Active Repertoire: An Adult Student’s Perspective

Guest Post by Joni Hawkes

The recent articles on Active Repertoire on Pianodao have struck a chord with me … quite literally.

As an adult beginner into my third year of lessons, I have often found myself avoiding situations where I might be asked to play something, because I simply couldn’t play anything spontaneously without my trusty sheet music to hand.

The more pieces that I learned, the more they were becoming just a growing collection of stuff I couldn’t play.

The concept of Active Repertoire (always having 3 pieces that I enjoy playing, without notice, without embarrassment and without notation) has completely changed my approach to playing.

I now start every practice session by playing my 3 favourite pieces, and whilst I still have the book in front of me, I’m finding that with each session I’m increasingly looking away from the music as I play.

Continue reading Active Repertoire: An Adult Student’s Perspective

Andrew Eales: an interview

Interview by Frances Wilson

This interview includes material that originally appeared on Frances Wilson’s site The Cross-Eyed Pianist, and is reproduced here with her kind permission.

Continue reading Andrew Eales: an interview

Andrew Eales 2016 Recital

I would like to say a HUGE Thank You! to all who supported my 2016 Recital performance at the Chrysalis Theatre, Milton Keynes on Saturday 8th October.

Each year I try to give at least one solo recital locally as an opportunity to share my own playing and enthusiasm with my students, families and friends in the area – as well as those who choose to travel from further afield.

One such is my friend Stephen Marquiss, himself a very highly respected pianist and teacher, who kindly wrote of the evening:

“Treated to a recital by Andrew Eales last night packed with exquisite musical detail, inspired programming and engaging and informative introductions.”

For those who are interested in the programme I played, and would like to explore the music and composers more, here’s the list:

  • Louis Couperin (1626-61): Chaconne in F major
  • Erik Satie (1866-1925): Sarabande No.1
  • Erik Satie:  Gymnopédies 1-3
  • W.A. Mozart (1756-1791):  Piano Sonata in F major K.332

And after the interval:

  • Elena Kats-Chernin (b1957):  Eliza Aria
  • Elena Kats-Chernin:  Butterflying
  • Robert Schumann (1810-1856):  Papillons Op.2
  • Erik Satie:  3 Gnossiennes

At the end I also performed my own composition “Prelude to a Better Year”, a version of which I recorded here:

The concert was held to benefit the Campbell Community Milton Keynes, a charity that all recent Keyquest Music concerts have supported.

Including the ticket sales and refreshments on Saturday, the total amount we have raised for this wonderful cause over the last three years has now risen to more than £5,000.

Thank you for such overwhelming generosity!