Piano Scales – Pianodao

Improve Your Scales!

Products featured on Pianodao are selected for review by ANDREW EALES.
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Since the ABRSM exam board significantly reduced their piano scales requirements last year (read a full analysis here), many have agreed that their requirements alone no longer provide the solid framework players need for the development of technique, an awareness of keys and assimilation of archetype fingering patterns.

Of the respected educators who have subsequently sought to fill the void with superior learning resources, I have already covered Catherine McMillan’s gorgeously presented Piano Scales Mnemonics (reviewed here) and Karen Marshall superb Piano Trainer Scales Workbook (reviewed here).

Joining these excellent resources, Paul Harris has now completely rewritten his popular Improve Your Scales! series, and like McMillan and Marshall has eschewed the ill-conceived limitations of ABRSM to embrace a more comprehensive and educative approach.

As Harris announces a the start of each of the six books in his new series, which cover the Initial to Grade Five requirements for all major exam boards,

“Scales, arpeggios and broken chords are important. And if taught and learned imaginatively, they can be fun!”

This is another of those moments where a disclaimer is required; Paul invited my feedback on his ideas while developing his vision for the new series, and as a good friend welcomed my help with the proof reading.

The genius in these books is all his though, so let’s see how he’s done things differently from others, and establish why these books stand out as another teaching studio essential…

The Piano Trainer Scales Workbook

EDUCATIONAL RESOURCES

Products featured on Pianodao are selected for review by ANDREW EALES.
PIANODAO REVIEWS POLICY

A couple of years ago I suggested to author Karen Marshall and publishers Faber Music that it would be really useful to have an all-in-one scales manual within the popular Piano Trainer series. And here it is!

According to Faber Music,

“This all-in-one workbook for scales, arpeggios and broken chords includes all the keys and basic shapes piano students should learn. With clear scale notation, easy-to-visualise keyboard diagrams and excellent theory activities to consolidate understanding and underline the importance of writing music. It is ideal for developing a bespoke scale curriculum.”

The Piano Trainer Scales Workbook is certainly all of this, and the 72-page book is chock-full of neat ideas and judiciously selected material, so let’s take a closer look…

Piano Scale Mnemonics

EDUCATIONAL RESOURCES

Products featured on Pianodao are selected for review by ANDREW EALES.
PIANODAO REVIEWS POLICY

Recommending a no-fuss scale book used to be a simple matter: just get a copy of the ABRSM Grade 5 book as was, and all the keys were there, clearly presented in order. But following ABRSM’s 2021 piano scales revision this is no longer the case, their new graded scale books offering a shockingly slight smattering of just a few scales, as limiting as they are limited.

Good teachers everywhere are inevitably (if sadly) left looking for more helpful alternatives, and thankfully a number of well-known writers are presently forming an orderly queue to occupy the educational high ground that the exam board have so perplexingly ceded.

Paul Harris’s revised Improve Your Scales books look to a composite of all the exam boards for common sense, while Karen Marshall’s Piano Trainer series from Faber Music will soon add an all-purpose scales book specially devised to fill the gap. I will be reviewing both these resources in the coming months.

Meanwhile, here’s a new book from Catherine McMillan, whose unique take on learning scales will particularly appeal to children, and whose stunningly presented Piano Scale Mnemonics book is now a studio essential.

Learning to Play with Precision

PATHWAYS FOR PLAYING

Supporting Your Piano Playing Journey
Written by ANDREW EALES

In my recent article Why Bother with Scales? I considered the many benefits that arise from regularly playing and teaching scales and arpeggios.

In this shorter post I’m going to hone in on one especially important advantage which is sometimes overlooked entirely:

Regular scale and arpeggio practice trains the brain and the fingers to develop precision in judging and playing all intervals up to a fourth, using any standard combination of shapes and fingerings, and in all the standard keys.

This significant benefit is certainly not to be sniffed at, and fosters a technical ability that is otherwise unlikely to develop during the formative stages of learning the piano. Let’s consider how this works…

Why Bother with Scales?

PATHWAYS FOR PLAYING

Supporting Your Piano Playing Journey
Written by ANDREW EALES

“For many, scales and arpeggios are an academic, dry and soulless part of learning the piano, and have to be practised because, like cod liver oil, they are ‘good for you’.”

Anthony Williams, The Piano Teacher’s Survival Guide (Faber Music, 2017)

Why bother with scales? (by which, for the purposes of this article, I also mean arpeggios and broken chords) …

In order to properly answer this question, this article will consider these related questions, of vital importance to students and teachers concerned to know about the purpose and value of teaching and learning scales:

What are the benefits of learning scales?
Is it important to use consistent fingering?
Why is cumulative learning better than exam cramming?
How can scales practice and creativity go hand-in-hand?

Let’s get started by considering the core benefits of learning scales…