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Ludovico Einaudi’s early solo piano albums, which included Le Onde (1996), I Giorni (2001) and Una Matina (2004) established him as the most well-known contemporary piano composer, his most classic pieces ubiquitously appearing in soundtracks and school concerts alike.
Over the years, Einaudi has consolidated his phenomenal success with a string of albums that have expanded his sound. Eden Rock (1999) introduced a wider instrumentation, and string parts have continued to take a particularly important role on albums such as In a Time Lapse (2013) and Elements (2015). Electronic elements and treatments have featured too, notably on Divenire (2006) and Nightbook (2009).
Underwater is Einaudi’s first full album of new solo piano music for two decades. The music was composed while the composer was isolated at his home in Italy. Working without any distractions or the usual commitments that come with his busy schedule, we are told that it is his manifesto for life, and a statement on a period during which the world around him was quiet and silent.
“I felt a sense of freedom to abandon myself and to let the music flow in a different way. I didn’t have a filter between me and what came out of the piano, it felt very pure.”
As a sometime fan of Einaudi’s work, I found Underwater strikingly different to listen to (as have others), and have been looking forward to considering the sheet music folio, which has recently been published by Chester Music / Hal Leonard, and is the subject of this review…Continue reading Ludovico Einaudi: Underwater