Petits Morceaux pour piano


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France has a rich heritage of keyboard music and a proud tradition of piano pedagogy, and yet for many players in the English-speaking world a first encounter with this superb legacy only occurs at early advanced level, with the introduction of favourite classics by Satie and Debussy.

Two rather wonderful new publications from Durand Edition present us with a fine opportunity to acquaint ourselves with the rewarding seam of music that elementary and intermediate players in France are no doubt already familiar with.

The books are introduced by their publisher as,

“A journey through the most iconic pieces found in the prestigious catalogues of Max Eschig, Durand and Salabert. The pieces are organised in order of playing difficulty. An indispensable edition for a voyage through the world of the piano through its didactic repertoire from the last century.”

The music within is predominantly but not exclusively composed by French composers, and includes a mixture of names that will be familiar to teachers in the English-speaking community alongside some who will be less recognised, but certainly no less deserving of discovery.

In this review I will be delving into each of these two fascinating volumes…

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Jakub Metelka: Little Virtuoso


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Reviewing Modern Piano Studies by the acclaimed Czech pianist, teacher and composer Jakub Metelka back in 2019 I concluded:

“Above all, Jakub Metelka’s Modern Piano Studies offers a set of fun little pieces which marry the benefits of piano studies to the delights of musically engaging bonbons suitable for informal performance and student recitals…
I suspect that teachers who try this book with a single student will soon find themselves returning to it with others, and that it will quietly establish itself as an essential studio favourite.”

It is no surprise that Modern Piano Studies has become an international bestseller, and as a follow-up Bärenreiter have now also published his collection Little Virtuoso, which earlier received the Bronze Medal at the Global Music Awards in 2017.

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Rediscovering Anna Magdalena Bach’s Notebooks


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It is more than 60 years since the last complete critical edition was produced of the famous music notebooks that J.S.Bach compiled for his second wife, Anna Magdalena.

Keenly aware of the need to revisit both collections of 1722 and 1725, and in mind of the tremendous leaps made in Bach scholarship in recent years, leading expert Christoph Wolff’s new critical urtext has recently been published by Edition Peters.

This landmark treasure appears in two separate forms: the Premium Scholarly Edition is a hardback clothbound complete version, while the less expensive Practical Student Edition delivers the shorter pieces from the collections as a more conventional score suitable for learners.

For more information, read on for my full review of both versions…

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Rybicki: Young Modernist


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MUSIC FROM CHOPIN’S LAND
In 2020, I was commissioned by PWM Edition to record five films showcasing educational piano music by Polish composers. Captivated by my new musical discoveries, I have continued to independently explore and review the music of Chopin’s land…


Introducing Polish composer Feliks Rybicki’s educational piano books as part of my Music from Chopin’s Land series, I noted:

“The piano educational music of Feliks Rybicki is one of the great treasures of the pedagogic repertoire, and deserves to be known by teachers and students everywhere…”

In that review I considered his trilogy I Begin to Play, I Am Already Playing and I Can Play Everything for piano, published worldwide by PWM Edition, who have now reissued another of Rybicki’s early intermediate collections, Young Modernist.

This edition once again appears in the “CAT” series aimed at children, in landscape format, and with superb colour illustrations within…

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Schott Music’s Mini Maestros


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Those looking for good anthologies of easy piano music are fairly spoilt for choice these days. Latest to arrive, Mini Maestro is a set of three books from Schott Music, compiled by the ever-prolific Hans-Günter Heumann.

With each of the three books containing 50 solo pieces and 3 bonus duets, Mini Maestro certainly offers great value and plenty to dig into, so let’s take a look…

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Julia Hülsmann: Modern Piano Improvisation


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Here’s an interesting concept!

So reads the blurb on the rear cover of an attractive new publication from advance music, brought to us by Schott Music.

Adding excitement to the mix, author Julia Hülsmann is indeed one of the most distinguished pianists of the contemporary European jazz scene, with a string of albums on the ECM and ACT labels, including the award-winning Scattering Poems.

So let’s take a look…

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Türk: Pieces for Beginners


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Schott Music have recently been developing a new series of publications called the Schott Student Edition, presenting core pedagogic repertoire in an attractive, affordable and contemporary format for today’s learners.

With several editions already in the pipeline for string and wind players, pianists can now also start their collection, thanks to the arrival of an excellent new edition of favourite pieces by Daniel Gottlob Türk, edited by Erich Doflein and with new Teaching Notes written by Samantha Ward.

Let’s take a closer look…

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Emil Hradecký: Two-Part Piano Miniatures


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The Czech composer and teacher Emil Hradecký (b. 1953) has devoted much of his creative output to children and the piano. His pieces are frequently inspired by dance music and jazz, and are distinguished by their fresh melodies and distinctive rhythms.

Several of his collections are published here in the UK by Bärenreiter, including his Little Jazz Album for PianoJazz Etudes for Young Pianists and the duet collection Jazzy Pieces for 20 Fingers.

His latest collection is called Two-Part Piano Miniatures on One Page…

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Which Mikrokosmos?


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Bartók’s monumental cycle of 153 educational piano pieces and 33 exercises, published in six volumes as the Mikrokosmos in 1940, is rightly regarded as a  seminal work within the pedagogic literature. But it often strikes me that it is more important than it is popular.

Even in my own studio (and I am a self-confessed Bartók fanatic!) it emerges from the music cupboard far less frequently than the more obviously popular For Children, First Term at the Piano, Rumanian Folk Dances and Ten Easy Pieces.

For those wanting to explore this musical smorgasbord there has never been more opportunity to do so, however, with three excellent editions to choose from. Which, though, is the best?

In this review I will be looking at classic New Definitive Version from Boosey & Hawkes, and comparing the more recent Urtext editions from Henle Verlag and Wiener Urtext Edition. I should note in passing that there is also a budget all-in-one-volume edition from Chester Music, not submitted for review or included in this survey.

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