Memoirs of an Accompanist

Building a Library

Specialist literary publisher Kahn & Averill have a stellar reputation for delivering compelling biographies and autobiographies of interesting and important figures within the classical music world.

I have previously reviewed their biographies of the iconic pianist Dinu Lipatti and more recently the autobiography of filmmaker Christopher Nupen.

And now, hot off the press, comes the autobiography of Helmut Deutsch, one of the most successful and sought-after lieder accompanists of our time.

Deutsch has accompanied, both on stage and in the recording studio, the likes of Hermann Prey, Olaf Bär, Brigitte Fassbaender, Jonas Kaufmann and many others.

His is a career and life in music that will surely yield both insight and a rich seam of anecdote, in the tradition of Gerald Moore’s excellent memoirs, so let’s take a look…

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Listening through the lens

Building a Library

Listening through the lens is the recently published memoir of BAFTA-award winning documentary-maker Christopher Nupen, who has made more than 70 productions on classical music and musicians.

Nupen’s pioneering portrait-films count among their subjects Daniel Barenboim, Jacqueline du Pré, Vladimir Ashkenazy, Itzhak Perlman, Andrés Segovia, Alice Herz-Sommer, Yevgeny Kissin and Daniil Trifonov, many of whom have become lifelong friends.

His 1969 film The Trout, featuring Barenboim, Perlman, Pinchas Zukerman, Jacqueline du Pré and Zubin Mehta performing the beloved Schubert quintet, is legendary; while We Want the Light has won some of the most prized awards in documentary making.

In his book, Nupen tells the story of his varied and often astonishing life…

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