Yann Tiersen: Kerber

SHEET MUSIC REVIEW • by ANDREW EALES
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Yann Tiersen is best known for his brilliant and suitably quirky soundtrack to the movie Amélie, which yielded such contemporary classics as the Waltz from Amélie and of course Comptine d’un autre été.

Tiersen’s varied career has taken in further soundtrack work as well as solo instrumental recording projects, the latest of which is the album Kerber, released last month. Kerber maintains the signature sound that his fans have come to love so much, mixing lush piano lines with a gorgeous bed of electronic musical elements, ranging from the subtle to retro kitsch sci-fi.

Comprising 7 tracks which combined last around 46 minutes, Kerber is one of those albums within the new classical space which I think deserves repeated listens, and which I believe will stand the test of time.

Whether this is music that solo piano players will find themselves performing is another matter, but to help satiate the enthusiasm of Tiersen’s fans, Hal Leonard have just published the music book. So do these pieces work without the album’s other musical trappings? Let’s find out…

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Adriano Cirillo: Deux Valses

SHEET MUSIC REVIEW • by ANDREW EALES
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Edition HH is one of the few independent boutique publishers whose releases consistently impress, with an enterprising and eclectic catalogue that ranges from Baroque and Classical rediscoveries to contemporary compositions.

Among the latter, Edition HH publishes the work of Italian composer Adriano Cirillo, born in 1951 in Bari. Cirillo studied with acclaimed composer Nino Rota, who is perhaps best known for his scores to movies such as The Glass Mountain and The Godfather, but who also composed ten operas and a significant body of concert works.

Rota’s influence is palpable in Cirillo’s hugely enjoyable Duex Valses, freshly published by Edition HH and the subject of this short review…

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James Welburn: Reflections in Waltz

SHEET MUSIC REVIEW • by ANDREW EALES
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Around this time last year I reviewed James Welburn’s Musical Escapades (you can read that review here), and was very positive about his original piano music, concluding:

“What impresses me most of all is the infectious good humour and the compelling imagination that runs throughout the whole collection…
James Welburn has with this collection made a stunning Editions Musica Ferrum debut; he is clearly a composer to watch, and among this publisher’s rich and growing catalogue, Musical Escapades becomes one of their best publications yet.”

Now Welburn is back with a new collection, once more published by Musica Ferrum. Reflections in Waltz offers seven new original pieces, again suited to players at late-intermediate level…

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