The music of Spanish composer Enrique Granados (1867-1916) is surely one of the great treasuries of the piano repertoire, with imaginatively engaging and brilliantly crafted pieces suitable for players at all levels of development.
And yet too many are unaware of the breadth of Granados’s output, despite instantly recognising his name; aside from a couple of the pieces from his monumental masterpiece Goyescas and one or two easy pieces which have been picked up by music examination boards, much of his music remains largely unexplored by today’s players.
The brilliant Alicia de Larrocha (1923-2009) did much to popularise the music of Granados alongside the other great composers of her country, but for me the discovery of his music was first made through the fabulous complete set recorded by Martin Jones for Nimbus back in 2001, which has proved an ongoing source of musical delight.
And yet still too-little cherished, much of this music remains rarely heard.
Appearing last year, but a fresh discovery to me, French pianist Myriam Barbaux-Cohen’s disc of Granados’s music offers another noteworthy opportunity to discover some of the hidden music that you may have missed!
With Spring in the air, the sunny disposition of this disc definitely belongs to this moment, so let’s take it for a spin. It’s my February 2021 Recording of the Month…
Since winning the BBC Young Musician of the Year in 2014, Martin James Bartlett has become a welcome and friendly presence in concert halls as in the media, while also pursuing his further studies as a Foundation Scholar at London’s Royal College of Music.
Having recently signed to major label Warner Classics, Martin’s debut album was released at the start of May. Entitled “Love and Death”, the recording must I believe be regarded as marking a very significant arrival in the classical music world, Bartlett casting his spell with an imaginative programme of music by J.S. Bach, Franz Liszt, Enrique Granados and Sergei Prokofiev…
In his recent interview for Pianodao, concert pianist Martin Roscoe enthusiastically discussed his long-held ambition to record a complete series of the solo piano works of the great Hungarian composer, teacher and polymath Ernő Dohnányi (1877-1960).
Now that ambition reaches its fulfilment, culminating in the fourth and final release in Roscoe’s recorded Dohnányi cycle for Hyperion Records, released this month, and an easy choice for Pianodao’s Recording of the Month.
I’ve been a fan of Dohnányi’s music for several years, not least knowing that my own teacher Joseph Weingarten had been one of his students in Budapest Academy. I’ve been collecting Roscoe’s recordings since the series started, and have been eagerly awaiting this final issue.
Before reviewing the CD itself, here’s a short introduction to the composer and music…
Yuja Wang’s meteoric rise to global stardom has been one of the most extraordinary stories of the piano world over the last decade.
When her debut CD for Deutsche Grammophon was released back in 2009 she was barely in her 20’s and many (me included) raised their eyebrows at her choice of programme, opening with Chopin’s monumental B flat minor Sonata and squeezing in performances of Scriabin’s 2nd Sonata and two Ligeti Etudes before finishing with Liszt’s Sonata in B minor. As it turned out, she performed all these with aplomb, her Liszt in particular being among the very best readings recently committed to disc.
Since then, the Chinese virtuoso has recorded concerti by Rachmaninov, Prokofiev (perhaps the most emotionally gripping performance I’ve yet heard of his grief-ridden 2nd Concerto), Ravel and Mendelssohn. Her solo discs Transformation and Fantasia have delighted fans, and she has lit up the world’s greatest concert halls with her technically explosive and musically rapt playing.
Now she’s back with a new recording. The Berlin Recital was recorded live at the Berlin Philharmonie Kammermusiksaal in June 2018, and features a bedazzling programme of music by Rachmaninov, Scriabin, Ligeti and Prokofiev.
London College of Music Exams may be less well known to readers than the ABRSM and Trinity College London boards which I have written about previously, but that may be about to change
Certainly LCM offer a very wide range of different assessments for piano players. According to pedagogue David Barton:
“I estimate that LCM offer nearly 20 different options for pianists at 15 different levels, right from the earliest stages of learning, through to the Fellowship of the London College of Music (FLCM). The range of options now available is fantastic; I feel enormously lucky to be teaching at a time when the needs of a diverse range of learners of all ages is finally being met by examination boards, led, in my view, by LCM. We live in exciting times, and it will be interesting to see what options continue to develop in the future.”
And it isn’t just in the area of examinations that LCM are looking to innovate and lead the way, but also in the area of publications…
When new Publications OfficerDavid Duncan told me that he hopes to significantly shake up their publications, I quietly thought to myself ”thank goodness”, as their previous efforts haven’t been particularly user friendly, well edited, or attractively presented.
That said, nothing prepared me for the extent and speed with which LCM Publications would reinvent itself: their new collection of selected works from their Piano Diploma syllabus has taken my breath away.
Put simply ’In Concert’ is an extraordinary achievement, and in a completely different league from LCM’s previous published efforts. And whether or not you are interested in LCM’s Diploma exam, this is a highly desirable new collection for players looking for interesting and diverse repertoire at this level.