I love it when a music book exceeds my initial expectations, and the three books in Hal Leonard’s new Classical Piano Sheet Music Series score a hat trick on that front.
Between them, these three handsomely presented and well-edited books deliver a very decent survey of Western Classical piano music from the Baroque, Classical and Romantic Eras, and I can warmly recommend them to intermediate pianists and their teachers.
In the review that follows I will include an easy-to-read piece listing for all the pieces in each of the three books, individual purchase links, having first given a general overview of the series…
Here in the UK we celebrate Black History Month each October, and with perfect timing Hal Leonard have recently launched a wonderful new sheet music collection. The African American Folk Songs Collection contains intermediate piano arrangements by Artina McCain of 24 traditional songs.
Dr. McCain, who comes from Arlington, Texas and is now based in Memphis, Tennessee, has won multiple Global Music Awards for her recordings of works by composers of African descent.
In her introduction to this new piano collection she tells us,
“African Americans created a rich history of song and dance. I am proud to say that I am the great-great-great-granddaughter of these strong and resilient enslaved Americans and can trace my origins in America back almost 200 years. In the late 18th century our musical history began with the African American Spiritual (or Negro Spiritual) and is the largest and most significant form of American folk song. There are over 6,000 or these anonymous masterpieces! Through oral tradition, they were passed down from generation to generation and brilliantly blended the rich musical culture of Africa with text describing hardships that they were experiencing in America.”
From this extraordinary treasury of song, McCain has selected her 24 classics for inclusion here, making original, wonderfully pianistic and pedagogically valuable arrangements.
I’m happy to tell you right away that this book is really outstanding, but let’s take a closer look…
In early 1819, the well-known composer and music publisher Anton Diabelli (1781-1858), sent a 32-bar waltz to the most reputable composers of the Austrian Empire, together with an invitation to submit their variations for publication as a collaborative collection.
Among those who responded to the call were Czerny, Hummel, Moscheles, Schubert, and the eleven-year-old Franz Liszt, and from their contributions Diabelli was able to assemble a set of 50 Variations on his theme.
We only know for sure of one composer who explicitly declined Diabelli’s invitation to collaborate: Beethoven. It remains unclear why he did not want to participate directly, but he nevertheless composed his own monumental set of 33 Variations, not directly for Diabelli but exploring alternative avenues of publication.
Beethoven’s 33 Variations on a Waltz Op.120 quickly established itself not only as one of his most important keyboard works, but one of the pinnacle summits of the entire classical piano repertoire, entirely overshadowing the rest of the project.
Delivered for the recent Beethoven 250 anniversary year, Mario Aschauer’s landmark new scholarly performing edition of the Beethoven Diabelli Variations is an essential score for serious students of the work, published by Bärenreiter, BA 9657.
Perhaps even more interestingly however, Bärenreiter have also brought us their edition BA 9656, which includes Beethoven’s masterpiece together with Aschauer’s new edition of the 50 Variations on a Waltz composed by his contemporaries in response to Diabelli’s call.
Let’s take a closer look at this ambitious and exciting publication…
MUSIC FROM CHOPIN’S LAND In 2020, I was commissioned by PWM Edition to record five films showcasing educational piano music by Polish composers. Captivated by my new musical discoveries, I have continued to independently explore and review the music of Chopin’s land…
At the start of this series I gave an account of my surprise 2020 visit to Poland, and in subsequent articles I have discussed some of the best piano music I discovered on my trip, together with the tutorial films that I and a team of international colleagues created to showcase this music to the piano teaching community worldwide.
As the series draws to a close, I would like to share a couple more books that were featured in the PWM promotion, as well as a series of three special collections which actually bear the project name, Music from Chopin’s Land.
And then the punchline! I will end this final post in the series with a short reflection on the lasting lessons I have learnt about piano pedagogy following on from my visit to Chopin’s land…
So, firstly, a few extra reviews and videos for your interest and enjoyment…
Philip Keveren is one of my favourite arrangers and composers whose music has a contemporary popular vibe. He is also clearly industrious: this year alone has seen the release of his clever Circles: Character Etudes in 24 keys (reviewed here) and the hugely appealing Piano Calm (reviewed here), both of which are quickly establishing themselves as firm favourites with my students.
Now Keveren brings us the sequel to the latter collection, Piano Calm Christmas. And if it lives up to its recent predecessors, we can look forward to something very special indeed.
Of all the truly seminal composers in the evolution of the piano repertoire, Gabriel Fauré (1845-1924) remains one of the less performed, his significance little understood, his extraordinary music too easily overlooked.
How welcome then In paradisum, the second instalment in French-Canadian pianist Louis Lortie’s Chandos series A Fauré Recital which began with the excellent Après un rêve(available here) back in 2016, and which we must hope will develop into a complete cycle of this, arguably Fauré’s most important body of music.
Whether you are already an enthusiast for this music or a newcomer to it, Lortie’s winning way with Fauré’s idiom will enchant and enliven your appreciation of this wonderful repertoire, so let’s take the disc for a spin…
For a second month in a row, my piano recording of the month choice comes from the fingers of a young player whose playing I did not immediately warm to, but who has more recently completely won me over.
Víkingur Ólafsson’s DG debut recording focused on the music of Philip Glass, while for his award-winning follow-up he turned to Bach, mixing the composer’s originals with transcriptions and various reworkings. The Icelandic pianist proved his mettle with an ultra-crystalline approach and technique that dazzled critics and music-lovers alike; but it left me just a little cold.
Ólafsson’s latest offering, bringing together a joyous collection of pieces by the French baroque master Jean-Philippe Rameau (1683-1764) interspersed and offset with an eclectic set of beloved and lesser-known pieces by Claude Debussy (1862-1918), is the clincher.
A disc replete with musical marvels, Ólafsson’s album of French keyboard wizardry is revelatory in its insights and deserves the highest plaudits…
Following on from her previous collections of original pieces inspired by works of art Piano Gallery (reviewed here) and Piano Seascapes (reviewed here), Piano Meditations is the latest from best-selling composer Pam Wedgwood, brought to us as ever by publishers Faber Music.
Here we have 12 brand new compositions which are, according to their composer, “inspired by contemplative works of art”, and once again the publication includes a gorgeous full colour pull-out poster featuring images of all the paintings which served as Pam’s muse.
Intermediate players who enjoyed the previous collections, along with Wedgwood’s many fans, will undoubtedly already be rushing to their music supplier for a copy; for the benefit of those wanting more information, let’s take a quick look…
Once in a while, a publication arrives for review which is based on a great concept and is itself essentially a very good product, but where the mismatch between the original intention and its actual delivery is a glaring one, as though at some point in the developmental process there was a communication breakdown.
Core Classics: Essential Repertoire for Piano, a set of seven progressively “graded” solo repertoire books published worldwide today by ABRSM, is a striking example of this phenomenon.
That is a particular disappointment, given that this is actually a beautifully presented and musically interesting series. So let’s find out exactly what Core Classics has to offer…