Chetham’s Summer School for Pianists

The International Summer School and Festival for Pianists held each summer at the Chetham’s School of Music in Manchester UK is now in its 19th year, and has established itself as one of the major annual events in the piano calendar.

Incorporating a series of nightly public recitals as well as (this year) the sixth Manchester International Concerto Competition for Young Pianists, this extraordinary (if not exhausting!) event benefits from the stunning setting that is Chetham’s School of Music, which includes the new Stoller Hall, several recital and ensemble rooms, a huge fleet of pianos (the school’s impressive collection supplemented by additional pianos on loan from nearby Forsyth’s music store) and the enlarged premises opened in 2012.

The Summer School for Pianists provides the opportunity for players of all ages to have one-to-one lessons with the dozens of internationally respected pianists and pedagogues on site, who comprise a formidable faculty list that reads like a “who’s who” of the international piano scene.

Alongside these courses, there’s the recently-added Piano Teachers’ Course (led this year by Mark Tanner and Karen Marshall), which I’ve reviewed in more detail in a separate article here.

With more than 250 participants in each of the two weeks, the event combines several projects initiated and led by the inspiring and indefatigable husband-and-wife team of Murray McLachlan and Kathryn Page, both of whom are themselves hugely successful pianists, teachers and communicators.

I was delighted to receive an invitation from Murray and Kathryn to visit this uniquely all-encompassing event and see for myself how its strengths combine to add up to more than the sum of its parts, offering a fusion of inspiration, education and creativity for pianists and lovers of the piano of all ages and at all stages of their lives.

In this article I will explain more about how the course works, be a fly on the wall observing some lessons, talk to participants, enjoy the array of concerts, and offer my overall view of the week.

Continue reading Chetham’s Summer School for Pianists

Dohnányi’s Complete Solo Piano Works

Recording of the Month

In his recent interview for Pianodao, concert pianist Martin Roscoe enthusiastically discussed his long-held ambition to record a complete series of the solo piano works of the great Hungarian composer and polymath Ernő Dohnányi (1877-1960).

Now that ambition reaches its fulfilment, culminating in the fourth and final release in Roscoe’s recorded Dohnányi cycle for Hyperion Records, released this month, and an easy choice for Pianodao’s Recording of the Month.



I’ve been a fan of Dohnányi’s music for several years, not least knowing that my own teacher Joseph Weingarten had been one of his students in Budapest Academy. I’ve been collecting Roscoe’s recordings since the series started, and have been eagerly awaiting this final issue.

Before reviewing the CD itself, here’s a short introduction to the composer and music…

Continue reading Dohnányi’s Complete Solo Piano Works

Martin Roscoe’s Dohnányi Odyssey

photo: Eric Richmond

Exclusive Interview with concert pianist Martin Roscoe

As Hyperion Records release the fourth and final disc in Martin Roscoe’s complete survey of the solo piano music of Ernő Dohnányi it was a delight to have the chance to ask Martin about his Dohnányi odyssey, which has taken so much of his time over recent years.



I was keen to know more about how this extraordinary project came about, and the impact it has made on pianist and audiences alike …

Continue reading Martin Roscoe’s Dohnányi Odyssey