Putting the PLAY back into Playing the Piano


Supporting Educators • Promoting Learning
Written by ANDREW EALES


A Radical Manifesto for Piano Education

According to Plato, “life must be lived as play”.
How might this attitude to life benefit piano education?
We teach others to play the piano, but what do we really mean by play?

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Why do we play the piano?


Supporting Your Piano Playing Journey
Written by ANDREW EALES


The question of why we play the piano would seem to be both an obvious one to ask and an easy one to answer. And yet it rarely is.

In this article I consider four “types” of player, while recognising that many of us combine aspects of most or all of them.

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A Streak of Calm


Playing and Living • Beyond the Notes
Written by ANDREW EALES


A few years back I purchased an app called Calm, which has subsequently become one of the most popular mindfulness apps available on iOS and other digital platforms. With its range of guided meditations, ambient music, soundscapes, breathwork exercises and ‘sleep stories’, Calm has grown to become a superb lifestyle resource, and a deserved success.

Interestingly though, Calm also delivers user stats after each session, with a badge showing one’s ‘streaks’ of consecutive days of practice. I’ve regarded this feature with vague amusement; it seems to owe more to the culture of the gambling arcade than to the ethos of the meditation traditions.

There’s even the opportunity to share your official streaks on social media platforms, something I recently did myself having reached the modest achievement of 100 consecutive days, and curious to see whether it would generate much discussion with friends.

But then an odd, and instructive thing happened: it must have been less than a week later that I ‘missed’ a day…

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The Gamification of Musical Learning


Supporting Educators • Promoting Learning
Written by ANDREW EALES


The rise and rise of electronic video, console and computer games over the last two decades has been spectacular. From Pokémon to Grand Theft Auto, and from Minecraft to Wii Sports, games have become hugely popular and lucrative, and some academics even suggest that they are now the dominant cultural form of the 21st century.

In his much-discussed paper Manifesto for a Ludic Century, Eric Zimmerman suggests that while the twentieth century was the age of information and of moving pictures, the twenty-first is the ludic (game-centric) century.

Zimmerman enthuses,

“Increasingly, the ways that people spend their leisure time and consume art, design, and entertainment will be games, or experiences very much like games.”

We certainly see growing evidence of gamification in music education, and in this article I will be considering and reflecting on the transformative impact this may be having, for better or worse…

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Achievement, Assessment and Motivation


Supporting Educators • Promoting Learning
Written by ANDREW EALES


With a single Tweet, the exam board ABRSM have in the last week provoked what they have themselves described as a “passionate debate”.


Defending their stance, ABRSM confirmed that these are the words of their Chief Examiner, John Holmes, quoted from a presentation at an event in London. In the context of his talk, Holmes will no doubt have made many other points, adding balance and nuance to his position.

That said, his view of a “virtuous circle of motivation” was surely not made up on the spot. We must accept this as his well-rehearsed position on the nature of and relationship between musical achievement, assessment and intrinsic motivation.

Discussion of these important concepts must be welcomed. As teachers it is our basic responsibility to question ideas, absorb good material, develop subject knowledge and promote better understanding. These issues are of course also of interest and importance to the parents of any child learning to sing or play a musical instrument.

Together, let’s begin to unpack some of the many positive ways that we can all celebrate our childrens’ and our own adult achievements.

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The Pianist’s Motivations


Supporting Your Piano Playing Journey
Written by ANDREW EALES


  • What is it that motivates us as pianists?
  • Why did we start learning to play the piano? ..
  • And why do we continue to play?
  • What are our piano goals for the future? ..
  • And how do they excite us?
  • How can we motivate and inspire our students?

Ask these questions to a hundred pianists, and there’s a good chance you will hear a hundred different answers, but common themes will likely emerge.

In this article I am going to consider the many and complex motivations we all experience in life, focussing in on the difference between intrinsic and extrinsic motivations, and how each pertains to our piano playing.

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What Can You Play?


Supporting Your Piano Playing Journey
Written by ANDREW EALES


One of the major stumbling blocks for players is that we too often feel that we are struggling, making little progress, and perhaps just haven’t got what it takes to become a “good player” (however we define what that is).

To enjoy playing an instrument, we need to move beyond this negative self-talk. And I suggest that one of the most easy and powerful ways we can achieve this is to adjust the balance between working and playing during our personal piano time.

Which brings us to the question,

“What can you play?”

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