Discovering the piano music of Leoš Janáček

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Leoš Janáček (1854-1928) lived a life of music, but it was in his mature phase that he created the most enduring of his masterpieces.

Works such as The Cunning Little Vixen, the orchestral Sinfonietta and Taras Bulba, the Glagolitic Mass, and two popular string quartets have ensured that Janáček’s reputation is now immortalised as one of the greatest ever Czech composers, and a leading figure in the narrative of European music in the early twentieth century.

Janáček composed for the piano throughout his career, from his younger days as a student in Leipzig through to Vzpomínka [Reminiscence], composed in his final year. However, his major published works date from between 1900-1912:

  • On an Overgrown Path (1900, 1908, 1911)
  • Sonata I. X. 1905 (1905) and
  • In the Mists (1912).

In this survey I will take a look at each of these works, followed by a recent compilation of Janáček’s less well-known solo piano music.


In all cases, I will be turning to the benchmark editions from Bärenreiter, which can be regarded as the authoritative performing versions.

Continue reading Discovering the piano music of Leoš Janáček

Martinů: Easy Piano Pieces & Dances

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The composer Bohuslav Martinů’s name will be known to many readers, but perhaps fewer will be familiar with his piano music, other than the gorgeous miniature Colombine Dances, which was such a popular choice when it was set for ABRSM Grade 6 a few years ago.

Born in 1890, Martinů is rightly regarded as one of the great Czech composers of the early 20th century. He was impressively prolific, leaving 15 operas, 14 ballet scores, 6 Symphonies, and a very large body of instrumental and choral music. His musical influences were eclectic – embracing modernism, neo-classicism, jazz and Latin American dance music.

All of which are evident in a new collection of previously unknown piano works, brought to us by Bärenreiter.

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Continue reading Martinů: Easy Piano Pieces & Dances