Jakub Metelka: Little Virtuoso

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Reviewing Modern Piano Studies by the acclaimed Czech pianist, teacher and composer Jakub Metelka back in 2019 I concluded:

“Above all, Jakub Metelka’s Modern Piano Studies offers a set of fun little pieces which marry the benefits of piano studies to the delights of musically engaging bonbons suitable for informal performance and student recitals…
I suspect that teachers who try this book with a single student will soon find themselves returning to it with others, and that it will quietly establish itself as an essential studio favourite.”

It is no surprise that Modern Piano Studies has become an international bestseller, and as a follow-up Bärenreiter have now also published his collection Little Virtuoso, which earlier received the Bronze Medal at the Global Music Awards in 2017.

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Rediscovering Anna Magdalena Bach’s Notebooks

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It is more than 60 years since the last complete critical edition was produced of the famous music notebooks that J.S.Bach compiled for his second wife, Anna Magdalena.

Keenly aware of the need to revisit both collections of 1722 and 1725, and in mind of the tremendous leaps made in Bach scholarship in recent years, leading expert Christoph Wolff’s new critical urtext has recently been published by Edition Peters.

This landmark treasure appears in two separate forms: the Premium Scholarly Edition is a hardback clothbound complete version, while the less expensive Practical Student Edition delivers the shorter pieces from the collections as a more conventional score suitable for learners.

For more information, read on for my full review of both versions…

Continue reading Rediscovering Anna Magdalena Bach’s Notebooks

Rybicki: Young Modernist


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MUSIC FROM CHOPIN’S LAND
In 2020, I was commissioned by PWM Edition to record five films showcasing piano music by Polish composers. Captivated by new musical discoveries, I have continued to independently explore and review this repertoire…


Introducing Polish composer Feliks Rybicki’s educational piano books as part of my Music from Chopin’s Land series, I noted:

“The piano educational music of Feliks Rybicki is one of the great treasures of the pedagogic repertoire, and deserves to be known by teachers and students everywhere…”

In that review I considered his trilogy I Begin to Play, I Am Already Playing and I Can Play Everything for piano, published worldwide by PWM Edition, who have now reissued another of Rybicki’s early intermediate collections, Young Modernist.

This edition once again appears in the “CAT” series aimed at children, in landscape format, and with superb colour illustrations within…

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Schott Music’s Mini Maestros

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Those looking for good anthologies of easy piano music are fairly spoilt for choice these days. Latest to arrive, a set of three new books from Schott Music, compiled by the ever-prolific Hans-Günter Heumann, and collectively titled: Mini Maestro.

With each of the three books containing 50 solo pieces and 3 bonus duets, Mini Maestro certainly offers great value and plenty to dig into, so let’s take a look…

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Julia Hülsmann: Modern Piano Improvisation

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Here’s an interesting concept!

“Is it possible to learn to improvise? The acclaimed jazz pianist Julia Hülsmann answers this question with a resounding ‘yes’. In volume 1 of her Modern Piano Improvisation series she presents an easy and inviting introduction to this skill.
Songs are the main focus of her approach: easy arrangements of 15 jazz classics and original compositions by the internationally-renowned composer Hülsmann. Ideas and themes are given for each piece to help you to create attractive piano solos.
Demo recordings and play-along backings are available as MP3 files to download.”

So reads the blurb on the rear cover of an attractive new publication from advance music, brought to us by Schott Music.

Adding excitement to the mix, author Julia Hülsmann is indeed one of the most distinguished pianists of the contemporary European jazz scene, with a string of albums on the ECM and ACT labels, including the award-winning Scattering Poems.

So let’s take a look…

Continue reading Julia Hülsmann: Modern Piano Improvisation

Türk: Pieces for Beginners

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Schott Music have recently been developing a new series of publications called the Schott Student Edition, presenting core pedagogic repertoire in an attractive, affordable and contemporary format for today’s learners.

With several editions already in the pipeline for string and wind players, pianists can now also start their collection, thanks to the arrival of an excellent new edition of favourite pieces by Daniel Gottlob Türk, edited by Erich Doflein and with new Teaching Notes written by Samantha Ward.

Let’s take a closer look…

Continue reading Türk: Pieces for Beginners

Emil Hradecký: Two-Part Piano Miniatures

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The Czech composer and teacher Emil Hradecký (b. 1953) has devoted much of his creative output to children and the piano. His pieces are frequently inspired by dance music and jazz, and are distinguished by their fresh melodies and distinctive rhythms.

Several of his collections are published here in the UK by Bärenreiter, including his Little Jazz Album for PianoJazz Etudes for Young Pianists and the duet collection Jazzy Pieces for 20 Fingers.

His latest collection is called Two-Part Piano Miniatures on One Page…

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Which Mikrokosmos?

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Bartók’s monumental cycle of 153 educational piano pieces and 33 exercises, published in six volumes as the Mikrokosmos in 1940, is rightly regarded as a  seminal work within the pedagogic literature. But it often strikes me that it is more important than it is popular.

Even in my own studio (and I am a self-confessed Bartók fanatic!) it emerges from the music cupboard far less frequently than the more obviously popular For Children, First Term at the Piano, Rumanian Folk Dances and Ten Easy Pieces.

For those wanting to explore this musical smorgasbord there has never been more opportunity to do so, however, with three excellent editions to choose from. Which, though, is the best?

In this review I will be looking at classic New Definitive Version from Boosey & Hawkes, and comparing the more recent Urtext editions from Henle Verlag and Wiener Urtext Edition. I should note in passing that there is also a budget all-in-one-volume edition from Chester Music, not submitted for review or included in this survey.

Continue reading Which Mikrokosmos?

Online Piano Teacher Training

Guest Post by Garreth Brooke

Like many other piano teachers I have studied music but not pedagogy.

When I first began teaching after finishing my music degree this did not seem such a problem, and certainly it did not stop me from finding work or  my students from telling me that I’m a good teacher. Increasingly, however, I’ve realised that if I want to be a great piano teacher I need to be trained both as a pianist and as a teacher. It doesn’t matter how much we know about music or how well we can play, we have to also understand how to communicate that knowledge effectively to our students.

A 2014 survey on the UK-based Cross-Eyed Pianist blog of private piano teachers revealed that less than half of the respondents had teaching diplomas, and only 30% had training in music pedagogy. This is understandable. Piano teaching often comes as a result of a passion for playing the piano, not because we have always wanted to be a teacher. I’m certainly true in that regard, and indeed actively avoided teaching until forced to by circumstance, when I realised to my surprise that I thoroughly enjoyed it.

In an ideal world, once we realise we want to be a piano teacher, we’d all be able to afford to take 3 years off and get a degree in music pedagogy but unfortunately that’s rarely – if ever –  realistic. Luckily there are several options for part-time study for teachers who are based in the UK or who use the UK examination boards, including studying for a diploma with an exam board like ABRSM or Trinity, getting a qualification from a pedagogical group like Suzuki or Kodály, attending the EPTA’s Practical Piano Teaching course, or signing up for the Curious Piano Teachers.

Only one of these, however, allow you to get a qualification from a recognised examination board from the comfort of your own home: the Curious Piano Teachers run a course that prepares student teachers to take either the ATCL from Trinity College or the DipABRSM in Teaching from ABRSM. This course was however not open for enrollment when I was researching what I could study (the next enrollment date as I write is likely to be in June 2018) and I was therefore excited to learn about the RCM’s Online Piano Teacher Specialist Course, which is run more frequently. (NB for Brits – this is the Canadian Royal Conservatory of Music, not the Royal College of Music).

I eagerly signed up and was thrilled to be invited to share my experiences with the Pianodao readers. I first wrote an article on this topic back in February 2017, when I was in Week 3 of the course. What you are currently reading is the revised and updated version, written in September 2017, a few months after I completed the course.

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