Piano Tales for Alice

World Exclusive Preview:  Sheet Music Review

The rise and rise of EVC Music Publications as an exciting and innovative music publisher can’t have escaped the notice of any player or teacher active on social media, and like many I have watched their emergence over the last three years or so with growing interest.

I have previously praised a number of EVC Music’s publications. The Jevdet Hajiyev: Piano Collection 1 was particularly enterprising, and I am enthusiastic for Andrew Higgins’ excellent Birds: Études-Tableaux and the recent reissue of Graham Lynch’s wonderful Sound Sketches series. And I was delighted to report that the EVC Music Star Prize Event at the Royal Albert Hall last month was such a resounding success!

With the publication of Piano Tales for Alice – a brand new collection of easy pieces by acclaimed jazz performer and composer Nikki Iles – it seems to me that EVC Music has unequivocally arrived as a mature and significant force in music publishing.

Building on their activities thus far, with this publication EVC Music has hit the jackpot, bringing to market a genuine classic.

Let’s take a world exclusive preview look …

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Debussy: Where to Start?

Sheet Music Review

It’s all about Claude Debussy for classical music lovers and pianists this year, as we mark the centenary of his death in 1918.

And rightly so! Because few composers have made such a seminal contribution to the pianist’s literature, or composed music which explores such a range of colour, tonal possibility and timbre from the instrument.

Later on in this review I will be taking a  look at the Bärenreiter Urtext edition of Debussy’s Préludes (1er Livre).

But first, what about players who aren’t yet sufficiently advanced for these masterpieces? For the developing pianist, the question often arises – where to start exploring Debussy’s rich, varied and substantial body of piano music?

The good news is that, while Debussy never wrote anything simple, his oeuvre does offer up plenty of music that suits pianists of early advanced, around Grade 5-8 level. And while many of these pieces are among the world’s most cherished, a few remain surprisingly less well-known.

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Indian Raags for Piano made easy

Sheet Music Review

”And now for something completely different …”

John Pitts’ book How to Play Indian Sitar Raags on a Piano was undoubtedly one of the most unique publications submitted for review last year, and as I browsed through the 260-page volume, I have to admit that I was somewhat overwhelmed by the depth and quantity of information in it – to the extent that I felt genuinely unqualified to write a review!

How happy I was, then, to learn that John has written a prequel called Indian Raags for Piano Made Easy, suitable for players from easy to intermediate level (around Grades 1+ to 4 in my view).

This, surely, would be the collection that I needed in order to jump in and have a go at exploring this extraordinary and diverse music! So, how did that work out?

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Bartók: For Children

Sheet Music Review

Bartók’s seminal collection For Children is, in my view, one of the few absolute essential classics of the piano pedagogy repertoire – a work which has in equal measure both charmed and challenged generations of young pianists, and seems as popular with my students today as ever.

Two new versions of this milestone have appeared in recent months: a single-volume complete edition from Boosey & Hawkes, and a brand new urtext edition from Henle Verlag in partnership with Editio Musica Budapest.

In this review I’m going to present each, with some concluding thoughts on their relative merits, and recommendations of which edition will suit whom.

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Martinů: Easy Piano Pieces & Dances

Sheet Music Review

The composer Bohuslav Martinů’s name will be known to many readers, but perhaps fewer will be familiar with his piano music – other than the gorgeous miniature Colombine Dances, which was such a popular choice when it was set for ABRSM Grade 6 a few years ago, subsequently appearing in the third Encore book.

Born in 1890, Martinů is rightly regarded as one of the great Czech composers of the early 20th century. He was impressively prolific, leaving 15 operas, 14 ballet scores, 6 Symphonies, and a very large body of instrumental and choral music. His musical influences were eclectic – embracing modernism, neo-classicism, jazz and Latin American dance music.

All of which are evident in a new collection of previously unknown piano works, brought to us by Bärenreiter.

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