Iyad Sughayer in Conversation

Iyad Sughayer has been quietly establishing a reputation as one of our brightest upcoming pianists, appearing as soloist with the BBC Philharmonic Orchestra, European Union Chamber Orchestra and the Cairo and Amman Symphony Orchestras, as well as giving solo performances in such prestigious venues as London’s Wigmore Hall and King’s Place, Manchester’s Bridgewater Hall and the Steinway-Haus in Hamburg.

Now he has released his debut recording on the BIS label. A brilliantly conceived and executed disc of solo piano works by Aram Khachaturian (1903-78), the recording is certainly a stunning showcase for the brilliant talents of this young player, who delivers performances of the utmost musical conviction and power.

Sughayer wrote a short piece touching on the nature of musical engagement for Pianodao a couple of years ago, and I was delighted to more recently catch up with him at the Chetham’s Summer School for Pianists, since which I have now had a chance to interview him in more depth for the site…

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My Journey towards the End of Time

I am delighted to host this wonderfully reflective post by the brilliant young pianist Iyad Sughayer, which touches on the nature of musical engagement:

Guest post by Iyad Sughayer

Messiaen’s Quartet for the End of Time is perhaps one of his most celebrated works. Written during his time as a war prisoner at the Nazi Stalag VIII-A camp after the German invasion of France, it is the most intense religiously inspired work I have ever come across.

Despite coming from a Muslim background, having grown up in Jordan, I was still able to understand the strong Catholic Liturgy behind the work. Indeed Messiaen’s Catholic beliefs are clearly and beautifully portrayed throughout the work.

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