Exploring Janina Garścia’s Educational Music

MUSIC FROM CHOPIN’S LAND
In 2020 I was commissioned to record five films showcasing piano music from PWM Edition. Captivated by the music, I asked to see a wider selection. This series was written independently to introduce this wonderful Polish repertoire to a wider audience…


Janina Garścia (1920-2004) was one of Poland’s great piano educators. In addition to teaching in primary schools for close to 50 years, she composed around 700 pieces for younger players, mostly for piano.

Much of her best educational piano music remains in print from PWM Edition, and in this review I will focus on three collections which were selected to feature in the recent Music from Chopin’s Land promotion, together with tutorial and demonstration videos filmed as part of that project.

The three collections I’ll look at here are:

  1. Musical Pictures for the Youngest
  2. Teasers for piano
  3. Little Sonatinas for piano
Continue reading Exploring Janina Garścia’s Educational Music

Filming “Music from Chopin’s Land”

MUSIC FROM CHOPIN’S LAND
In 2020 I was commissioned to record five films showcasing piano music from PWM Edition. Captivated by the music, I asked to see a wider selection. This series was written independently to introduce this wonderful Polish repertoire to a wider audience…


Back in May, I received an email from my friend Tracey Connell suggesting I might be interested in a collaborative project with the legendary Polish publishing house PWM Edition: Polskie Wydawnictwo Muzyczne. And so began an unexpected journey…

PWM Edition (for short) were commissioning well-known piano teachers from France, Italy, Germany, Japan and the UK to film a short series of promotional tutorial videos supporting their range of educational piano music.

Would I like to fly out to Poland and feature in the English films?

Though this seemed a slightly surreal suggestion in the middle of a global pandemic, I sensed that taking part would give me something to shift my focus in a positive direction. And my excitement grew further when, a few days later, an enticing box of music arrived from Kraków.

Quite apart from selecting the five pieces/collections that I would like to discuss in my films, I was immediately taken with many of the other titles. How come this music isn’t better known here in the UK?

Continue reading Filming “Music from Chopin’s Land”