Essential Piano Education Resources 2023-24


Supporting Educators • Promoting Learning
Written by ANDREW EALES


Last year’s roundup of the most essential piano teaching resources proved one of the most widely popular of the year, which makes perfect sense. It can be overwhelming keeping track of all the latest and best resources, and a handy annual roundup is actually just as helpful to me as it is for other teachers reading this.

As we approach another academic year, I am therefore once again sharing my list of some of the most essential educational resources and piano music publications of the recent months (and years). The idea is that we can all bookmark this page, and refer back through the year.

To read my in-depth evaluations of each publication shared below, and to get a better understanding of whether it will suit your and your students’ particular needs, simply click on the titles to open the full reviews. Better still, right-click to open in a new tab.

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Penelope Roskell • Essential Piano Technique


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Few aspects of piano playing seem to divide opinion on forums as much as healthy technique: what it is, how, and when to teach it. Happily, anyone who is looking for clear, authoritative answers to these questions can find them aplenty in the milestone (and mammoth) book The Complete Pianist, which I reviewed here when it appeared in 2020.

The author of that definitive and award-winning book is the concert pianist and expert teacher Penelope Roskell, a world-leader in the field of injury-free piano playing, and Piano Adviser to the British Association for Performing Arts Medicine.

Having so plainly and comprehensively shown us what an essential, healthy piano technique looks like in her previous book, Roskell is now back with an attractively presented series of three books aimed at younger beginners and their teachers. Her new Essential Piano Technique books are certainly unlike any previous children’s piano series I have encountered…

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More Than Music Lessons


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Merlin B. Thompson (shown above) is a forward-thinking music educator with over forty years teaching experience in private studio, conservatory and university settings. His career has taken him around the world, and podcast enthusiasts may know of his excellent series, The Music Educator’s Crucible.

Subtitled “A Studio Teacher’s Guide to Parents, Practicing, Projects and Character”, Thompson’s book More than Music Lessons was published a few months ago by Rowman & Littlefield, and is one of those books which could prove to be a game-changer for any instrumental teacher who takes time to absorb and apply the author’s key messages.

According to the author’s introduction,

The book has a four-part framework with sections on Parents, Practising, Projects and Character. In this review, I will touch on the content and give a general overview of the publication itself, hopefully enticing teachers to take a closer look for themselves…

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Sound Stories, Riddles, Puzzles and Plays


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The brilliantly inventive music of Bulgarian pianist and composer Borislava Taneva has steadily become one of the jewels of the Editions Musica Ferrum catalogue.

Taneva’s music appears in the Mosaic books (which I have featured here and will revisit as the series continues to grow), and she has three titles of her own: Sound Stories (2016), and two volumes entitled Riddles, Puzzles and Plays.

Taneva’s music is strikingly creative, and the seam of pedagogy running though it is not simply good: it’s truly inspiring. So read on for a full review and overview…

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Christopher Norton’s “Connections” Series


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Connections started life as a series of eight repertoire books, offering a staggering 185 original compositions by the popular educational composer Christopher Norton.

First published for the North American market by Frederick Harris Music, the series had recently been re-published worldwide by Norton’s own company, 80 Days Publishing. The series now also includes books 9 and 10, each including a further nine Norton originals suitable for more advanced players.

Let’s take a look…

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Finding Your Mentor


Supporting Educators • Promoting Learning
Written by ANDREW EALES


Here’s a very positive trend within the world of piano education: many teachers are enthusiastic about refreshing their skills by attending training courses and seeking out a mentor who can support their ongoing professional development.

Unfortunately though, while there are plenty of courses to choose from, finding a suitable mentor isn’t always so easy. In this post I will consider the qualities to look for, but first of all we need to ask: what is a mentor? 

The Oxford English Dictionary tells us:

With this definition in mind, I will begin by sharing my own journey…

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The Problem with Method Books


Supporting Educators • Promoting Learning
Written by ANDREW EALES


Few topics generate as much heat online as discussion about which piano Method Book series is ‘the best’.

As a reviewer I have more than once found myself on the receiving end of some odd feedback on the subject. One teacher might chastise me for being in their view way too generous in my evaluation of a particular Method Book, while another responds to the same review as if I had just personally insulted their favourite grandma.

In this post I will explain why there will never be a truly perfect Method Book. We’ll consider a balanced curriculum, stare into the abyss of a world without Method Books at all, and hopefully come away with a better idea of how to use Method Books in a sensible, balanced way.

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June Armstrong: Safari


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Composer June Armstrong has now published more than a dozen collections of original solo piano music through her business Pianissimo Publishing, and is especially known for Toy Box (aimed at beginner to pre-grade 1 standard) and its sequel Paint Box (pre-grade 1 to grade 1), the most popular of her previous collections.

Aimed at “beginner to pre-grade 1 standard”, Safari revisits the level of Toy Box. So let’s grab some insect spray and go on an adventure…

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