compiled by Immanuela Gruenberg (again published by Hal Leonard) deliver a confident musical consummation of that promise, a tour de force of truly stunning classics.

Delivered with mature confidence and polished professionalism for a mass global market, these slick collections herald a watershed moment. Join me as I discover Piano Music by Women Composers…

PIANODAO MUSIC LIBRARY

Selected and reviewed by ANDREW EALES
Find out more: ABOUT PIANODAO REVIEWS

Bartók’s Mikrokosmos has, since the first half of the 20th century, been a potent force in the pianist’s repertoire, hugely impacting pedagogy worldwide, while his charming collections of pieces For Children have delighted elementary to intermediate players of all ages. But what of his other little collection, The First Term at the Piano?

Largely overlooked, except as a curiosity for completists to consider, this seemingly innocuous sequence of 18 short pieces has passed under the radar of most piano teachers, and even though some of the pieces are brilliantly inventive and melodic, they have too rarely surfaced in other collections, exam syllabi or student performances.

Now the US-based pianist, teacher, lecturer and editor Immanuela Gruenberg is looking to turn the tables, resurrecting this work for a new century, and for a new audience.

Her stunning new edition of the pieces – which comes with complete commentary, imaginative lesson plans, and a series of online videos – has recently been published by Hal Leonard in association with Boosey & Hawkes. And as we shall see in this review, it is a genuine must-have purchase for anyone who teaches beginners.