Guest Post by Katrina Fox
The pandemic has accelerated change in almost all walks of life, and music education is no exception.
The release of the new ABRSM Piano syllabus has coincided with massive changes in the delivery of their practical and theory exams, which have been met with mixed responses from piano teachers, parents and pupils.
In a recent discussion on an online forum, the “prestige” of ABRSM was cited as a significant reason for continuing with their examinations. This point really struck a chord with me and left me feeling uncomfortable, and for the last few days I’ve been turning it over in my mind.
The Oxford Dictionary defines prestige as,
“widespread respect and admiration felt for someone or something on the basis of a perception of their achievements or quality.”
Is prestige a good thing?
Does it confer any benefits in real terms to users?
Does it benefit the majority, or a privileged few?
These questions made me reflect on my own educational experiences, and the impact of prestige in my own development.
Growing up in a working-class family (not poor, but certainly not “well-off”), prestige was something my parents valued enormously as they felt it would give their children better opportunities. However, in these last few days I have realised it has been something I have come to resent.
Looking back, opportunities that I would have loved to participate in were closed off to me either due to finances or resources, or by attitudes I found alienating. My own teacher was both understanding and generous: understanding that my parents could not afford the longer lessons that were required as I moved up the grades, but giving me that time anyway. I was lucky.
This was all three decades ago. But in 2020, should prestige even be a consideration in the education of our young people?Continue reading Prestige: Does it Matter?