A ‘Call to Women Composers’

Some months ago I was approached by Rose McLachlan, a gifted pianist who is currently studying at the Royal Northern College of Music. Rose wanted to discuss an idea she was developing with EVC Music founder Elena Cobb

’22 Nocturnes for Chopin’ would be a new collection of piano miniatures written in the spirit of the great composer’s works, suitable for players at advanced level (around UK Grades 6-8), and to that end Rose and Elena would extend a “call to women composers” around the world, inviting submissions for consideration.

The eventual selection would be performed by Rose and published by EVC Music. Some half dozen pieces would be commissioned from established composers, while the rest would be previously unpublished.

Rose and Elena were keen for me to help with the selection process, and I had soon agreed to Chair the Selection Committee, which came to include the concert pianist and teacher Kathryn Page, recording artist Anna Heller, and ISM President Vick Bain.

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Chetham’s Summer School for Pianists

Supporting Your Piano Playing Journey
Written by ANDREW EALES


The International Summer School and Festival for Pianists held each summer at the Chetham’s School of Music in Manchester UK is now in its 19th year, and has established itself as one of the major annual events in the piano calendar.

Incorporating a series of nightly public recitals as well as (this year) the sixth Manchester International Concerto Competition for Young Pianists, this extraordinary (if not exhausting!) event benefits from the stunning setting that is Chetham’s School of Music, which includes the new Stoller Hall, several recital and ensemble rooms, a huge fleet of pianos (the school’s impressive collection supplemented by additional pianos on loan from nearby Forsyth’s music store) and the enlarged premises opened in 2012.

The Summer School for Pianists provides the opportunity for players of all ages to have one-to-one lessons with the dozens of internationally respected pianists and pedagogues on site, who comprise a formidable faculty list that reads like a “who’s who” of the international piano scene.

With more than 250 participants in each of the two weeks, the event combines several projects initiated and led by the inspiring and indefatigable husband-and-wife team of Murray McLachlan and Kathryn Page, both of whom are themselves hugely successful pianists, teachers and communicators.

I was delighted to receive an invitation from Murray and Kathryn to visit this uniquely all-encompassing event and see for myself how its strengths combine to add up to more than the sum of its parts, offering a fusion of inspiration, education and creativity for pianists and lovers of the piano of all ages and at all stages of their lives.

In this article I will explain more about how the course works, be a fly on the wall observing some lessons, talk to participants, enjoy the array of concerts, and offer my overall view of the week.

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