A recent review that I read elsewhere suggested that Elena Cobb’s EVC Music has “cornered the market in pedagogical, developmental publications for piano”. While this is something of an overstatement, it is certainly great to see EVC at last receiving its due recognition for a published catalogue that has continued to go from strength to strength.
EVC Music is not just about pedagogy though; the company has been steadily bringing to market a growing and glowing range of performance works by contemporary composers, the latest of which is Art Preludes, a suite of five new pieces by British composer Graham Lynch.
As autumn nears its end, the thoughts of musicians everywhere are no doubt turning to the coming season, likely to be a musically rich one for many.
Piano players and teachers are always on the look out for fresh material, and I’m happy to remind you of two excellent collections co-written by composers Alison Mathews and Barbara Arens, Capturing the Joy of Winter, and Capturing the Spirit of Christmas.
Both were positively reviewed here when they appeared in 2016 and 2017 respectively, and it’s high time to consolidate my thoughts into a single review. So here goes…
Ut Orpheus Edizioni (distributed by Universal Edition) have recently published a new urtext edition of Dussek’s catchily-titled The Sufferings of the Queen of France (for piano of harpsichord), subtitled in the original:
“A Musical Composition, Expressing the feelings of the unfortunate Marie Antoinette, During her Imprisonment, Trial, etc. The Music, adapted for the Piano-Forte or Harpsichord Composed by J.L. Dussek.”
Faber Music’s numerous piano anthologies have established themselves not only as enticing collections of sought-after pieces, but as a barometer of trends in the piano world.
The newly issued Peaceful Piano Playlist exemplifies this perfectly, offering a selection of relaxing classics and “new classical” pieces that will no doubt have huge appeal to teenagers and adults who play for pleasure and to relax.
If the title (and image above) already appeal, there’s a good chance that you will enjoy this publication immensely. So let’s take a closer look (and listen)…
The Summer Repertoire Challenge is ideal for young players (and their teachers!) embarking on the long school holidays, and offers a great starting point for developing an Active Repertoire at the piano!
Ludovico Einaudi’s legion of fans worldwide are no doubt already enjoying his latest release; Seven Days Walking: Day One was released in mid-March, and is to be followed by six further albums, each offering fresh variants on the first, culminating in a boxed set later in the year.
Hot on its heels comes the sheet music publication of the album, brought to us by publishers Chester Music and distributed by Hal Leonard.
In his recent interview for Pianodao, concert pianist Martin Roscoe enthusiastically discussed his long-held ambition to record a complete series of the solo piano works of the great Hungarian composer and polymath Ernő Dohnányi (1877-1960).
Now that ambition reaches its fulfilment, culminating in the fourth and final release in Roscoe’s recorded Dohnányi cycle for Hyperion Records, released this month, and an easy choice for Pianodao’s Recording of the Month.
I’ve been a fan of Dohnányi’s music for several years, not least knowing that my own teacher Joseph Weingarten had been one of his students in Budapest Academy. I’ve been collecting Roscoe’s recordings since the series started, and have been eagerly awaiting this final issue.
Before reviewing the CD itself, here’s a short introduction to the composer and music…
Exclusive Interview with concert pianist Martin Roscoe
As Hyperion Records release the fourth and final disc in Martin Roscoe’s complete survey of the solo piano music of Ernő Dohnányi it was a delight to have the chance to ask Martin about his Dohnányi odyssey, which has taken so much of his time over recent years.
I was keen to know more about how this extraordinary project came about, and the impact it has made on pianist and audiences alike …